A secret life of mysterious script left on the wall of an ancient maze. A volcanic island which erupted poisonous gases and is full of mysterious knowledge. Wallanders: - They left in Labyrinth.-- They play chess standing up side down.-- One of them looks for super powers.-- They are able to cross corners.-- Pyramid temple took one of them.-- They faced power of magic substance.--A Happy End.

Almost 20 years since he first appeared in Henning Mankel's novel Faceless Killers, the sad Swedish detective Kurt Wallander has become a worldwide success story. Mankel's compelling books about the idealistic police inspector -- who is even more miserable that Morse -- have sold more than 30 million copies in 43 different languages and inspired more than 25 film adaptations. In Europe, readers took instantly to the troubled, lonely cop with his horrendous health problems and catastrophic home life. The nine Wallander novels became runaway bestsellers all over Europe, but in Britain and the United States success was slower to take off. But now, since Kenneth Branagh has taken on the central role in the acclaimed and award-winning BBC series, British and American fans have really taken Wallander to their hearts. The popularity of the character has turned the small Swedish town of Ystad into one of the country's top tourist attractions and many British and American visitors are joining the queue to visit murder scenes and immerse themselves in the bleak landscape made famous on screen. Yet Wallander is much more than just another TV crime series. Henning Mankel invented the caring policeman as a vehicle to write about the disturbing increase in violence and racism that was undermining the comfortable social democracy of Sweden. Those problems are as international as Wallander's appeal.

What do you call a group of boys who set out to explore the unknown? the Moaning Walls They called themselves the Questors, and they're ready for excitement, adventure and mayhem. Brothers Mike and Louie, ages ten and thirteen, and their two best friends, Chad and Shane, are curious when they hear about a haunted house in their neighborhood. They decide to investigate, but before they get to the house, they must first overcome many obstacles such as figuring out how to get around a large, black dog named Mutt that lies in their path. Summoning their courage, the boys manage to reach the haunted house, where jittery nerves and active imaginations keep them on their toes. In their second adventure, The Moaning Walls, one of the questors is threatened by mysterious sounds coming from the attic. Once again the boys must use their skills to solve the mystery. Aided by one of their teachers, a believer in the supernatural, and Stacey, Shane's eleven-year-old sister, the boys fib their way into a night in the house alone with the mysterious presence. Will they discover the reason for the sounds or be frightened out of their wits in the process?

A Companion to Nordic Cinema presents a collection of original essays that explore one of the world’s oldest regional cinemas from its origins to the present day. Offers a comprehensive, transnational and regional account of Nordic cinema from its origins to the present day Features original contributions from more than two dozen international film scholars based in the Nordic countries, the United States, Canada, Scotland, and Hong Kong Covers a wide range of topics on the distinctive evolution of Nordic cinema including the silent Golden Age, Nordic film policy models and their influence, audiences and cinephilia, Nordic film training, and indigenous Sámi cinema. Considers Nordic cinema’s engagement with global audiences through coverage of such topics as Dogme 95, the avant-garde filmmaking movement begun by Danish directors Lars von Trier and Thomas Vinterberg, and the global marketing and distribution of Nordic horror and Nordic noir Offers fresh investigations of the work of global auteurs such as Carl Th. Dreyer, Ingmar Bergman, Lars von Trier, Aki Kaurismäki, and Roy Andersson. Includes essays on Danish and Swedish television dramas, Finland’s eco-documentary film production, the emerging tradition of Icelandic cinema, the changing dynamics of Scandinavian porn, and many more

The story of the Swedish detective’s beginnings, told in five gripping short mysteries: “An indispensable chapter to the saga” (Booklist Online). Here are the stories that trace, chronologically, Kurt Wallander’s growth from a rookie cop into a young father and then a middle-aged divorcé, illuminating how he became a first-rate detective and highlighting new facets of the character who “remains one of the most impressive and credible creations of crime fiction today” (The Guardian). “Wallander’s First Case” introduces us to the twenty-one-year-old patrolman on his first homicide case: his next-door neighbor, seemingly dead by his own hand. In “The Man with the Mask”, Wallander is a young father confronting an unexpected threat on Christmas Eve. On the brink of middle age, he is troubled by a distant wife as he unravels the poisoning of a lonely vacationer in “The Man on the Beach.” Newly separated in “The Death of the Photographer,” Wallander investigates the brutal murder—and the well-concealed secrets—of the local studio photographer. In the title story, he is a veteran detective uncovering unexpected connections between a downed mystery plane and the assassination of a pair of elderly sisters. Written from the unique perspective of an author looking back on the life of his own character, these mysteries are vintage Henning Mankell and essential reading for fans of the fiction series or the BBC program Wallander starring Kenneth Branagh. The Pyramid is a wonderful display of Mankell’s virtuosity powers as “the unrivalled master of Swedish crime fiction and one of the finest practitioners of the genre anywhere” (Toronto Star).

The enormous popularity of Stieg Larsson's Millennium trilogy has raised awareness of other contemporary European authors of crime fiction. As a result, several of these novelists now reach a receptive American audience, eager for fresh perspectives in the genre. This critical text offers an introduction to current European crime writing by exploring ten of the best new crime nd mystery authors from Sweden (Stieg Larsson and Henning Mankell), Norway (Karin Fossum and Jo Nesbo), Iceland (Arnaldur Indridason), Italy (Andrea Camilleri), France (Fred Vargas), Scotland (Denise Mina and Philip Kerr), and Ireland (Ken Bruen), who are reshaping the landscape of the modern crime novel. Instructors considering this book for use in a course may request an examination copy here.

This book examines science fiction’s theoretical and ontological backgrounds and how science fiction applies to the future of tourism. It recreates and invents the future of tourism in a creative and disruptive manner, reconceptualising tourism through alternative and quantum leap thinking that go beyond the normative or accepted view of tourism. The chapters, focusing on areas such as disruption, sustainability and technology, draw readers into the unknown future of tourism – a future that may be disruptive, dystopian or utopian. The book brings a new theoretical paradigm to the study of tourism in a post COVID-19 world and can be used to explore, frame and even form the future of tourism. It will capture the imagination and inspire readers to address tourism’s challenges of tomorrow.