Havana . . . lilting rumbas, caf con leche, sultry sea breezes. Sparkling white beaches by day, scintillating nightclubs after dark. This sophisticated, international capital was the crown jewel of an island paradise-until the idealism that fed the Cuban Revolution yielded a nightmare of soul-crushing dictatorship. Adios, Havana is a true account of romance and peril, adventure and patriotism. Fueled by love-love of family, of country, and of each other-a young couple must face the most wrenching of choices: remain in the country they cherish, lose the wealth and position their families strove for generations to attain, and watch their children grow up impoverished under a terrifying regime; or risk escaping with no money or possessions and leave behind all they have ever known to begin a new life in a strange land. A legacy to future generations, this memoir is intended to remind readers of the fragility of freedom . . . to describe the disintegration of a prosperous civilized society and offer counsel on how to prevent a similar catastrophe from happening in America . . . and to show how and why penniless refugees flourish in the land of the free-why anyone who resists oppression would be driven to tell his beloved homeland, Adios.

This Edgar Award–winning crime novel offers “pulp fiction in Castro’s Cuba” (Martin Cruz Smith, author The Girl from Venice). Alicia is a smart, confident, and gorgeous prostitute in Havana. She is not a streetwalker. Rather, she displays her wares on bicycle, seducing men through the irresistible pull of her fine derrière. John King, her new client, is a Canadian businessman with a striking resemblance to movie star Alain Delon. This is no ordinary john, and as Alicia’s feelings for him grow, she sees in their relationship the possibility of escape from her dead-end life in a city plagued with scarcity. So when King’s wealthy and sexually deviant boss is suddenly killed, Alicia and John hatch a get-rich-quick scheme. A web of deception is woven—but it will be quickly and disastrously unraveled, and only one person will be able to say adiós to the dilapidated island of Cuba . . . “Fun, fast, and intelligent . . . A madcap caper full of twisted sex, devious schemes and high-rolling hijinks . . . Will leave readers clamoring for more.” —Publishers Weekly “The book’s cynical take on ambition and greed is tempered by humor and humanity.” —The New York Times “Impossible to put down. This is a great read.” —Library Journal

"Alexis Daria's A Lot Like Adiós is a charming, sexy spitfire of a novel! Romance readers, this is your new favorite book!" --Emily Henry, #1 New York Times bestselling author of People We Meet on Vacation The national bestselling author of You Had Me at Hola returns with a seductive second-chance romance about a commitment-phobic Latina and her childhood best friend who has finally returned home. Hi Mich. It’s Gabe. After burning out in her corporate marketing career, Michelle Amato has built a thriving freelance business as a graphic designer. So what if her love life is nonexistent? She’s perfectly fine being the black sheep of her marriage-obsessed Puerto Rican-Italian family. Besides, the only guy who ever made her want happily-ever-after disappeared thirteen years ago. It’s been a long time. Gabriel Aguilar left the Bronx at eighteen to escape his parents’ demanding expectations, but it also meant saying goodbye to Michelle, his best friend and longtime crush. Now, he’s the successful co-owner of LA’s hottest celebrity gym, with an investor who insists on opening a New York City location. It’s the last place Gabe wants to go, but when Michelle is unexpectedly brought on board to spearhead the new marketing campaign, everything Gabe’s been running from catches up with him. I’ve missed you. Michelle is torn between holding Gabe at arm’s length or picking up right where they left off—in her bed. As they work on the campaign, old feelings resurface, and their reunion takes a sexy turn. Facing mounting pressure from their families—who think they’re dating—and growing uncertainty about their futures, can they resolve their past mistakes, or is it only a matter of time before Gabe says adiós again?

A collection of autobiographical vignettes by the respected food writer profiles the pre-Castro Havana of her youth, remembers her large and often eccentric family, and shares a series of recipes that she associates with particular family members, from Calabaza fritters and oxtail stew to concellita and rice with chorizo. 35,000 first printing.

In a detective story set against the backdrop of Hemingway's Cuba, the discovery of the skeletal remains of the victim of a forty-year-old murder on the Havana estate of Ernest Hemingway, draws ex-cop Mario Conte back into the game to investigate a crime with roots in Hemingway's Cuba four decades earlier.

Alfredo José Estrada's intimate ties to Havana form the basis for this "autobiography," written as though from the city's own heart. Covering the island's five hundred year history, Estrada portrays the adventurers and dreamers who left their mark on Havana, including José Martí, martyr for Cuban independence; and Ernest Hemingway, the most American of writers who became an unabashed Habanero. Deeply personal and affecting, Havana is the accessible and complete story of the city for the history buff and armchair traveler alike.