In a small Australian country town, a young woman is accused of the murders of her own daughter and the local rat catcher's wife. As she stands to face the charges in court, a stranger enters, determined to explain her crimes. This masterly story from Woman in a Lampshade perfectly displays Elizabeth Jolley's remarkable talent for character and story.

In her extraordinary career, spanning over fifty years, Ita Buttrose has been involved in every aspect of the media, from newspapers and magazines to television and radio and now, electronic publishing. Starting as a copygirl on The Australian Women's Weekly, by the age of sixteen her journalism career was well underway when she was granted a cadetship on the Daily and Sunday Telegraphs. In Starting Out Ita describes discovering her love of journalism and publishing, how she overcame the challenge of being a woman in the workplace in the fifties and sixties, and the excitement of seeing her first byline in print. Starting Out is an engaging and insightful account of the early days of Ita Buttrose's career, depicting events that have shaped one of Australia's most prominent and distinguished women.

When Jill Meagher went missing and was then found murdered in 2012, the city of Melbourne was shaken to the core. Emotional responses ranged from grief to guilt to rage to defensiveness, but no one was left untouched. The media coverage was unrelenting and overwhelming, constantly updating readers and viewers on the latest awful details, and friends and neighbours couldn't help but discuss it. Here acclaimed writer Michaela McGuire eloquently describes how, as the story continued to unfold, it wove itself through the fabric of the city. A Story of Grief is a deeply moving examination of the act of grief and how the death of someone we don't know personally can still consume us. 'Affecting and thought-provoking.' Newcastle Herald

Rhonda Hetzel feels passionately that living simply leads to a richer, more fulfilling existence. Having made the decision to live frugally, embrace sustainability and opt out of the capitalist consumerist mindset, she set about working out how to achieve her goal, learning traditional skills, reducing her spending and environmental impact and focusing on the simple things that make life worth living: family, friends, and a home-cooked meal. This is the story of her journey and the lessons she has learned along the way. Rhonda relates why she wanted to change her lifestyle, what simple living means to her, and offers guidance to those thinking about taking the same path.

Liam Pieper's made some poor life choices, but he's (usually) meant well. He's tried to write important stories, fight racial prejudice and rescue traumatised puppies. And he's ended up with life-threatening infestations, a punch in the face at a Leonard Cohen concert and brief detention by counter-terrorism experts. Taking us from Nimbin to US border security to the star-studded Chateau Marmont in LA, these four essays are compelling, insightful and very funny. Mistakes Were Made is about the gap between our ideals in life – of love, compassion, ambition – and how things actually play out. 'His writing is electric: charged with meaning and energised by surprising comedic turns.' Weekend Australian 'Charming and amusing.' Sunday Age 'The ability to laugh at yourself is arguably the most valuable quality you can cultivate as a writer, and Liam Pieper has it in spades . . . he does hilarious self-deprecation with considerable panache.' Sydney Morning Herald

Jørn Utzon designed the Sydney Opera House so that every element would be in harmony. But its construction, while it began in just that way, ended in complete discord. The visionary state government that commissioned the project was replaced by one that did not appreciate it and stopped funding it. Utzon was forced out. The interiors he planned went unbuilt and rumours were spread about his departure. In this incisive essay, to celebrate the Opera House's fortieth anniversary, Daryl Dellora draws on his own past interview with Utzon to pull those rumours apart. Along with the architect's original intentions, he reveals how misguided was the attempt to thwart one of the modern world's architectural masterpieces.

Almost half the Australian population will experience some form of mental illness in their lifetime yet it is still difficult to find the right treatment and stay well. Kate Richards is well positioned to ask the hard questions about our mental health system. She experienced episodes of depression and psychosis well into her adult life and is a trained doctor. Kate argues for empowering patients and their families to be active members of treatment teams. She challenges the common belief that patients are responsible – even somehow to blame – for the existence of their illnesses and makes a plea for mental health professionals to reach out across the patient–therapist divide and find a human connection. When mental health patients are heard, respected and understood, sustained healing can begin. Kate's experiences are detailed in the critically acclaimed Madness: A Memoir, winner of the Adelaide Festival Awards for Literature 2014 nonfiction prize. She is now a full-time writer, working part-time in medical research, and has learnt how to live a happy and productive life with a chronic mental illness. 'With swift, bold brushstrokes she plunges us into [these] fractured worlds . . . These powerful vignettes show those suffering mental illness as ordinary people rather than as statistics or ''patients''.' The Saturday Age