In Black Literature and Humanism in Latin America, Richard L. Jackson explores literary Americanism through writings of black Hispanic authors such as Carlos Guillermo Wilson, Quince Duncan, and Nelson Estupiñán Bass that in many ways provide a microcosm for the larger literature. Jackson traces the roots of Afro-Hispanic literature from the early twentieth-century Afrocriollo movement--the Harlem Renaissance of Latin America--to the fiction and criticism of black Latin Americans today. Black humanism arose from Afro-Hispanics' self-discovery of their own humanity and the realization that over the years they had become not only defenders of threatened cultures but also symbolic guardians of humanity. This humanist tradition had enabled writers such as Manuel Zapata Olivella to write of a Latin America "from below" the slave-ship deck and "from inside" the mind of Africa. Though many writers have adopted black literary models in their quest for a "poetry of sources, of fundamental human values," Jackson demonstrates that literature about blacks by blacks themselves is clearly separate from, yet instrumental to, these other works. Relating the vision of Latin American blacks not only to other Latin American writers but also to North American literary critics such as Eugene Goodheart and John Gardner, Jackson stresses the universal power of resisting oppression and injustice through the language of humanism.

Between 1890 and 1930, the port city of Guayaquil, Ecuador, experienced a liberal revolution and a worker's movement—key elements in shaping the Ecuadorian national identity. In this book, O. Hugo Benavides examines these and other pivotal features in shaping Guayaquilean identity and immigrant identity formation in general in transnational communities such as those found in New York City. Turn-of-the-century Ecuador witnessed an intriguing combination of transformations: the formation of a national citizenship; extension of the popular vote to members of a traditional underclass of Indians and those of African descent; provisions for union organizing while entering into world market capitalist relations; and a separation of church and state that led to the legalization of secular divorces. Assessing how these phenomena created a unique cultural history for Guayaquileans, Benavides reveals not only a specific cultural history but also a process of developing ethnic attachment in general. He also incorporates a study of works by Medardo Angel Silva, the Afro-Ecuadorian poet whose singular literature embodies the effects of Modernism's arrival in a locale steeped in contradictions of race, class, and sexuality. Also comprising one of the first case studies of Raymond Williams's hypothesis on the relationship between structures of feeling and hegemony, this is an illuminating illustration of the powerful relationships between historically informed memories and contemporary national life.

Describes the country of Ecuador, including its history, geography, economy, and the cultures of its people.

According to some chronicles of the Spanish Conquest, the violent arrival of the Conquerors to the Andes in the sixteenth century led to sex-dissident people who lived outside the dominant European cisheteropatriarchal model being burned at the stake. This act burned more than the flesh; it also charred practices, ways of life, and textualities, leaving an emptiness and a trauma that would mark the future literatures of the Andean region. This book cannot repair those pre-sodomite texts and bodies. It seeks instead to reconsider the value of the ash, a metaphor that allows for a critical and contradictory reading of sexual dissidences in the Andean region in the twentieth century, beyond both multiculturalism and the wake of a globalized LGBTI movement. Through a comparative analysis, and drawing on theoretical perspectives such as anticoloniality, feminisms, and cuir (rather than queer) theories, the book aims to understand the value of a series of complex texts in which dissident subjectivities, practices, and desires help to broaden the understanding of the Andean. Winner of the prestigious Casa de las Américas prize, the book was praised by the jury for the paradoxical and provocative way that it struggles against the abyss of past destruction and reflects on the contribution of the Global South to the often uniformist thinking around the body and its intersections.

The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.

The African slave trade, beginning in the fifteenth century, brought African languages into contact with Spanish and Portuguese, resulting in the Africans' gradual acquisition of these languages. In this 2004 book, John Lipski describes the major forms of Afro-Hispanic language found in the Iberian Peninsula and Latin America over the last 500 years. As well as discussing pronunciation, morphology and syntax, he separates legitimate forms of Afro-Hispanic expression from those that result from racist stereotyping, to assess how contact with the African diaspora has had a permanent impact on contemporary Spanish. A principal issue is the possibility that Spanish, in contact with speakers of African languages, may have creolized and restructured - in the Caribbean and perhaps elsewhere - permanently affecting regional and social varieties of Spanish today. The book is accompanied by the largest known anthology of primary Afro-Hispanic texts from Iberia, Latin America, and former Afro-Hispanic contacts in Africa and Asia.

This classified bibliography of 900 dissertations describes all aspects of Cuban life and culture, covering such areas as art, anthropology, economy, music, dance, cinema, literature, and other areas that are not too wellknown and what has been researched about Cuban Americans in the US. .