Acts of Religion, compiled in close association with Jacques Derrida, brings together for the first time a number of Derrida's writings on religion and questions of faith and their relation to philosophy and political culture. The essays discuss religious texts from Jewish, Christian, and Muslim traditions, as well as religious thinkers such as Kant, Levinas, and Gershom Scholem, and comprise pieces spanning Derrida's career. The collection includes two new essays by Derrida that appear here for the first time in any language, as well as a substantial introduction by Gil Anidjar that explores Derrida's return to his own "religious" origins and his attempts to bring to light hidden religious dimensions of the social, cultural, historical, and political.

With a new afterword Acts of Faith is a remarkable account of growing up Muslim in America and coming to believe in religious pluralism, from one of the most prominent faith leaders in the United States. Eboo Patel’s story is a hopeful and moving testament to the power and passion of young people—and of the world-changing potential of an interfaith youth movement.

Acts is the sequel to Luke's gospel and tells the story of Jesus's followers during the 30 years after his death. It describes how the 12 apostles, formerly Jesus's disciples, spread the message of Christianity throughout the Mediterranean against a background of persecution. With an introduction by P.D. James

The intersections of religion, politics, and performance form the loci of many of the most serious issues facing the world today, sites where some of the world’s most pressing and momentous events are contested and played out. That this circumstance warrants continued, thoughtful, and imaginative engagement from those within the fields of theatre and performance is one of the guiding principles of this volume. This collection features a diverse set of perspectives, written by some of the top scholars in the relevant fields, on the many modern intersections of religion with theatre and performance. Contributors argue that religion can no longer be conceived of as a cultural phenomenon that is safely sequestered in the "private sphere." It is instead an explicitly public force that stimulates and complicates public actions, and thus a crucial component of much performance. From mystic theologies of acting to the neuroscience of spirituality in rituals to the performance of secularism, these essays address a broad variety of religious traditions, sharing a common conception of religion as a crucial object of discourse—one that is formed by, and significantly formative of, performance.

In this new commentary for the Belief series, award-winning author and theologian Willie James Jennings explores the relevance of the book of Acts for the struggles of today. While some see Acts as the story of the founding of the Christian church, Jennings argues that it is so much more, depicting revolutionlife in the disrupting presence of the Spirit of God. According to Jennings, Acts is like Genesis, revealing a God who is moving over the land, "putting into place a holy repetition that speaks of the willingness of God to invade our every day and our every moment." He reminds us that Acts took place in a time of Empire, when the people were caught between diaspora Israel and the Empire of Rome. The spirit of God intervened, offering new life to both. Jennings shows that Acts teaches how people of faith can yield to the Spirit to overcome the divisions of our present world.

'The healing has begun. It began when you picked up this book. The goal of these offerings is to assist the children of the earth in the redevelopment of their minds, bodies and spirits . . . Buried deep in the earth are precious diamonds. In order to get to them, however, we must dig and dig deep.' In ACTS OF FAITH, life coach Iyanla Vanzant offers a inspirational passage for each day of the year, particularly aimed at people of colour. Vanzant considers that there are four basic areas that create stress and imbalance for people: our relationship with ourselves, our relationship with the world, our relationship with each other and our relationship with money. This book addresses all four issues in turn thus providing a meditative and uplifting guide to living successfully.

Blasphemy is a phenomenon that spans human experience, from the ancient world right up to today’s ferocious religious debates. Acts Against God is the first accessible history of this crime—its prosecution, its impact, and its punishment and suppression. While acknowledging blasphemy as an act of individuals, Acts Against God also considers the act as a widespread and constant presence in cultural, political, and religious life. Beginning in ancient Greece and the genesis of blasphemy’s link with the state, David Nash moves on to explore blasphemy in the medieval world, where it was used both as an accusation against outsiders and as a method of crusading for piety in the West. He considers how the medieval world developed the concept of heresy as a component of disciplining its populations, the first coherent phase in state control of belief. This phenomenon reached its full flowering in the Reformation, where conformity became a fixation of confessional states. The Enlightenment created agendas of individual rights where room for religious doubt pushed blasphemy into the twilight as modern humankind hoped for its demise. But, concluding in the twenty-first century, Nash shows how individuals and the state alike now seek to adopt blasphemy as a cornerstone of identity and as the means to resist the secularization and globalization of culture.