First published in 1992. "Acts of Literature", compiled in close association with Derrida, brings together for the first time a number of Derrida's writings on literary texts on the question of literature. The essays discuss literary figures such as Rousseau, Mallarme, Joyce, Shakespeare and Kafka. Comprising pieces spanning Derrida's career, the collection includes a substantial new interview with him on questions of literature, deconstruction, politics, feminism and history. Derek Attridge provides an introductory essay on deconstruction and the question of literature, and offers suggestions for further reading. These essays examine the place and function of literature in Western culture. They highlight Derrida's interest in literature as a significant cultural institution and as a peculiarly challenging form of writing, with inescapable consequences for our thinking about philosophy, politics and ethics. This book should be of interest to undergraduates and academics in the field of literary theory and criticism and continental philosophy.

This book demonstrates the presence of literature within speech act theory and the utility of speech act theory in reading literary works. Though the founding text of speech act theory, J. L. Austin's How to Do Things with Words, repeatedly expels literature from the domain of felicitous speech acts, literature is an indispensable presence within Austin's book. It contains many literary references but also uses as essential tools literary devices of its own: imaginary stories that serve as examples and imaginary dialogues that forestall potential objections. How to Do Things with Words is not the triumphant establishment of a fully elaborated theory of speech acts, but the story of a failure to do that, the story of what Austin calls a "bogging down." After an introductory chapter that explores Austin's book in detail, the two following chapters show how Jacques Derrida and Paul de Man in different ways challenge Austin's speech act theory generally and his expulsion of literature specifically. Derrida shows that literature cannot be expelled from speech acts—rather that what he calls "iterability" means that any speech act may be literature. De Man asserts that speech act theory involves a radical dissociation between the cognitive and positing dimensions of language, what Austin calls language's "constative" and "performative" aspects. Both Derrida and de Man elaborate new speech act theories that form the basis of new notions of responsible and effective politico-ethical decision and action. The fourth chapter explores the role of strong emotion in effective speech acts through a discussion of passages in Derrida, Wittgenstein, and Austin. The final chapter demonstrates, through close readings of three passages in Proust, the way speech act theory can be employed in an illuminating way in the accurate reading of literary works.

Volume 5 in a series which strives to place the Book of Acts within its first-century setting, Irina Levinskaya employs impressive archaeological research to throw light on the relation of Jews to the societies in which they lived during the period of dispersion. She surveys commonly held views and challenges current views regarding the true nature of Jewish missionary activity.

Acts is the sequel to Luke's gospel and tells the story of Jesus's followers during the 30 years after his death. It describes how the 12 apostles, formerly Jesus's disciples, spread the message of Christianity throughout the Mediterranean against a background of persecution. With an introduction by P.D. James

A senior New Testament scholar and teacher helps students understand the historical, literary, and theological issues of the book of Acts and introduces key concepts in the field of narrative criticism. This volume captures the message of the book of Acts by taking seriously the book's essential character as a powerful story through which Luke communicates profound theological truth. While giving attention to historical background, its purpose is to lead readers through a close reading that yields fresh insights into passages throughout Acts.

The Acts of Peter, one of the Apocryphal Acts of the Apostles that detail the exploits of the key figures of early Christianity, provides a unique window into the formation of early Christian narrative. Like the Gospels, the Acts of Peter developed from disparate oral and written narrative from the first century. The apocryphal text, however, continued to develop into a number of re-castings, translations, abridgements, and expansions. The Acts of Peter present Christian narrative in an alternate universe, in which canonization did not halt the process of creative re-composition. Now, in this groundbreaking book, Thomas examines the sources and subsequent versions of the Acts, from the earliest traditions through the sixth-century Passions of the Apostles, arguing the importance of its "narrative fluidity": the existence of the work in several versions or multiforms. This feature, shared with the Jewish novels of Esther and Daniel, the Greek romance about Alexander the Great, and the Christian Gospels, allows these narratives to adapt to accommodate the changing historical circumstances of their audiences. In each new version, the audiences' defining conflicts were reflected in the text, echoing a historical consciousness more often identified with primary oral societies, in which the account of the past is a malleable script explaining the present. Although the genre most closely comparable to these works is the ancient novel, their serious historical intent separates them from the later, more self-consciously fictive novels, and maintains them within the realm of the earlier historical novels produced by ethnic subcultures within the Roman empire.

- Provides a fresh perspective on the Book of Acts - Editor's foreword highlights the importance of Dibelius's work - Includes updated notes and bibliographies - Indexes of ancient sources and authors