Actors and Icons of the Ancient Theater
Title | Actors and Icons of the Ancient Theater PDF eBook |
Author | Eric Csapo |
Publisher | John Wiley & Sons |
Pages | 248 |
Release | 2010-01-15 |
Genre | Literary Criticism |
ISBN | 9781444318043 |
Actors and Icons of the Ancient Theater examines actors andtheir popular reception from the origins of theater in ClassicalGreece to the Roman Empire Presents a highly original viewpoint into several new andcontested fields of study Offers the first systematic survey of evidence for the spreadof theater outside Athens and the impact of the expansion oftheater upon actors and dramatic literature Addresses a study of the privatization of theater and revealshow it was driven by political interests Challenges preconceived notions about theater history
The Cambridge Companion to Theatre History
Title | The Cambridge Companion to Theatre History PDF eBook |
Author | David Wiles |
Publisher | Cambridge University Press |
Pages | 339 |
Release | 2013 |
Genre | Drama |
ISBN | 0521766362 |
A wide-ranging set of essays that explain what theatre history is and why we need to engage with it.
Humanism, Drama, and Performance
Title | Humanism, Drama, and Performance PDF eBook |
Author | Hana Worthen |
Publisher | Springer Nature |
Pages | 301 |
Release | 2020-10-13 |
Genre | Performing Arts |
ISBN | 3030440664 |
This book examines the appropriation of theatre and theatrical performance by ideologies of humanism, in terms that continue to echo across the related disciplines of literary, drama, theatre, and performance history and studies today. From Aristotle onward, theatre has been regulated by three strains of critical poiesis: the literary, segregating theatre and the practices of the spectacular from the humanizing work attributed to the book and to the internality of reading; the dramatic, approving the address of theatrical performance only to the extent that it instrumentalizes literary value; and the theatrical, assimilating performance to the conjunction of literary and liberal values. These values have been used to figure not only the work of theatre, but also the propriety of the audience as a figure for its socializing work, along a privileged dualism from the aestheticized ensemble—harmonizing actor, character, and spectator to the essentialized drama—to the politicized assembly, theatre understood as an agonistic gathering.
Anthropology, Theatre, and Development
Title | Anthropology, Theatre, and Development PDF eBook |
Author | Alex Flynn |
Publisher | Springer |
Pages | 375 |
Release | 2015-04-21 |
Genre | Social Science |
ISBN | 1137350601 |
The contributors explore diverse contexts of performance to discuss peoples' own reflections on political subjectivities, governance and development. The volume refocuses anthropological engagement with ethics, aesthetics, and politics to examine the transformative potential of political performance, both for individuals and wider collectives.
Greek Drama and the Invention of Rhetoric
Title | Greek Drama and the Invention of Rhetoric PDF eBook |
Author | David Sansone |
Publisher | John Wiley & Sons |
Pages | 279 |
Release | 2012-07-30 |
Genre | Drama |
ISBN | 1118358376 |
GREEK DRAMA and the Invention of Rhetoric “An impressively erudite, elegantly crafted argument for reversing what ‘everybody knows’ about the relation of two literary genres that played before mass audiences in the Athenian city state.” Victor Bers, Yale University “Sansone’s book is first-rate and should be read by any scholar interested in the origins of Greek rhetorical theory or, for that matter, interested in Greek tragedy. That Greek tragedy contains elements properly described as rhetorical is familiar, but Sansone goes far beyond this understanding by putting Greek tragedy at the heart of a counter-narrative of those origins.” Edward Schiappa, The University of Minnesota This book challenges the standard view that formal rhetoric arose in response to the political and social environment of ancient Athens. Instead, it is argued, it was the theater of Ancient Greece, first appearing around 500 BC that prompted the development of formalized rhetoric, which evolved soon thereafter. Indeed, ancient Athenian drama was inextricably bound to the city-state’s development as a political entity, as well as to the birth of rhetoric. Ancient Greek dramatists used mythical conflicts as an opportunity for staging debates over issues of contemporary relevance, civic responsibility, war, and the role of the gods. The author shows how the essential feature of dialogue in drama created a ‘counterpoint’—an interplay between the actor making the speech and the character reacting to it on stage. This innovation spurred the development of other more sophisticated forms of argumentation, which ultimately formed the core of formalized rhetoric.
Seeing Theater
Title | Seeing Theater PDF eBook |
Author | Naomi Weiss |
Publisher | Univ of California Press |
Pages | 267 |
Release | 2023-05-16 |
Genre | Drama |
ISBN | 0520393082 |
This is the first book to approach the visuality of ancient Greek drama through the lens of theater phenomenology. Gathering evidence from tragedy, comedy, satyr play, and vase painting, Naomi Weiss argues that, from its very beginnings, Greek theater in the fifth century BCE was understood as a complex interplay of actuality and virtuality. Classical drama frequently exposes and interrogates potential viewing experiences within the theatron—literally, “the place for seeing.” Weiss shows how, in so doing, it demands distinctive modes of engagement from its audiences. Examining plays and pottery with attention to the instability and ambiguity inherent in visual perception, Seeing Theater provides an entirely new model for understanding this ancient art form.
No Laughing Matter
Title | No Laughing Matter PDF eBook |
Author | |
Publisher | Bloomsbury Publishing |
Pages | 223 |
Release | 2013-03-14 |
Genre | Performing Arts |
ISBN | 147250304X |
No Laughing Matter is a wide-ranging collection of new studies of the comic theatre of Athens, from its origins until the 340s BCE. Fifteen international scholars employ an array of approaches and methodologies that will appeal to Classics and Theatre scholars while still remaining accessible to students. By including discussions of fragmentary authors alongside Aristophanes, the collection provides a broad understanding of the richness of Athenian comedy. The collection showcases the best of the new scholarship on Old and Middle Comedy, using the most up-to-date texts and tools. No Laughing Matter has been prepared in tribute to Professor Ian Storey of Trent University (Peterborough, Ontario), whose work on Athenian comedy will continue to shape scholarship for many years to come.