If you're an aspiring entrepreneur, the good news is many of the barriers to starting a business have come down since forty years ago. That's not to say you won't face challenges. Entrepreneurship can be a dog-eat-dog world. But if you want to stay true to yourself and your values as you rise to the top, you're in good company. Growing up in the segregated South in a family of eleven children and nurtured by a loving mother and father, Janice Bryant Howroyd faced racism and sexism in addition to the challenges faced by every new business owner. None of that stopped her from becoming the first black woman to own a billion-dollar business. In Acting Up, Janice shares the model she lives by and continues to represent: that of a Leader who works for good, for growth and innovation, for her family values, and for the same ideals upon which she founded her company. Janice will help you discover the Leader inside yourself and show you how to use your uniqueness to conquer the business world.

It is a truth universally acknowledged that a single man in possession of a large ego must be in want of a woman to cut him down to size... When journalist Jasmin Field lands the coveted role of Elizabeth Bennet in a one-off fundraising adaptation of Pride and Prejudice she discovers that the play's director, Hollywood heart-throb Harry Noble, is every bit as obnoxious as she could have hoped. Which means a lot of material for her column. And a lot of fun in rehearsals. And then disaster strikes. Jazz's best friend abandons her for a man not worthy to buy her chocolate, her family starts to crumble before her eyes and her award-winning column hits the skids. Worse still, Harry Noble keeps staring at her. As the lights dim, the audience hush and Jazz awaits her cue, she realises two very important things, one: she can't remember her lines, and two: Harry Noble looks amazing in breeches...

An outstandingly courageous, honest and original approach to teenage acting-out. This book might save your family's sanity. -Louise Bates Ames, Gesell Institute of Human Development

From a young age, I could lie like a chop in gravy. I loved the thrill of crafting a story. It wasn't until my twenties that I made the connection that lying is a lot like acting . . . For almost 30 years, Lynne McGranger has been entertaining, enthralling and bringing smiles to TV viewers all around the world. A veteran of Home and Away, a popular soap opera syndicated to over 80 countries, Lynne was recently acknowledged as a 'TV actor legend' when she became the longest-serving female cast member of any Australian TV show. Her beloved character, Irene Roberts, has been a font of wisdom, good humour and unforgettable lines for decades. But Lynne's story goes far beyond Summer Bay. From tales of a childhood full of fad diets in the 1950s (tuna, milk and oranges, anyone?), to embarking on a teaching career (before realising that kids en masse made her nervous), to landing a 'guest role' on Home and Away that's lasted 28 years, Away and At Home will have readers laughing out loud and nodding in recognition. From a self-confessed 'accident looking for a place to happen' comes a frank, heart-warming and hilarious memoir, guaranteed to enthral readers everywhere.

In 1997 the 50-year-old playwright David Hare decided to visit the 50-year-old state of Israel and write a play - Via Dolorosa - about the conflict. He then chose to become the actor of his own play and set about learning to act the monologue for an uninterrupted 95 minutes on stage. Acting Up is a diary of the ups and downs of that learning curve as well as an insight into what it is actors, directors, producers and stage staff actually do in rehearsals. Hare's hilarious diary of his experience on both sides of the Atlantic tells of his difficulties in coming to terms with his terrifying change of career, but also grapples with more serious questions about the nature of acting itself.

"I was totally unprepared for the transformation that Seth's technique created in me. . . . I realized that what I thought I knew about acting up to that point was largely misguided . . . but I now had a great, talented, dedicated teacher who generously wanted to share his tools with everyone. There is muscularity, not to mention wisdom and truth to Seth's techniques. He is a wonderful teacher, and I know that having him as my first guide is one of the luckiest things to have happened to me in my career and life. And when I can't get back to class with him, I am so grateful I have this book to turn to."—Anne Hathaway "This book is truly unlike anything else I know—these pieces are haikus on specific elements of performance and character building."—Philip Himberg, executive director, Sundance Theatre Institute A collection of practical acting tips, tools, and exercises, An Actor's Companion is ideal for both the seasoned professionals and actors-in-training. The tips—all simple, direct, and useful—are easy to understand and even easier to apply, in both rehearsal and in performance. Seth Barrish is an actor, teacher, and the co-artistic director of The Barrow Group in New York City. In his thirty-year career, he has directed the award-winning shows My Girlfriend's Boyfriend (Lucille Lortel Award for Best Solo Show, Drama Desk and Outer Critics Circle nominations for Best Solo Show), Sleepwalk With Me (Nightlife Award for Outstanding Comedian in a Major Performance), The Tricky Part (Obie Award, Drama Desk nominations for Best Play and Best Solo Show), Pentecost (Drama Desk nomination for Best Play), Old Wicked Songs (Los Angeles Drama Critics Circle Award and Garland Award for Best Direction), and Good (Straw Hat Award for Best Direction), among dozens of others.