"Act your age! From her mother's admonition in childhood, a middle ages, twice-married mother of four and a product of the deep south of the seventies makes her way though a meandering inner journey towards a quiet epiphany revealing what her mother's words really mean. This rite of passage at the ungainly age of fifty unfolds through twelve memoir-like narratives that will evoke both laughter and tears. Each chapter is an independent reflection on the dozens of daily anecdotes all of us live each day in the course of growing up and growing older. Reading the narratives may be like going through a shoe box of old photographs you find in the attic, not arrange in any seeming order, but, in total, creating a logic of their own. Memorable characters like Papa, Aunt Norma, Harrison Augustus Turnbull, and Artemesia rise from the narrator's southern Gothic roots. The narrator, nameless Every Woman, prides herself in being an introspective and competent adult, but her naiveté demonstrates that being an adult a really a state of mind, and finding truth is like entertaining company with chipped china. Coping with life's poignant struggles, like disease, old age, suicide, and murder, and its ordinary ones, like child-raising, teaching, pets, and church-going, she seeks sense in the nonsense with humor and with love"--Page 4 of cover.

NEW YORK TIMES BESTSELLER • “Driving, wild and hilarious” (The Washington Post), here is the incredible “memoir” of the legendary actor, gambler, raconteur, and Saturday Night Live veteran. When Norm Macdonald, one of the greatest stand-up comics of all time, was approached to write a celebrity memoir, he flatly refused, calling the genre “one step below instruction manuals.” Norm then promptly took a two-year hiatus from stand-up comedy to live on a farm in northern Canada. When he emerged he had under his arm a manuscript, a genre-smashing book about comedy, tragedy, love, loss, war, and redemption. When asked if this was the celebrity memoir, Norm replied, “Call it anything you damn like.”

AN INSTANT NEW YORK TIMES BESTSELLER In Talia Hibbert’s newest rom-com, the flightiest Brown sister crashes into the life of an uptight B&B owner and has him falling hard—literally. Featured on Parade, PopSugar, Marie Claire, Oprah Mag, Bustle, Shondaland, CNN.com, Kirkus Magazine, Bookpage, USA Today, Bookish, Bookriot, and more! Eve Brown is a certified hot mess. No matter how hard she strives to do right, her life always goes horribly wrong. So she’s given up trying. But when her personal brand of chaos ruins an expensive wedding (someone had to liberate those poor doves), her parents draw the line. It's time for Eve to grow up and prove herself—even though she's not entirely sure how… Jacob Wayne is in control. Always. The bed and breakfast owner’s on a mission to dominate the hospitality industry and he expects nothing less than perfection. So when a purple-haired tornado of a woman turns up out of the blue to interview for his open chef position, he tells her the brutal truth: not a chance in hell. Then she hits him with her car—supposedly by accident. Yeah, right. Now his arm is broken, his B&B is understaffed, and the dangerously unpredictable Eve is fluttering around, trying to help. Before long, she’s infiltrated his work, his kitchen—and his spare bedroom. Jacob hates everything about it. Or rather, he should. Sunny, chaotic Eve is his natural-born nemesis, but the longer these two enemies spend in close quarters, the more their animosity turns into something else. Like Eve, the heat between them is impossible to ignore... and it’s melting Jacob’s frosty exterior.

Elegant, exuberant, and idiosyncratic, Acting My Age is a memoir and meditation by one of America’s most playful and inventive writers. In the words of Mary Mackey (The Jaguars That Prowl Our Dreams), “in Acting My Age, Thomas Farber gives us an unflinching, luminous, cleverly conceived meditation on his own mortality as well as on the extinction of the coral reefs, snow leopards, dolphins, and, ultimately the human species. Couching his observations in a series of short, interconnected, almost-epigrammatic essays that read like prose poems, Farber creates a narrative style reminiscent of Joyce and Melville: oceanic in depth and all-encompassing in range.” Gerald Fleming (The Choreographer) calls Acting My Age “a praise song, an exultation in the beauties and brutalities of being human. Though Thomas Farber is wide-eyed at the miracle of our existence, his prose details both the collapse of species and ultimate trajectory of our aging bodies. This polymathic dive into a writer’s remaining time—into the life of the earth, the sea, and meaning itself—is no mere memoir, but an elegant, instructive page-after-page of language-love.” Robert Roper (Nabokov in America: On the Road to Lolita) adds: “Tom Farber is always good company, and his ‘late writings’ are more and more indispensable, full of comfort for the perplexed, rich in learning, humorous, masculine and tender, evoking large sensations and vast views; a reader thinks of Montaigne, Whitman, and other of the great truth-tellers, modest of tone, intimate in approach, friends bringing deep gifts.”

Comedian Richard Herring has a major problem. He's about to turn 40 and hasn't seen it coming. He's not married, doesn't have a proper job or 2.4 children. But now, finally, it looks as if the world expects him to be a grown up - and he's completely unprepared for it. As the momentous and terrifying event approaches (his birthday), Richard notices a steep decline in his own behaviour. Inexplicably he begins to behave more childishly - hanging out with 22-year-olds, developing an unhealthy addiction to Flumps and even getting into a ludicrous fight. How Not to Grow Up is the funny story of how a self-confessed perpetual Big Kid deals with his greatest fear - getting older - and is the perfect book for everyone who, deep down, still thinks that they're 18.

The Long-Awaited, Enormously Entertaining Memoir by One of the Great Artists of Our Time—Now a New York Times, USA Today, Los Angeles Times, and Publisher’s Weekly Bestseller. In this candid and often hilarious memoir, the celebrated director, comedian, writer, and actor offers a comprehensive, personal look at his tumultuous life. Beginning with his Brooklyn childhood and his stint as a writer for the Sid Caesar variety show in the early days of television, working alongside comedy greats, Allen tells of his difficult early days doing standup before he achieved recognition and success. With his unique storytelling pizzazz, he recounts his departure into moviemaking, with such slapstick comedies as Take the Money and Run, and revisits his entire, sixty-year-long, and enormously productive career as a writer and director, from his classics Annie Hall, Manhattan, and Annie and Her Sisters to his most recent films, including Midnight in Paris. Along the way, he discusses his marriages, his romances and famous friendships, his jazz playing, and his books and plays. We learn about his demons, his mistakes, his successes, and those he loved, worked with, and learned from in equal measure. This is a hugely entertaining, deeply honest, rich and brilliant self-portrait of a celebrated artist who is ranked among the greatest filmmakers of our time.

David Carr was an addict for more than twenty years -- first dope, then coke, then finally crack -- before the prospect of losing his newborn twins made him sober up in a bid to win custody from their crack-dealer mother. Once recovered, he found that his recollection of his 'lost' years differed -- sometimes radically -- from that of his family and friends. The night, for example, his best friend pulled a gun on him. 'No,' said the friend (to David's horror, as a lifelong pacifist), 'It was you that had the gun.' Using all his skills as an investigative reporter, he set out to research his own life, interviewing everyone from his parents and his ex-partners to the policemen who arrested him, the doctors who treated him and the lawyers who fought to prove he was fit to have custody of his kids. Unflinchingly honest and beautifully written, the result is both a shocking account of the depths of addiction and a fascinating examination of how -- and why -- our memories deceive us. As David says, we remember the stories we can live with, not the ones that happened.