Carolynn Kingyens dazzles once again in a second collection defined by her distinctive insights and gift for revealing detail. In Coupling, she examines the tapestry of human pairings in all of their fragility, resilience and mystery, taking readers on a staff ride through hills and dales of romance and surprise, mountains of hope and valleys of regret. As original as Neruda and as wise as Mary Oliver, Kingyens understands how to capture the moment like no other contemporary poet. These are gentle narrative poems as honest as they are true. -Jacob M. Appel, author of The Cynic in Extremis Coupling is a masterful book of poems dealing with modern life and its complexities. From the pandemic to relationships, the poet presents a powerful landscape of the day to day. I thought of you somewhere being wind..., and only white, refrigerated / trucks and the vultures / circling above- / this time, it's no mirage. Kingyens holds up the hard truths reminding us it's no mirage. Coupling is a harvest for the taking. -Gloria Mindock, author of Ash, editor of Červená Barva Press Carolynn Kingyens is a master of communicating how it feels to move through our society in a woman's body. Things happen to you, and around you, and you are made complicit-forced to show empathy, forced to take on the burdens of others. In writing about life during pandemic times, the poet says, People are dying alone. This attention to public grief speaks volumes about the poet's compassion despite battles with her own personal demons. There is a loneliness in many of Kingyens' poems. The poet reveals to the reader how internal battles are fought and overcome, but not necessarily won. In Coupling, Kingyens offers cautionary tales about sex, mental health, death, and the complex role of religion for both self and society. -Mark Danowsky, Editor-in-Chief, ONE ART: a journal of poetry

What is the relationship between trafficking and free trade? Is trafficking the perfection or the perversion of free trade? Trafficking occurs thousands of times each day at borders throughout the world, yet we have come to perceive it as something quite extraordinary. How did this happen, and what role does trafficking play in capitalism? To answer these questions, Johan Mathew traces the hidden networks that operated across the Arabian Sea in the nineteenth and early twentieth centuries. Following the entangled history of trafficking and capitalism, he explores how the Arabian Sea reveals the gaps that haunt political borders and undermine economic models. Ultimately, he shows how capitalism was forged at the margins of the free market, where governments intervened, and traffickers turned a profit.

Chris Heuertz, international director of Word Made Flesh, and theologian and ethicist Christine Pohl show how friendship is a Christian vocation that can bring reconciliation and healing to our broken world. They contend that unlikely friendships are at the center of an alternative paradigm for mission, where people are not objectified as potential converts but encountered in a relationship of mutuality and reciprocity.

This book asks the question: what is the role of memory during a political transition? Drawing on Ethiopian history, transitional justice, and scholarly fields concerned with memory, museums and trauma, the author reveals a complex picture of global, transnational, national and local forces as they converge in the story of the creation and continued life of one modest museum in the Ethiopian capital, Addis Ababa—the Red Terror Martyrs Memorial Museum. It is a study from multiple margins: neither the case of Ethiopia nor memorialization is central to transitional justice discourse, and within Ethiopia, the history of the Red Terror is sidelined in contemporary politics. From these nested margins, traumatic memory emerges as an ambiguous social and political force. The contributions, meaning and limitations of memory emerge at the point of discrete interactions between memory advocates, survivor-docents and visitors. Memory from the margins is revealed as powerful for how it disrupts, not builds, new forms of community.

You’ve Got Mail meets The Proposal—this romance is one for the books. Savannah Cade’s dreams are coming true. The Claire Donovan, editor-in-chief of the most successful romance publishing company in the country, has requested to see the manuscript Savannah’s been secretly writing. The only problem: she’s an editor for a different company, and their philosophy is only highbrow works are worth printing and romance should be reserved for the lowest level of Dante’s inferno. But when Savannah drops her manuscript during a staff meeting and nearly exposes herself to the whole company—including William Pennington, the new boss and son of the romance-despising CEO herself—she has no choice but to hide the manuscript in a hidden room. When she returns, she’s dismayed to discover that someone has not only been in her hidden nook but has written notes in the margins—quite critical ones. But when Claire’s own reaction turns out to be nearly identical to the scribbled remarks, and worse, Claire announces that Savannah has six weeks to resubmit before she retires, Savannah finds herself forced to seek the help of the shadowy editor after all. As their notes back and forth start to fill up the pages, however, Savannah finds him not just becoming pivotal to her work but her life. There’s no doubt about it: she’s falling for her mystery editor. If she only knew who he was. “Meet Me in the Margins is a delightfully charming jewel of a book that fans of romantic comedy won’t be able to put down!” — Kristy Woodson Harvey, New York Times bestselling author of Under the Southern Sky

Experimenting with new ways of looking at the contexts, subjects, processes and multiple political stances that make up life at the margins, this book provides a novel source for a critical rethinking of marginalisation. Drawing on post-colonialism and critical assemblage thinking, the rich ethnographic works presented in the book trace the assemblage of marginality in multiple case-studies encompassing the Global North and South. These works are united by the approach developed in the book, characterised by the refusal of a priori definitions and by a post-human and grounded take on the assemblage of life. The result is a nuanced attention to the potential expressed by everyday articulations and a commitment to produce a processual, vitalist and non-normative cultural politics of the margins. The reader will find in this book unique challenges to accepted and authoritative thinking, and provides new insights into researching life at the margins.

Investigates the art of reading by examining each aspect of reading, problems encountered, and tells how to combat them.