L'Art Catalogue Index offre un inventaire le plus exhaustif possible des catalogues raisonnés et catalogues critiques des artistes nés entre 1240 et la fin du xx e siècle sur la peinture, la sculpture, les œuvres sur papier, la gravure et les media contemporains.0Cet ouvrage concis, au design intelligible, présente les catalogues en ordre alphabétique d'artistes puis d'auteurs, permettant ainsi un accès rapide à l'information. La section ± catalogues raisonnés ?, à laquelle un œil critique a été apporté par les auteurs quant à leur validité scientifique, est complétée par une rubrique ± catalogue ? qui inclut également les inventaires, ouvrages non exhaustifs mais nécessaires à la recherche.0L'Art Catalogue Index a pour ambition de devenir un outil indispensable aux conservateurs de musée, historiens d'art, critiques d'art, bibliothécaires, libraires, étudiants, collectionneurs, experts, commissaires-priseurs, galeristes ou marchands.0Réunis tous deux dans un coffret, ils forment un ouvrage qui donne un panorama complet des publications exhaustives sur les artistes de tous temps.00Vol.1: ISBN 9782362220340 (Paris: Mare & Martin, 2020)00Vol.2: ISBN 9782362220357 (Paris: Mare & Martin, 2020)00.

This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.

Art Catalogue Index (A.C.I.) aims to provide a comprehensive list of all the catalogues raisonnés and reviews on artists born between 1780 and the postwar period. This first edition is focused on the so-called 'modern' period. It starts with the birth of Jean Auguste Dominique Ingres, in 1780 in Montauban, who competed for the Prix de Rome in 1800 with his contemporaries; he therefore both witnessed and took part in this turning point in time which opened the gates of the 'modern' period, and which led up to today and contemporary art. Published with BFAS, Geneva, and Thierry Meaudre, Paris. English text.

The Handbook of Art and Design Librarianship integrates theory and practice to offer guidelines for information professionals working in art and design environments who need to support and anticipate the information needs of artists, designers, architects and the historians who study those disciplines. Since the first edition of this title, the world of art and design libraries has been transformed by rapid advances in technology, an explosion in social media and the release of new standards and guidelines. This new edition, offering mostly entirely new chapters, provides an accessible, fully updated, guide to the world of academic art and design libraries from a range of international experts who reflect current practice at a global level. Coverage includes: case studies and library profiles, providing benchmarks for developing facilitiesteaching and learning, including the ACRL Framework, teaching with specialcollections, meta-literacies, instructional design and cultural differencesdevelopments in institutional repositories, digital humanities and makerspacescontemporary library design, spaces for collaboration and sustainability. This book will be useful reading for students taking library and information science courses in art librarianship, special collections, and archives, as well as practising library and information professionals in art and design school libraries, art museum libraries and public libraries.

In Outside the Palace of Me, internationally renowned Canadian multidisciplinary artist Shary Boyle offers a powerful look at how we see and imagine ourselves and each other. This book, based on the touring museum exhibition of the same name, reflects on global and individual struggles of identity to wonder at the possibilities of a just, joyous, and collective future. Presenting masterful ceramics and watercolours as well as animatronics of dizzying proportions and a dazzling spectrum of handcraft, Boyle has created a visionary new project merging the languages of carnival, theatre, and the art museum, inviting readers to reflect on their roles in, and responses to, the most urgent questions of our time.

Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati

A natural history and illustrations of the New World in the seventeenth century.