NEW YORK TIMES BEST SELLER • Sam and Sadie—two college friends, often in love, but never lovers—become creative partners in a dazzling and intricately imagined world of video game design, where success brings them fame, joy, tragedy, duplicity, and, ultimately, a kind of immortality. It is a love story, but not one you have read before. "Delightful and absorbing." —The New York Times • "Utterly brilliant." —John Green One of the Best Books of the Year: The New York Times, Entertainment Weekly, TIME, GoodReads, Oprah Daily From the best-selling author of The Storied Life of A. J. Fikry: On a bitter-cold day, in the December of his junior year at Harvard, Sam Masur exits a subway car and sees, amid the hordes of people waiting on the platform, Sadie Green. He calls her name. For a moment, she pretends she hasn’t heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom. These friends, intimates since childhood, borrow money, beg favors, and, before even graduating college, they have created their first blockbuster, Ichigo. Overnight, the world is theirs. Not even twenty-five years old, Sam and Sadie are brilliant, successful, and rich, but these qualities won’t protect them from their own creative ambitions or the betrayals of their hearts. Spanning thirty years, from Cambridge, Massachusetts, to Venice Beach, California, and lands in between and far beyond, Gabrielle Zevin’s Tomorrow, and Tomorrow, and Tomorrow examines the multifarious nature of identity, disability, failure, the redemptive possibilities in play, and above all, our need to connect: to be loved and to love.

Age is just a number.Just like he's just a boy and I'm just a girl. Except that's not true, is it?Because fifteen may be a number, but it's bigger than that. Bigger than us.It's a number that separates us.An excuse that keeps us apart. But I'm not willing to give in until I get what I want.After all, how many other girls can bring a grown man to his knees with one little smile?

Fourteen-year-old Stevie lives in Lewes with her beloved vinyl collection, her mum ... and her mum's depression. When Stevie's mum's disability benefits are cut, Stevie and her mother are plunged into a life of poverty. But irrepressible Stevie is determined not to be beaten and she takes inspiration from the lyrics of her father's 1980s record collection and dreams of a life as a musician. Then she meets Hafiz, a talented footballer and a Syrian refugee. Hafiz's parents gave their life savings to buy Hafiz a safe passage to Europe; his journey has been anything but easy. Then he meets Stevie... As Stevie and Hafiz's friendship grows, they encourage each other to believe in themselves and follow their dreams.

How the communist revolution failed, presented in a series of catastrophes. The communist project in the twentieth century grew out of utopian desires to oppose oppression and abolish class structures, to give individual lives collective meaning. The attempts to realize these ideals became a series of colossal failures. In Yesterday's Tomorrow, Bini Adamczak examines these catastrophes, proceeding in reverse chronological order from 1939 to 1917: the Hitler-Stalin Pact, the Great Terror of 1937, the failure of the European Left to prevent National Socialism, Stalin's rise to power, and the bloody rebellion at Kronstadt. In the process, she seeks a future that never happened.

From Graham Swift, Booker Prize-winning author of Last Orders, comes a masterful and compassionate novel of rare emotional power and narrative skill. On a midsummer’s night, Paula lies awake beside her sleeping husband. She and Mike have been married for twenty-five years, a good marriage; they have two teenage children, Nick and Kate, peacefully sleeping in their own nearby rooms. But Paula’s eyes won’t close: the next morning she and Mike have to tell the children something that will redefine all their lives. Recalling the years before and after her children were born, Paula begins a story that is both a glowing celebration of love possessed and a moving acknowledgement of the fear of loss, of the fragilities, illusions and secrets on which even our most intimate sense of who we are can rest. As day draws nearer, Paula’s intensely personal thoughts seem to touch on all our tomorrows. Brilliantly distilling half a century into one suspenseful night, as tender in its tone as it is deep in its resonance, Tomorrow is a magical exploration of coupledom, parenthood and individuality, and a unique meditation on the mysteries of happiness and belonging. It’s a week past your sixteenth birthday. By a fluke that’s become something of an embarrassment and that some people will say wasn’t a fluke at all, you were born in Gemini. I’m not an especially superstitious woman. I married a scientist. But one little thing I’ll do tomorrow–today, I mean, but for a little while still I can keep up the illusion–is cross my fingers. Everything’s quiet, the house is still. Mike and I have anticipated this moment, we’ve talked about it and rehearsed it in our heads so many times that recently it’s sometimes seemed like a relief: it’s actually come. On the other hand, it’s monstrous, it’s outrageous–and it’s in our power to postpone it. But ‘after their sixteenth birthday’, we said, and let’s be strict about it. Perhaps you may even appreciate our discipline and tact. Let’s be strict, but let’s not be cruel. Give them a week. Let them have their birthday, their last birthday of that old life. You’re sleeping the deep sleep of teenagers. I just about remember it. I wonder how you’ll sleep tomorrow. —from Tomorrow