This text investigates why C. S. Lewis brings humans into outer space in order to recover a Christian worldview during a time of war. Lewis’s science fiction trilogy was published throughout the WWII era, and his readers were all too familiar with advances in technological warfare and the biological experimentation of the Nazi agenda. To recover a Christian worldview during such a tumultuous time, the first two installments of the trilogy bring humans into outer space in order to reconnect with the Cosmic Chain of Being. Malacandra and Perelandra depict all beings coexisting in the Great Dance that Maleldil creates. In the last installment, Lewis’s N.I.C.E. reflects experimentation carried out in some concentration camps during WWII. Lewis’s return to Earth in the last book of the trilogy calls for readers to acknowledge our broken Chain of Being and recover our faith in God rather than attempt to become gods ourselves. Explore Lewis’s science fiction through J. R. R. Tolkien’s Recovery lens for a connection between Lewis’s Christian worldview, the potential for human self-abolition, and recovering the Cosmic Chain of Being for modern humans.

After Humanity is a guide to one of C.S. Lewis's most widely admired but least accessible works, The Abolition of Man, which originated as a series of lectures on ethics that he delivered during the Second World War. These lectures tackle the thorny question of whether moral value is objective or not. When we say something is right or wrong, are we recognizing a reality outside ourselves, or merely reporting a subjective sentiment? Lewis addresses the matter from a purely philosophical standpoint, leaving theological matters to one side. He makes a powerful case against subjectivism, issuing an intellectual warning that, in our "post-truth" twenty-first century, has even more relevance than when he originally presented it. Lewis characterized The Abolition of Man as "almost my favourite among my books," and his biographer Walter Hooper has called it "an all but indispensable introduction to the entire corpus of Lewisiana." In After Humanity, Michael Ward sheds much-needed light on this important but difficult work, explaining both its general academic context and the particular circumstances in Lewis's life that helped give rise to it, including his front-line service in the trenches of the First World War. After Humanity contains a detailed commentary clarifying the many allusions and quotations scattered throughout Lewis's argument. It shows how this resolutely philosophical thesis fits in with his other, more explicitly Christian works. It also includes a full-color photo gallery, displaying images of people, places, and documents that relate to The Abolition of Man, among them Lewis's original "blurb" for the book, which has never before been published.

The Abolition of Man, C. S. Lewis's masterpiece in ethics and the philosophy of science, warns of the danger of combining modern moral skepticism with the technological pursuit of human desires. The end result is the final destruction of human nature. From Brave New World to Star Trek, from steampunk to starships, science fiction film has considered from nearly every conceivable angle the same nexus of morality, technology, and humanity of which C. S. Lewis wrote. As a result, science fiction film has unintentionally given us stunning depictions of Lewis's terrifying vision of the future. In Science Fiction Film and the Abolition of Man, scholars of religion, philosophy, literature, and film explore the connections between sci-fi film and the three parts of Lewis's book: how sci-fi portrays "Men without Chests" incapable of responding properly to moral good, how it teaches the Tao or "The Way," and how it portrays "The Abolition of Man."

The book discusses the impact of technology and the New World Order on mankind.

This text investigates why C. S. Lewis brings humans into outer space in order to recover a Christian worldview during a time of war. Lewis’s science fiction trilogy was published throughout the WWII era, and his readers were all too familiar with advances in technological warfare and the biological experimentation of the Nazi agenda. To recover a Christian worldview during such a tumultuous time, the first two installments of the trilogy bring humans into outer space in order to reconnect with the Cosmic Chain of Being. Malacandra and Perelandra depict all beings coexisting in the Great Dance that Maleldil creates. In the last installment, Lewis’s N.I.C.E. reflects experimentation carried out in some concentration camps during WWII. Lewis’s return to Earth in the last book of the trilogy calls for readers to acknowledge our broken Chain of Being and recover our faith in God rather than attempt to become gods ourselves. Explore Lewis’s science fiction through J. R. R. Tolkien’s Recovery lens for a connection between Lewis’s Christian worldview, the potential for human self-abolition, and recovering the Cosmic Chain of Being for modern humans.

Kreeft, one of the foremost students of Lewis' thought, distills Lewis' reflections on the collapse of western civilization and the way to renew it. Few writers have more lucidly grasped the meaning of modern times than Lewis. Kreeft's reflections on Lewis' thought provide explorations into the questions of our times. Kreeft and Lewis together provide light and hope in an age of darkness.

Known throughout the world as the intellect behind The Chronicles of Narnia and as the twentieth century's most influential Christian writer, C. S. Lewis has stirred millions of readers through his probing insights, passionate arguments, and provocative questions about God, love, life, and death. Gathered from the mass of his published works -- including The Screwtape Letters, Mere Christianity, The Four Loves, and God in the Dock -- as well as from letters, essays, and less familiar writings, this compendium contains a cross section of Lewis's finest work.