Created by artist Fabiana de Barros in 1998, when she took part in an artistic exchange between Switzerland, Brazil, and France, in João Pessoa (state of Paraíba), the Fiteiro Cultural [Culture Kiosk] had the intention of being an ideal space, capable of transforming into an atelier, a stage, an exhibition venue, or a place suited for resting, reading, and thinking.This second edition of Aberto [Open]: Culture Kiosk reinterprets and updates the work whose name it bears. The book was strengthened in its function of recording, analyzing, and displaying the visual memory of the structure and the impact of the Fiteiro Cultural in the cities it has visited and on the people that dedicated their reflection to it.

Recent years have witnessed considerable speculation about the potential of open data to bring about wide-scale transformation. The bulk of existing evidence about the impact of open data, however, focuses on high-income countries. Much less is known about open data’s role and value in low- and middle-income countries, and more generally about its possible contributions to economic and social development. Open Data for Developing Economies features in-depth case studies on how open data is having an impact across the developing world-from an agriculture initiative in Colombia to data-driven healthcare projects in Uganda and South Africa to crisis response in Nepal. The analysis built on these case studies aims to create actionable intelligence regarding: (a) the conditions under which open data is most (and least) effective in development, presented in the form of a Periodic Table of Open Data; (b) strategies to maximize the positive contributions of open data to development; and (c) the means for limiting open data’s harms on developing countries.

Geraldo de Barros (1923-1998) foi um dos maiores representantes do modernismo no Brasil. Assimilou os princípios da Escola Superior de Design de Ulm (Alemanha), trouxe-os para a América do Sul e incentivou muitos de seus colegas se unirem ao movimento da arte concreta. Cultivou contatos com a vanguarda artística europeia e, no Brasil, foi um fomentador pioneiro, experimentando novas tendências, como o happening e a arte pop. Este livro apresenta um panorama da vida e obra do artista, organizado cronologicamente e contemplando todas as vertentes de sua produção com ênfase na fotografia. Este ebook traz imagens que são melhor visualizadas em tablets. Geraldo de Barros (1923-1998) was one of the greatest representatives of modernism in Brazil. He assimilated the principles of the Design School of Ulm (Germany), brought them to South America and encouraged many of his colleagues to join Concrete Art movement. Barros cultivated contacts with European artistic avant-garde and, in Brazil, was a pioneer developer, experiencing new trends, such as happening and Pop Art. This book presents an overview of the artist's life and work, organized chronologically and covering all aspects of its production with an emphasis on photography. This ebook contais images that are best viewed on tablets.

Open Sources 2.0 is a collection of insightful and thought-provoking essays from today's technology leaders that continues painting the evolutionary picture that developed in the 1999 book Open Sources: Voices from the Revolution . These essays explore open source's impact on the software industry and reveal how open source concepts are infiltrating other areas of commerce and society. The essays appeal to a broad audience: the software developer will find thoughtful reflections on practices and methodology from leading open source developers like Jeremy Allison and Ben Laurie, while the business executive will find analyses of business strategies from the likes of Sleepycat co-founder and CEO Michael Olson and Open Source Business Conference founder Matt Asay. From China, Europe, India, and Brazil we get essays that describe the developing world's efforts to join the technology forefront and use open source to take control of its high tech destiny. For anyone with a strong interest in technology trends, these essays are a must-read. The enduring significance of open source goes well beyond high technology, however. At the heart of the new paradigm is network-enabled distributed collaboration: the growing impact of this model on all forms of online collaboration is fundamentally challenging our modern notion of community. What does the future hold? Veteran open source commentators Tim O'Reilly and Doc Searls offer their perspectives, as do leading open source scholars Steven Weber and Sonali Shah. Andrew Hessel traces the migration of open source ideas from computer technology to biotechnology, and Wikipedia co-founder Larry Sanger and Slashdot co-founder Jeff Bates provide frontline views of functioning, flourishing online collaborative communities. The power of collaboration, enabled by the internet and open source software, is changing the world in ways we can only begin to imagine.Open Sources 2.0 further develops the evolutionary picture that emerged in the original Open Sources and expounds on the transformative open source philosophy. "This is a wonderful collection of thoughts and examples bygreat minds from the free software movement, and is a must have foranyone who follows free software development and project histories." --Robin Monks, Free Software Magazine The list of contributors include Alolita Sharma Andrew Hessel Ben Laurie Boon-Lock Yeo Bruno Souza Chris DiBona Danese Cooper Doc Searls Eugene Kim Gregorio Robles Ian Murdock Jeff Bates Jeremy Allison Jesus M. Gonzalez-Barahona Kim Polese Larry Sanger Louisa Liu Mark Stone Mark Stone Matthew N. Asay Michael Olson Mitchell Baker Pamela Jones Robert Adkins Russ Nelson Sonali K. Shah Stephen R. Walli Steven Weber Sunil Saxena Tim O'Reilly Wendy Seltzer

"Reality does not comply with our narrations of it. And that is most certainly the case with the narrations produced in academia. An anthropologist in Bahia, Brazil, fears to become possessed by the spirits he had come to study; falls madly in love withan 'informant'; finds himself baffled by the sayings of a clairvoyant; and has to come to grips with the murder of one of his best friends. Unsettling events that do not belong to the orderly world of scientific research, yet leave their imprint on the way the anthropologist comes to understand the world. REflecting on his long research experience with the spirit possession cult Candomblâe, the author shows, in a probing manner, how definitions of reality always require the exclusion of certain perceptions, experiences and insights. And yet, this 'rest-of-what-is' turns out to be an inexhaustible source of amazement, seduction and renewal." --P [4] of cover.

Advanced art education is in the process of developing research programs throughout Europe. What does the term research actually means in the practice of art? What is the relation to the scientific methods of alpha, beta or gamma sciences, directed toward knowledge production and the development of a certain scientific domaine? What will be the influence of scientific research on the art forms?