Originally published in 1929, this early work by Alexander Berkman is both expensive and hard to find in its first edition. It is designed as an introduction to Communist Anarchism and outlines the main philosophical principles of the concept. This is a fascinating work and is thoroughly recommended for anyone with an interest in Russian history and political philosophy. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Now and After: The ABC of Communist Anarchism is a presentation of the tenets of anarchism and anarchist communism, penned by Alexander Berkman. His work explains anarchist philosophy in terms that uninitiated readers can understand. The book's chapters are brief, and many of them begin with questions ( "Is Anarchism Violence?", "Will Communist Anarchism Work?"). Because of its presentation of anarchist philosophy in plain language, Now and After has become one of the best-known introductions to anarchism in book format.

What is Communist Anarchism? is an introduction to the principles of anarchism and anarchist communism written by Alexander Berkman. First published in 1929 by Vanguard Press, it has been reprinted many times, often in partial or abbreviated versions, under many titles such as Now and After, What Is Anarchism? or The ABC of Anarchism.Because of its presentation of anarchist philosophy in plain language, What is Communist Anarchism? has become one of the best-known introductions to anarchism in print. Anarchist Stuart Christie wrote that What is Communist Anarchism? is "among the best introductions to the ideas of anarchism in the English language". Historian Paul Avrich described it as "a classic" and wrote that it was "the clearest exposition of communist anarchism in English or any other language".

For those who have questions about Anarchism, or seek a better world, Berkman has the answers.

Alexander Berkman was a twentieth-century American revolutionary. Like the abolitionist John Brown before him, Berkman was hugely idealistic, ready to go to the furthest extreme of self-sacrifice and violence on behalf of justice and civil rights. He decided to assassinate industrialist Henry Clay Frick after reading in the newspaper that Pinkertons hired by Frick had opened fire on the Homestead strikers, killing men, women, and children. Berkman’s bungled attempt cost him fifteen years in a federal penitentiary. Upon his release, he became an effective agitator against conscription and was again imprisoned and eventually deported to Russia, where he saw at first hand the early days of Bolshevism. Berkman’s writings remain a lasting and impassioned record of intense political transformation. Featuring a new introduction by Howard Zinn, Life of an Anarchist contains Prison Memoirs of an Anarchist, Berkman’s account of his years in prison; The Bolshevik Myth, his eyewitness account of the early days of the Russian Revolution; and The ABC of Anarchism, the classic text on the nature of anarchism in the twentieth century. Also included are a selection of letters between Berkman and his lifelong companion Emma Goldman, and a generous sampling from Berkman’s other publications.

New York City's identity as a cultural and artistic center, as a point of arrival for millions of immigrants sympathetic to anarchist ideas, and as a hub of capitalism made the city a unique and dynamic terrain for anarchist activity. For 150 years, Gotham's cosmopolitan setting created a unique interplay between anarchism's human actors and an urban space that invites constant reinvention. Tom Goyens gathers essays that demonstrate anarchism's endurance as a political and cultural ideology and movement in New York from the 1870s to 2011. The authors cover the gamut of anarchy's emergence in and connection to the city. Some offer important new insights on German, Yiddish, Italian, and Spanish-speaking anarchists. Others explore anarchism's influence on religion, politics, and the visual and performing arts. A concluding essay looks at Occupy Wall Street's roots in New York City's anarchist tradition. Contributors: Allan Antliff, Marcella Bencivenni, Caitlin Casey, Christopher J. Castañeda, Andrew Cornell, Heather Gautney, Tom Goyens, Anne Klejment, Alan W. Moore, Erin Wallace, and Kenyon Zimmer.