Piano level: Late intermediate/Early advanced.

Mamma Mia!, the stage production based upon the wonderful music of ABBA, has become one of the most successful shows of all time - and this special set of Easy Piano arrangements gives you the chance to learn the songs from the show, even at an early stage in your piano development. All 22 songs from the musical spectacular are included here, and each has been carefully arranged and presented to be as accessible as possible to the elementary Piano student, complete with full lyrics and chord symbols. There's no better way to master those all-important musical skills than by playing songs that you know and love, and the music of ABBA remains unbeatable to this day. Song List: - Chiquitita - Dancing Queen - Does Your Mother Know - Gimme! Gimme! Gimme! (A Man After Midnight) - Honey Honey - I Do, I Do, I Do, I Do, I Do - I Have A Dream - Knowing Me, Knowing You - Lay All Your Love On Me - Mamma Mia - Money, Money, Money - One Of Us - Our Last Summer - S.O.S. - Slipping Through My Fingers - Super Trouper - Take A Chance On Me - Thank You For The Music - The Name Of The Game - The Winner Takes It All - Under Attack - Voulez-vous

(Piano Solo Personality). 11 of the Piano Man's best as arranged by Phillip Keveren in classical piano style. Songs include: And So It Goes * C'etait Toi (You Were the One) * Honesty * If I Only Had the Words (To Tell You) * An Innocent Man * It's Still Rock and Roll to Me * Leningrad * Lullabye (Goodnight, My Angel) * Piano Man * She's Always a Woman * Uptown Girl.

(Piano Solo Personality). 15 ever-popular hits from Queen are presented in classical piano solo arrangements by Phillip Keveren. Songs include: Another One Bites the Dust * Bicycle Race * Bohemian Rhapsody * Brighton Rock * Crazy Little Thing Called Love * Flash's Theme (Flash) * Killer Queen * Radio Ga Ga * Somebody to Love * Tie Your Mother Down * Under Pressure * We Are the Champions * We Will Rock You * Who Wants to Live Forever * You're My Best Friend.

The Oxford Handbook of Music and the Middlebrow takes a fresh look at the history of nineteenth- and twentieth-century music. Offering an alternative to the traditional focus on either highbrow modernism on the one hand or lowbrow popular music on the other, its novel view centers on the wealth of previously overlooked products and practices that bridged the space between these cultural extremes. While seminal attempts to recover middlebrow culture came from literary critics and historians, middlebrow studies is now a burgeoning field within musicology. As the first essay collection on this topic, this handbook has two aims: first, it seeks to explore the middlebrow as a historical phenomenon, excavating the kinds of critical writings, marketing practices, and compositional styles with which it was associated. By reanimating a range of musical practices and products--from symphonic concerts to Broadway musicals, opera criticism to rock journalism, and modern jazz to pop-rock--the contributors investigate how artists, critics, and audiences breached the divide from both above and below. In the process, the handbook chapters push the boundaries of middlebrow studies and demonstrate the category's relevance outside of the mid-twentieth-century Anglophone world by delving into the nineteenth century, interrogating the present day, and looking to Germany, Russia, and beyond. The handbook's second aim is to complicate the disciplinary divisions that have flowed from the entrenched oppositions between high and low genres. Breaking new ground by bringing together scholars of classical and popular music, these chapters trace common middlebrow themes across traditional disciplinary boundaries. Across this broad vista, contributors account for the kinds of syntheses, overlaps, and juxtapositions that made the cultural middle such a richly textured and endlessly contested terrain.

Easiest 5-Finger Piano Collection: Chart Hits Now contains 15 popular chart hits, suitable for the beginner pianist. Covering One Direction, Little Mix, Rhianna and more, this is the perfect book for aspiring pianist looking to improve their playing while learning fun, contemporary pieces. Songlist: - Black Heart [Stooshe] - Catch My Breath [Kelly Clarkson] - Change Your Life [Little Mix] - Impossible [James Arthur] - Learn To Love Again [Lawson] - Little Things [One Direction] - Locked Out Of Heaven [Bruno Mars] - Lovebird [Lewis] - One More Night [Maroon 5] - Please Don't Say You Love Me [Gabrielle Aplin] - Skyfall [Adele] - Stay [Rihanna] - Teach Me How To Be Loved [Rebecca Fergusson] - Troublemaker [Olly Murs and Flo Rida] - We Are Never Ever Getting Back Together [Taylor Swift]

Composers, arrangers, conductors, session musicians, and executives worked in easy listening and scoring, complicating an academic focus that lionizes film music while ignoring or deriding easy listening. This book documents easy listening’s connections with film music, an aspect overlooked in academic and popular literature. Fueled by the rise of the LP and home entertainment, easy listening became the largest midcentury commercial music market, generating more actual income for the record business than 7- inch singles. Easy listening roped in subgenres including classical, baroque, jazz, Latin, Polynesian, "exotica," rock, Broadway, and R&B, appropriated and reinterpreted just as they were for cinema. Easy listening provided opportunities in orchestral music for conservatory- trained composers. Major film composers such as Henry Mancini and Michel Legrand had a prodigious output of easy listening albums. Critics fault easy listening for structural racisms, overlooking its evolution and practitioners. Easy listening helped destabilize a tripartite record business that categorized product as race records, old time records, or general popular music. Charlie Parker’s with Strings records altered the direction of jazz, profoundly influencing other performers, encouraging bold crosspollinations, and making money. The influence of technology and historical contexts of music for work and leisure are explored. Original interviews and primary sources will fascinate scholars, historians, and students of cinema, television, film scoring, and midcentury popular music.