Vicious battles, powerful monarchs, and royal intrigue abound in this “gripping, complex, and sensational” (Hilary Mantel) true story of the War of the Roses—a struggle among three brothers, two of whom became kings, and the inspiration for Shakespeare’s renowned play, Richard III. In 15th-century England, two royal families, the House of York and the House of Lancaster, fought a bitter, decades-long civil war for the English throne. As their symbols were a red rose for Lancaster and a white rose for York, the conflict became known as the Wars of the Roses. During this time, the house of York came to dominate England. At its heart were three charismatic brothers—King Edward IV, and his two younger siblings George and Richard—who became the figureheads of a spectacular ruling dynasty. Together, they looked invincible. But with Edward’s ascendancy the brothers began to turn on one another, unleashing a catastrophic chain of rebellion, vendetta, fratricide, usurpation, and regicide. The brutal end came at Bosworth Field in 1485, with the death of the youngest, then Richard III, at the hands of a new usurper, Henry Tudor, later Henry VII, progenitor of the Tudor line of monarchs. Fascinating, dramatic, and filled with vivid historical detail, The Brothers York is a brilliant account of a conflict that fractured England for a generation. Riven by internal rivalries, jealousy, and infighting, the three York brothers failed to sustain their power and instead self-destructed. It is a rich and bloody tale as gripping as any historical fiction.

Our Island Story is the "history" of England up to Queen Victoria's Death. Marshall used these stories to tell her children about their homeland, Great Britain. To add to the excitement, she mixed in a bit of myth as well as a few legends.

Discussion of display through a range of artefacts and in a variety of contexts: family and lineage, social distinction and aspiration, ceremony and social bonding, and the expression of power and authority. Medieval culture was intensely visual. Although this has long been recognised by art historians and by enthusiasts for particular media, there has been little attempt to study social display as a subject in its own right. And yet, display takes us directly into the values, aspirations and, indeed, anxieties of past societies. In this illustrated volume a group of experts address a series of interrelated themes around the issue of display and do so in a waywhich avoids jargon and overly technical language. Among the themes are family and lineage, social distinction and aspiration, ceremony and social bonding, and the expression of power and authority. The media include monumental effigies, brasses, stained glass, rolls of arms, manuscripts, jewels, plate, seals and coins. Contributors: MAURICE KEEN, DAVID CROUCH, PETER COSS, CAROLINE SHENTON, ADRIAN AILES, FRÉDÉRIQUE LACHAUD, MARIAN CAMPBELL, BRIAN and MOIRA GITTOS, NIGEL SAUL, FIONN PILBROW, CAROLINE BARRON and JOHN WATTS.

BONUS: This edition contains an excerpt from Alison Weir's Mary Boleyn. Handsome, accomplished, and charming, Henry Stuart, Lord Darnley, staked his claim to the English throne by marrying Mary Stuart, who herself claimed to be the Queen of England. It was not long before Mary discovered that her new husband was interested only in securing sovereign power for himself. Then, on February 10, 1567, an explosion at his lodgings left Darnley dead; the intrigue thickened after it was discovered that he had apparently been suffocated before the blast. After an exhaustive reevaluation of the source material, Alison Weir has come up with a solution to this enduring mystery. Employing her gift for vivid characterization and gripping storytelling, Weir has written one of her most engaging excursions yet into Britain’s bloodstained, power-obsessed past.

2005 GLYPH AWARD WINNER A story so incredible it can only be true. Adventure, deadly passion and intrigue... History's most enduring mystery... A love story that may have inspired a beloved fairy tale and Shakespeare's Romeo and Juliet... Known as Shakespeare's villain, Richard III is also the king who gave mankind "Blind Justice" and the legal concepts that flowered into modern Western democracy. Against the sweep of England's fifteenth century Wars of the Roses, Love & War, the first book in The Rose of York series, recreates Richard's tumultuous early years and his love affair with Anne Neville, the traitor's daughter he made his queen. With a Foreword by Roxane C. Murph, M.A., Former Chairman, Richard III Society, and author of Richard III: The Making of a Legend "A deftly written, reader engaging, thoroughly entertaining and enthusiastically recommended historical novel that documents its author as a gifted literary talent.” —Midwest Book Review "A hugely interesting project." —Dennis Huston, Ph.D.,1989 Carnegie Mellon Professor of the Year "Sandra Worth has crafted a historical fiction novel that is a true 'classic'."—Viviane Crystal, Reviewers International Organization "A beautifully written novel, etched by a masterful storyteller."—Wendy J. Dunn, author of Dear Heart, How Like You This?, Winner of the 2003 Glyph Award for Best Fiction – Adult

On the morning of the 22nd August 1485, to the sound of thundering hooves, gunshot, the clash of steel and the cries of men in battle, Richard III, King of England, lost his life and the Platangenet line came to an end. But what do we really know of the battle which became known as the Battle of Bosworth Field? How do we separate fact from legend when our knowledge is based on sources which are meagre, garbled or partisan?