A new edition of a 1953 classic that captures the very essence Marrakesh and its people.

"An enigmatic fable in the tradition of 'The Thousand and One Nights.' " —Anderson Tepper, New York Times Book Review Hassan, a storyteller, has gathered listeners in Marrakesh’s fabled Jemaa el Fna to perform his annual re-creation of the night on which two foreigners mysteriously disappeared from the square. But as his audience offers contradicting testimonies, and details transform or dissolve in the haze of memory, the couple takes on an air as enigmatic as their fate, leaving us to wonder whether Hassan is getting closer to the truth or, more disturbingly, is himself part of the mystery.

Nicknamed ‘the rose among the palms’, the thousand-year-old city of Marrakesh is characterised by its pink-colored pisé architecture and its deeply rooted tradition for gardens and green spaces. The majority of historic sites are inextricable from their gardens – or indeed are historic green spaces: the huge royal orchard pleasure-gardens of the Agdal were described by Monty Don as ‘of international cultural importance on a par with Versailles or Villa d’Este’. Scores of traditional riads and hotels like the Mamounia, created by the French in 1923 on the site of an eighteenth-century royal residence, offer splendid gardens to the visitor. Yves Saint Laurent’s Majorelle garden is an icon of modern garden design. The first book to be published on this fascinating subject, Gardens of Marrakesh champions the city’s relevance today in a world of water scarcity and urban development and explores its green heritage, considering some twenty gardens both from an historic and cultural perspective.

In 1921, Edith Wharton became the first woman to win a Pulitzer Prize, earning the award for The Age of Innocence. But Wharton also wrote several other novels, as well as poems and short stories that made her not only famous but popular among her contemporaries. That included her good friend Henry James, and she counted among her acquaintances Teddy Roosevelt and Sinclair Lewis.

Marrakech is the heart and lifeblood of Morocco's ancient storytelling tradition. For nearly a thousand years, storytellers have gathered in the Jemaa el Fna, the legendary square of the city, to recount ancient folktales and fables to rapt audiences. But this unique chain of oral tradition that has passed seamlessly from generation to generation is teetering on the brink of extinction. The competing distractions of television, movies and the internet have drawn the crowds away from the storytellers and few have the desire to learn the stories and continue their legacy. Richard Hamilton has witnessed at first hand the death throes of this rich and captivating tradition and, in the labyrinth of the Marrakech medina, has tracked down the last few remaining storytellers, recording stories that are replete with the mysteries and beauty of the Maghreb.

Back in 1969 when Morocco's ancient capital was a hashish clouded happy mecca, Crosby, Stills and Nash recorded their cheesy (and hopelessly inaccurate) foot-tapping anthem 'Marrakech Express'. A generation on, award-winning journalist, author, and one-time glamrock fan Peter Millar uses what is now the country's best visited tourist destination as the embarkation point for a literally reverse-engineered train journey through this still exotic, diverse and challenging North African country, struggling to maintain its unique blend of tradition and tolerance in the turbulent winds of the Arab Spring.