Memoirs of documentary film producer Charles Urban who was one of the most important figures in the film industry prior to the First World War.

Denis Lipman left London’s East End for Washington, DC more than 20 years ago, but made an annual pilgrimage year after year to visit aging parents, a pair of cantankerous, real-life Cockneys. He endured the visits as best he could. Enter an American wife. Not content with a grin-and-bear-it attitude, she declares that since each year’s trip to England was inevitable, it was to be enjoyed: see the sites, taste the culture, go places! Against his will, our expat becomes a tourist in his homeland and comes to discover it’s not so bad after all. Through new eyes, England is certainly better than he remembered! Enjoy a travel memoir more carbolic than bucolic. Discover a place where the sun rarely shines, where electricity is coin-operated, and where canned beans on toast is a cornerstone of cuisine. Taste the real East End and tour with a colorful, combative and fundamentally affectionate family as they rent cottages, host outrageous relatives, meet the locals and discover the English countryside.

1941. Britain is under some of the heaviest air raids of the Second World War. Concerns about Nazi paratroopers landing in Britain and invading take hold in the hearts of the British citizenry. The Home Guard has been mobilised to defend against airborne assault – and it needs training. ‘Yank’ Levy is brought in to Osterley Park to teach guerrilla warfare, from practical experience in the Spanish Civil War. ‘Yank’ trains soldiers of the Home Guard how to use surveillance, defend against tanks and armoured vehicles, how to fight in towns and across country and against a well-supplied, highly-trained and mobile occupying force. His book, Guerrilla Warfare offers such sound advice as: ‘Whether you go to a tea-party or to work on your allotment...take your rifle with you. Don’t leave it downstairs for a German to grab if he enters the house’ and 'Your motto should always be: ‘Finish them! Then a quick get-away, and another ambush some place else’’

The American World War II film depicted a united America, a mythic America in which the average guy, the girl next door, the 4-F patriot, and the grieving mother were suddenly transformed into heroes and heroines, warriors and goddesses. The Star-Spangled Screen examines the historical accuracy—or lack thereof—of films about the Third Reich, the Resistance, and major military campaigns. Concerned primarily with the films of the war years, it also includes discussions of such postwar movies as Battleground (1949), Attack! (1956), The Bridge on the River Kwai (1957), and Patton (1970). This revised edition includes a new afterword that covers more recent films, such as Sophie's Choice (1982), Biloxi Blues (1986), and Schindler's List (1993). The Star-Spangled Screen makes a major contribution to popular culture by recreating an era that, for all its tragedy, was one of the most creative in the history of American film.

This new, updated edition of The Battle of Britain on Screen examines in depth the origins, development and reception of the major dramatic screen representations of 'The Few' in the Battle of Britain produced over the past 75 years. Paul MacKenzie explores both continuity and change in the presentation of a wartime event that acquired and retains near-mythical dimensions in popular consciousness and has been represented many times in feature films and television dramas. Alongside relevant technical developments, the book also examines the social, cultural, and political changes occurring in the second half of the 20th century and first decade of current century that helped shape how the battle came to be framed dramatically. This edition contains a new chapter looking at the portrayal of the Battle of Britain at the time of its 70th anniversary. Through its perceptive demonstration of how our memory of the battle has been constantly reshaped through film and television, The Battle of Britain on Screen provides students of the Second World War, 20th-century Britain and film history with a thorough and complex understanding of an iconic historical event.

British rural landscapes on film offers insights into how rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the twenty-first century. It is the first book to exclusively deal with representations of the British countryside on film. The contributors demonstrate that the countryside has provided Britain (and its constituent nations and regions) with a dense range of spaces in which cultural identities have been (and continue to be) worked through. British rural landscapes on film demonstrates that British cinema provides numerous examples of how national identity and the identity of the countryside have been partly constructed through filmic representation, and how British rural films can allow us to further understand the relationship between the cultural identities of specific areas of Britain and the landscapes they inhabit.