A white woman in a mostly minority male workplace, Swerdlow helped edit a newsletter, Hell on Wheels, and tried to organize for better working conditions, confronting the Kafkaesque Transit Authority bureaucracy and complacent union leadership. This book presents her account that is laden with anecdotes that range from the funny to the absurd.

A newlywed gazes upon the wreckage of the Titanic. A young woman becomes the protégé of a Parisian hotelier. An old woman meets an angel in a ghost town. With arresting imagery and heart-wrenching storylines, these short stories from a master writer use humor and imagination to weave together themes of loss, dignity, tenacity and acceptance.

An award-winning foreign correspondent who contributed to a Pulitzer Prize-winning New York Times series reveals the secret Afghan custom of disguising girls as boys to improve their prospects, discussing its political and social significance as well as the experiences of its practitioners.

“It is not about provocation, reaction or even invocation, it is about transformation: mentally and physically.”—Marina Abramovic, artist “Art is subjective, and if one sees something in an image, that projection is a reflection of the spectator, who sees what he or she wants to see, whose critique is relevant to him or herself, exposing his or her own perversions.”—Irina Ionesco, artist Until the late twentieth century, women’s creative skills were relegated to craft and decorative arts, and valued only for utilitarian purposes in service to others and the manufacturing of products to benefit society. After enduring the great injustice of being denied the freedom that self-expression brings through art for the joy of the human spirit, Women of the Underground: Art celebrates those female cultural innovators who are creating new artwork that pushes boundaries, dares to question, and redefines the genres of mixed media; theater; film; photography; and visual, conceptual, and performance art. In this groundbreaking anthology that will inspire artists and everyone interested in alternatives to mainstream culture, as well as serve as a reference book for art historians, twenty-six female artists describe their ideas, beginnings, influences, and creative techniques. Contains interviews with Lady Pink, Marina Abramovic, Orlan, Aleksandra Mir, Penny Arcade, Johanna Went, the Guerrilla Girls, and many others. Editor Zora von Burden was born and raised in San Francisco, California. A frequent contributor to The San Francisco Herald, von Burden also wrote the screenplay for Geoff Cordner’s underground cult classic film, Hotel Hopscotch.

Lauren Stratford's story is one that everyone needs to read, though it deals with a subject most of us would rather not discuss, a subject that for many is too horrendous even to believe. Lauren Stratford lived a life of unending nightmares. As a small child she was offered sexually to strange men. Soon after, she was forced into a torturous routine of pornography, was controlled by mind- and body-altering drugs, and constantly received threats to her life. Though she sought help several times from adults she thought could be trusted with her secrets, no one was willing to risk becoming involved. After years of suffering what many would call the ultimate evil of sexual abuse, Lauren was held captive in the even more appalling world of Satanism and ritual abuse. Forced to participate in some of the most evil satanic rituals imaginable, Lauren was witness to shocking crimes against children and others, all performed in the name of Satan. Tormented sexually and mentally by the cult members, Lauren survived the torture because of her strong faith in God and her belief that He would deliver her from the evil of which she had become a part. It is an undisputed fact that this type of abuse occurs in the world today. Through this shocking story, anyone who is caught in the trap of sexual or ritual abuse can learn that there is a way out--that with the help of God and others, victims like Lauren can break free. Parents, counselors, law-enforcement personnel, and anyone who may know of or suspect a case of abuse will find in this book invaluable advice. Discover how the veil of such horrible abuse can be lifted for all who suffer.

“I am Moscow’s underground son, the result of one too many nights on the town,” says Mbobo, the precocious twelve-year-old narrator of Hamid Ismailov’s The Underground. Born from a Siberian woman and an African athlete competing in the 1980 Moscow Olympics, Mbobo navigates the complexities of being a fatherless, mixed-raced boy in the Soviet Union in the years before its collapse, guided only by the Moscow subway system. Named one of the "ten best Russian novels of the 21st Century" (Continent Magazine), The Underground is Ismailov’s haunting tour of the Soviet capital, on the surface and beneath. Though deeply engaged with great Russian authors of the past—Dostoyevsky, Nabokov, and, above all, Pushkin—Ismailov is an emerging master of Russian writing that reflects the country’s diversity today. Reviews "Hamid Ismailov has the capacity of Salman Rushdie at his best to show the grotesque realization of history on the ground." —Literary Review "The dream of grandeur is more than justified by the artfulness of The Underground, which...create[s] the motifs of blackness, subterranean movement, and isolation that are the novel’s strongest effects." —Transitions Online Hamid Ismailov is an Uzbek journalist, writer, and translator who was forced to flee Uzbekistan in 1992 for the United Kingdom, where he now works for the BBC World Service. His works are still banned in Uzbekistan. His writing has been published in Uzbek, Russian, French, English, and other languages. He is the author of novels including Sobranie Utonchyonnyh, Le Vagabond Flamboyant, Two Lost to Life, The Railway, The Underground, A Poet and Bin-Laden and The Dead Lake; poetry collections including Sad (Garden) and Pustynya (Desert); and books of visual poetry Post Faustum and Kniga Otsutstvi. Carol Ermakova studied German and Russian language and literature and holds an MA in translation from Bath University. She first visited Russia in 1991. More recently, Ermakova spent two years in Moscow working as a teacher and translator. Carol currently lives in the North Pennines and works as a freelance translator.

When the Japanese began their brutal occupation of the Philippines in early 1942, 76,000 ill and starving Filipinos and many Americans were left to defend Bataan, Manila, and surrounding islands. During the three violent years of occupation that followed, Allied sympathizers smuggled suppliesand information to guerilla fighters and prisoner camps around the country. Theresa Kaminski's Angels of the Underground tells the story of two such members of this lesser-known resistance movement - American women known only as Miss U and High Pockets. Incredibly adept at skirting occupationauthorities to support the Allied effort, the very nature of their clandestine wartime work meant that the truth behind their dangerous activities had to be obscured as long as the Japanese occupied the Philippines. Were their identities revealed, they would be arrested, tortured, and executed.Throughout the war, Miss U and High Pockets remained hidden behind a veil of deceit and subterfuge.Angels of the Underground offers the compelling tale of two ordinary American women propelled by extraordinary circumstances into acts of heroism. Married to servicemen, Peggy Utinsky and Claire Phillips, the women behind Miss U and High Pockets, hoped that their clandestine efforts would reunitethem with their husbands. Both men died at the hands of the Japanese, but Utinsky and Phillips stayed on through the occupation, working in hospitals, moving supplies, and building their networks. Utinsky narrowly survived a month of torture at Fort Santiago, then joined John Boone's guerilla bandand became a brevet second lieutenant before returning to the Red Cross until the end of the war. Phillips barely escaped execution in 1943, and was sentenced to hard labor in a prison camp, where she remained until February 1945.Angels of the Underground illuminates the complex political dimensions of the occupied Philippines and its importance to the war effort in the Pacific. Kaminski's narrative sheds light on the Japanese-occupied city of Manila; the Bataan Death March and subsequent incarceration of American militaryprisoners in camps O'Donnell and Cabanatuan under horrific conditions; and the formation of guerrilla units in the mountains of Luzon.Angels of the Underground makes a significant contribution to the work on women's wartime experiences. Through the lens of Utinksy and Phillips, who never wavered in their belief that it was their duty as patriotic American women to aid the Allied cause, Kaminksi highlights how women have alwaysbeen active participants in war, whether or not they wear a military uniform. An impressive work of scholarship grounded in archival research and personal interviews, this is also a stunning story of courage and heroism in wartime.