A secret baby puts a wrench in holiday plans in this charming, snowbound Regency romance from Annabelle Greene Come to me. I need you. It’s a matter of life-and-death. Infamous poet Sherborne Clarke is a scholar, a lover—but not a father. When he finds a baby abandoned on the steps of his crumbling castle, he knows he must get her to London and an orphanage. It’s the perfect excuse to contact the one person he trusts…the man whose love he stills yearns for, and whose heart he broke years before. Richard Ashbrook was groomed from birth to become the Earl of Portland, until Sherborne betrayed him, exposing his sexuality to the papers and forcing him into exile. But as much as he hates Sherborne, Richard has never managed to break their link or let his confusing sentiments concerning him subside. When he receives a missive implying that Sherborne's life is at risk, he knows it is time to return home. Richard undergoes the perilous journey from Sicily only to find the other man untouched. Furious, he agrees to transport the baby to London—whatever gets him out of Sherborne’s life once and for all. But when a snowstorm leaves them stranded, they’re forced to confront the past—and deal with the love between them that’s all too present.

Alone in a gentleman's bedchamber, rummaging through his clothing--governess Leah Vance risks social ruin. Only by selling political information can she pay for her sister's care. And the letter she found in Julian DeChambelle's coat could be valuable--if the ex-sea captain himself had not just walked in. As a navy officer, Julian knew his purpose. As a new earl, he's plagued by trivialities and marriage-obsessed females. Miss Vance's independence is intriguing--and useful. In return for relaying false information, he will pay her handsomely. But trusting her, even caring for her? That would be pure folly. Yet when he sees the danger that surrounds her, it may be too late to stop himself....

An isolate, protracted surrealism attaches languidly to objects, animals, and emotion in Michael E. Craig's poems of semi-rural outlandishness. Profundity takes its rightful place in the shallow arena: "You can't step out of your tragedy, it wouldn't be a tragedy./ Neither can I./ Together we walk/ and think thoughts in a cornfield. . . ./ A thing cries out from the interior of corn." The reader is embroiled in textural exposition, encountering dark recessions of realism against the relief of interior truth: "Today you strike me as needing something./ So take my ten-thousand-pound typewriter . . . / . . . For here is an older,/ other world, taking almost forty sheep to make one sock./ A serious mist fills my eye. You/ have made me cry." Winsome, ominous vapors arise from the combustion of "dreamish, autobiographical thoughts" with their counterpart, the cosmic laughter provoked by close observation. "A man had been out walking with a very long cigar./ As he passed by me, closely, I could see it/ was actually an eight-inch-long ash/ that he had, perched beautifully between his/ fingers. And that he had passed away./ And that his eyes were gone from his head."

Miss Ada Quicksilver, a student of London’s Lovelace Academy for Promising Young Women, is spending her holiday in Ireland to pursue her anthropological study of fairies. She visits Dublin’s absinthe bars to investigate a supposed association between the bittersweet spirit and fairy sightings. One night a handsome Irishman approaches her, introducing himself as Edward Donoghue. Edward takes absinthe to relieve his sleepwalking, and she is eager to hear whether he has experience with fairies. Instead, she discovers that he’s the earl of Meath, and that he will soon visit a mysterious ruin at Newgrange on the orders of his cousin, the beautiful, half-mad Queen Isolde. On learning about Ada’s area of study, he invites her to accompany him. Ada is torn between a sensible fear of becoming entangled with the clearly troubled gentleman and her compelling desire to ease his suffering. Finally she accepts his invitation, and they arrive in time for the winter solstice. That night, the secret of Edward’s affliction is revealed: he is, in fact, a lord in two worlds and can no longer suppress his shadow self. Little does either of them realize that their blossoming friendship—and slowly kindling passion—will lead to discoveries that wrench open a door sealed for centuries, throwing them into a war that will change Ireland forever.

This three-volume Omnibus e-Book set is a collection of Earl J. Hess's definitive works on trench warfare during the Civil War. The set includes: Field Armies and Fortifications in the Civil War: The Eastern Campaigns, 1861-1864, covering the eastern campaigns, from Big Bethel and the Peninsula to Chancellorsville, Gettysburg, Charleston, and Mine Run; Trench Warfare under Grant and Lee: Field Fortifications in the Overland Campaign, covering Wilderness, Spotsylvania, North Anna, Cold Harbor, and Bermuda Hundred; and In the Trenches at Petersburg: Field Fortifications and Confederate Defeat, recounting the strategic and tactical operations in Virginia during the last ten months of the Civil War, when field fortifications dominated military planning and the landscape of battle. This invaluable trilogy is a must have for anyone interested in the battles, tactics and strategies of both sides during the Civil War.

An infamous Earl makes an indecent bet with his beautiful nurse in this sexy Victorian romance series debut. Known as a brazen philanderer, Hayden Milton, Earl of Westfield, is almost done in by a vengeful mistress who aims a gun at a rather essential part of his anatomy—but ends up wounding his thigh instead. Recuperating in his London townhouse, Hayden is confronted by his new medical attendant. Sophia Camden intrigues him, for behind her starched uniform is an enticing beauty better suited for bedding than dispensing salves and changing bandages. Unshaken by his arrogance, not to mention impropriety, Sophia offers Hayden a dare: allow her ten days to prove her competency. If she resigns in exasperation like her two predecessors, she will be beholden to this wicked seducer. As a battle of wills begins, Sophia finds herself distracted by the earl’s muscular physique . . . and discovers that the man within longs only for a second chance to love.

How does an earl teach his four meddling sisters a lesson about interfering in his affairs? A fake courtship ought to do nicely. The Earl of Evans knew from the first moment that the invitation arrived that the Christmastide house party his sisters were hosting was a ruse. They’d done it before…they’d already found the recipe. Take an eligible lord and a marriageable lady, add a sleigh ride, some mistletoe, and few candlelit evenings with Christmastide carols and boom, he’d go from one of England’s most eligible bachelors to a happily married man. Only he has no interest in marriage, and even better, neither does the lady they’ve chosen for his prospective bride. Together, they concoct the perfect foil to his sister’s schemes: they’ll pretend that his sisters’ plans have worked. The problem? His sisters managed to get some things right after all. Because sleigh rides and mistletoe kisses might make a man wonder. And the more times he spends with Lady Duxbury, the more he questions who is playing who and which feelings are part of the act and which ones are coming directly from his heart?