Ben Rosewood never meant to be bound to a vampire succubus, especially one as sexy-yet-terrifying as Eleonore Bettencourt-Devereux, but he has to admit there are some fang-tastic perks…. Werewolf Ben Rosewood is happy with his life. One hundred percent. Everything is fine. His business, Ben’s Plant Emporium, is thriving, and he’s even expanding the shop. His anxiety disorder is…well, it’s been better, but that comes with the territory of running a business and having beastly urges every full moon, right? As for romance—who has the time? Though his family is desperate to see him settled, Ben is fine approaching forty as a single werewolf. But after drunkenly bidding on and winning a supposedly-possessed crystal on eBay one night, he finds himself face-to-face with a beautiful yet angry vampire. Eleonore Bettencourt-Devereux is a rare breed—a vampire succubus born from two elite European bloodlines during medieval times. Thanks to an evil witch, she’s been stuck in a crystal since she was thirty, forced to obey orders from the possessor of the rock. Eleonore's been dreaming of breaking the spell and severing the witch’s head for centuries. But did this witch really sell her to someone new, and for only ninety-nine cents? Eleonore would claw this werewolf’s heart out and eat it, if only the binding spell would allow her to. But Eleonore and Ben soon realize they can help each other with both vengeful and less hostile needs. And why not have a little fun along the way?

Calladia Cunnington curses the day she met Astaroth the demon, but when he shows up memoryless, why does she find him so helpless . . . and sort of hot? Calladia Cunnington knows she’s rough around the edges, despite being the heir to one of small-town Glimmer Falls’ founding witch families. While her gym obsession is a great outlet for her anxieties and anger, her hot temper still gets the best of her and manifests in bar brawls. When Calladia saves someone from a demon attack one night, though, she’s happy to put her magic and rage to good use . . . until she realizes the man she saved is none other than Astaroth, the ruthless demon who orchestrated a soul bargain on her best friend. Astaroth is a legendary soul bargainer and one of the nine members of the demon high council—except he can’t remember any of this. Suffering from amnesia after being banished to the mortal plane, Astaroth doesn’t know why a demon named Moloch is after him, nor why the muscular, angry, hot-in-a-terrifying-way witch who saved him hates him so much. Unable to leave anyone in such a vulnerable state—even the most despicable demon—Calladia grudgingly decides to help him. (Besides, punching an amnesiac would be in poor taste.) The two set out on an uneasy road trip to find the witch who might be able to restore Astaroth’s memory so they can learn how to defeat Moloch. Calladia vows that once Astaroth is cured, she’ll kick his ass, but the more time she spends with the snarky yet utterly charming demon, the more she realizes she likes this new, improved Astaroth . . . and maybe she doesn’t want him to recover his memories, after all.

A new take on our bio-cultural evolution explores how the "inner theatre" of the brain and its "animal-human stages" are reflected in and shaped by the mirror of cinema. Vampire, werewolf, and ape-planet films are perennial favorites—perhaps because they speak to something primal in human nature. This intriguing volume examines such films in light of the latest developments in neuroscience, revealing ways in which animal-human monster movies reflect and affect what we naturally imagine in our minds. Examining specific films as well as early cave images, the book discusses how certain creatures on rock walls and movie screens express animal-to-human evolution and the structures of our brains. The book presents a new model of the human brain with its theatrical, cinematic, and animal elements. It also develops a theory of "rasa-catharsis" as the clarifying of emotions within and between spectators of the stage or screen, drawing on Eastern and Western aesthetics as well as current neuroscience. It focuses on the "inner movie theater" of memories, dreams, and reality representations, involving developmental stages, as well as the "hall of mirrors," ape-egos, and body-swapping identifications between human beings. Finally, the book shows how ironic twists onscreen—especially of contradictory emotions—might evoke a reappraisal of feelings, helping spectators to be more attentive to their own impulses. Through this interdisciplinary study, scholars, artists, and general readers will find a fresh way to understand the potential for interactive mindfulness and yet cathartic backfire between human brains—in cinema, in theater, and in daily life.

A critical appreciation of Buffy and its spin-off series Angel, whose contributors look at the complex ways in which both shows have won the hearts and minds of an audience that has opened out from the teen to the hip.

More than 2,300 works of fiction and poetry are discussed, each cross-referenced to other works with similar or contrasting themes. Winners and nominees for major awards are identified. Books that are part of a series are flagged, with a complete list of books in series included in a final chapter, along with a comprehensive list of awards, of translations, and of young adult and children's books.

How long have psychotherapists been depicted in films? Nearly as long as there have been films—or psychotherapists, for that matter. This isn’t surprising if one considers that the Freudian revolution in psychology and the invention of motion pictures occurred at about the same time. What may be surprising is the sheer number of times that psychotherapists, in their many guises, have shown up in the movies and how their depiction has reflected changing social attitudes about psychotherapy over the last century. This comprehensive worldwide filmography examines over 5000 movies. Films in which mental health professionals appear, or in which others act in that capacity, are listed alphabetically. A preface explains the criteria for a film’s inclusion, and a lengthy introduction and guide to the filmography explores the changing social attitudes mirrored by the movies. Appendices list the titles by decade; alternate titles for many films; recent releases; and qualifying adult films.

The good news is: He’s tall, dark, and handsome. The bad news is: He’s short-tempered, a bit hairy, and has a tendency to howl at the full moon. ...Which makes bringing him home to meet mom and dad a bit difficult. How do you expect him to meet the family when he’s shedding on the furniture and sharpening his nails? Will he have more in common with the family dog than you? Will he leave you for a hairy hottie? No worries—in this guide, you will learn everything you need to know about these wild boys, including: How to spot a werewolf What to do when he changes shape How to avoid his animalistic mood swings How to destroy the savage beast (before he destroys you!) The best—and worst—werewolf books and films With this book, all ladies in love with lycanthropes learn how to tame their creatures of the night!