Katie Cotugno meets The Bridges of Madison County in a magnetic tale about summer love that stays with you long after the seasons change. Rose Darrow never wanted to spend her life working on her family’s farm. But when her family is rocked by an unexpected tragedy she has no choice but to put her plans for the future—and dreams of escaping her small town—on hold. Bodhi Lowell left home as a kid and hasn’t looked back. Years of working farm jobs has given him the one thing he wants most: freedom to travel without answering to anyone. He’s already looking past his job at Darrow Farm and plans on leaving in September—until he meets Rose. Neither Rose nor Bodhi can deny the sparks flying between them, but with the end of summer looming, they must decide if it is better to have loved and lost than never to have loved at all. . . .

Orphaned and homeless after a tsunami decimates their coastal India town, teenage sisters Ahalya and Sita Ghai are abducted and sold to a Mumbai brothel owner before they are helped by an American attorney fighting human trafficking.

You existed before your human experience, and you will exist after. Drawing from his unique pre-birth memories, Christian Sundberg provides an encouraging framework for understanding the nature of the human experience within the larger spiritual context. A Walk in the Physical is a non-linear reality model that boils down the very vast into succinct accessible language. More than a set of ideas though, it is a tool meant to point you towards the portion of yourself that already exists right now beyond Earth. At the heart of the book is the theme of love, and it describes why authentic love – even in small matters – is so deeply important to our human journey.

A few hours' history of one platoon of Yankee soldiers on the outskirts of a beachhead battle in Italy, who are left without a leader.

A boy and the moon share a walk through his neighborhood.

In Alan Huck?s image-text book, '?I walk toward the sun which is always going down?', an unnamed narrator wanders a city in the American Southwest, where their observations and encounters become catalysts for rumination on a wide range of subjects. Shifting between photographs of the city?s peripheries and an interior monologue written in first-person, fragmentary prose, this hybrid essay draws on the ambulatory works of writers such as W.G. Sebald and Annie Dillard, both of whom are incorporated into the network of literary and cultural references interwoven throughout the book?s text. Part metafiction about the working process of a photographer and part cross-disciplinary exploration of one?s relationship to a particular place, the author utilizes the essential indeterminacy of both photography and written language to craft an exercise in attention that moves seamlessly between the two mediums.