The past fifty years have seen a strong interest in the shape and the message of the book of Psalms. In A Voice Without End, Andrew C. Witt evaluates the significance of Psalms 3–14, and in particular, the presence and function of the figure of David. Using representative interpreters and canonical and literary approaches, Witt uncovers how the book of Psalms develops its own speaking personae. He argues that the introduction to the book in Psalms 1–2 and the association with David in the superscriptions set up the figure of David as the principal voice within Psalms 3–14, constructing a Davidic persona who can speak as an ideal and representative figure, as well as a typological figure, in expectation of the establishment of a just kingdom in the context of the Davidic promises. In addition to its original analysis of Psalms 3–14, this study contributes to Psalms research by sharpening our understanding of the Davidic voice and by showing that key themes and motifs at the seams of the Psalter and in its thematic center are already active and engaged at the very beginning. Further, it helps to bridge premodern and modern psalm interpreters by demonstrating the ongoing value of premodern conceptual models for analyzing voices in the text. Pathbreaking and eminently readable, this book changes both the way we read the Psalter and how we understand its relationship with David. It will appeal to biblical studies scholars and seminarians.

Christopher Seitz has assembled a collection of his essays which call for Christians to reappropriate the Old Testament as the Scripture of the Christian church and to interpret it theologically in the interest of the functioning Christian community.

COSTA BOOK OF THE YEAR AWARD WINNER LONGLISTED FOR THE 2017 MAN BOOKER PRIZE "A true leftfield wonder: Days Without End is a violent, superbly lyrical western offering a sweeping vision of America in the making."—Kazuo Ishiguro, Booker Prize winning author of The Remains of the Day and The Buried Giant From the two-time Man Booker Prize finalist Sebastian Barry, “a master storyteller” (Wall Street Journal), comes a powerful new novel of duty and family set against the American Indian and Civil Wars Thomas McNulty, aged barely seventeen and having fled the Great Famine in Ireland, signs up for the U.S. Army in the 1850s. With his brother in arms, John Cole, Thomas goes on to fight in the Indian Wars—against the Sioux and the Yurok—and, ultimately, the Civil War. Orphans of terrible hardships themselves, the men find these days to be vivid and alive, despite the horrors they see and are complicit in. Moving from the plains of Wyoming to Tennessee, Sebastian Barry’s latest work is a masterpiece of atmosphere and language. An intensely poignant story of two men and the makeshift family they create with a young Sioux girl, Winona, Days Without End is a fresh and haunting portrait of the most fateful years in American history and is a novel never to be forgotten.

I love to swim in the sea, which keeps talking to itself in the monotone of a vagabond who no longer recalls exactly how long he's been on the road. Swimming is like prayer: palms join and part, join and part, almost without end. --from "On Swimming" Without End draws from each of Adam Zagajewski's English-language collections, both in and out of print--Tremor, Canvas, and Mysticism for Beginners--and features new work that is among his most refreshing and rewarding. These poems, lucidly translated, share the vocation that allows us, in Zagajewski's words, "to experience astonishment and to stop still in that astonishment for a long moment or two."

A sleep deprivation bet careens out of control when a group of friends get together over spring break. One seasoned reporter, caught by chance in this maelstrom, attempts making sense of the carnage, though entirely out of his realm. While beginning as a lighthearted lark, what he encounters eventually finds him ruminating on our current worldwide climate, and its parallels to this insane odyssey.

In Secularization without End: Beckett, Mann, Coetzee, Vincent P. Pecora elaborates an alternative history of the twentieth-century Western novel that explains the resurgence of Christian theological ideas. Standard accounts of secularization in the novel assume the gradual disappearance of religious themes through processes typically described as rationalization: philosophy and science replace faith. Pecora shows, however, that in the modern novels he examines, "secularization" ceases to mean emancipation from the prescientific ignorance or enchantment commonly associated with belief and signifies instead the shameful state of a humanity bereft of grace and undeserving of redemption. His book focuses on the unpredictable and paradoxical rediscovery of theological perspectives in otherwise secular novels after 1945. The narratives he analyzes are all seemingly godless in their overt points of view, from Samuel Beckett’s Murphy to Thomas Mann’s Doktor Faustus to J. M. Coetzee’s The Childhood of Jesus. But, Pecora argues, these novels wind up producing varieties of religious doctrine drawn from Augustinian and Calvinist claims about primordial guilt and the impotence of human will. In the most artfully imaginative ways possible, Beckett, Mann, and Coetzee resist the apparently inevitable plot that so many others have constructed for the history of the novel, by which human existence is reduced to mundane and meaningless routines and nothing more. Instead, their writing invokes a religious past that turns secular modernity, and the novel itself, inside out.