Augmenting recent developments in theories of gender and sexuality, this anthology marks a compelling new phase in queer scholarship. Navigating notions of silence, misunderstanding, pleasure, and even affects of phobia in artworks and texts, the essays in this volume propose new and surprising ways of understanding the difficulty—even failure—of the epistemology of the closet. By treating "queer" not as an identity but as an activity, this book represents a divergence from previous approaches associated with Lesbian and Gay Studies. The authors in this anthology refute the interpretive ease of binaries such as "out" versus "closeted" and "gay" versus "straight," and recognize a more opaque relationship of identity to pleasure. The essays range in focus from photography, painting, and film to poetry, Biblical texts, lesbian humor, and even botany. Evaluating the most recent critical theories and introducing them in close examinations of objects and texts, this book queers the study of verse and visual culture in new and exciting ways.

This publication marks the centenary of Simeon Solomon (1840-1905), a leading painter of the Pre-Raphaelite group that formed around Dante Gabriel Rossetti in the mid-nineteenth century. A precocious young talent, Solomon enjoyed early critical success with his paintings of biblical and classical subjects, but his public career was effectively destroyed when his homosexuality became public knowledge in 1873. Solomon is recognized today, however, as an important and influential figure in the Pre-Raphaelite circle.