A university professor. A restaurateur. A Hollywood leading man. The Mackie Men of New Orleans have made success a family tradition. In A View from the Roof, Presidential Award-winning speaker Dr. Calvin Mackie reveals just how they did it. Through a slideshow of poignant stories involving the Mackie brothers' tough-as-nails roofer dad Willie, readers will learn the hands-on, humorous lessons that propelled Calvin and his brothers to the top of their professions. From the hot gable rooftops of New Orleans to the set of a Spike Lee film, this book will leave readers with a view they'll always remember.

Read Along or Enhanced eBook: When Nora hears a soft "tap, tap, tap" at her bedroom window she never expects it to be the tentacle of a very large octopus, but that's exactly what it is--an octopus on her apartment building. The octopus turns out to be a very neighborly sort of octopus, helping the residents to wash their cars or weed the window boxes, and Nora makes fast friends with him. But one morning, the octopus is nowhere in sight. Has he moved on already? And just when Nora wanted to bring him for Show and Tell!

This view of a life-altering moment in our history—captured from one photographer’s Brooklyn rooftop—is a testament to human hope and resilience, and what we’ve learned about living in community. The roof of a New York apartment building, like some New York neighbors, can be elusive—you could live there for years and never see it. The unique constraints of 2020’s quarantine drove photographer and Brooklyn transplant Josh Katz up to his Bushwick rooftop and introduced him to both. What he discovered there astonished him. Families, lovers, dogs, meditators, artists, exercise fanatics, daredevils, drinkers, dancers—in this strange time the world below had found a way to continue ticking on up above, subject to new patterns and distances. And then, there were the pigeon fanciers, who had been up there for decades, watching the neighborhood change around them. Josh reached for his camera. The project grew from a man’s attempt to cope with his own isolation to a tender portrait of his community—captured entirely from his own roof—and a resonant chronicle of how some of us found new hope and space in a life-altering year. Characters as heartfelt as any in the now-classic Humans of New York accompany Josh’s keen observations on urban space, human interaction, and new ways of city living we can bring down from the roof to apply in a post-quarantine world.

'An utterly original and brilliant story' Reese Witherspoon A Most Anticipated Book according to The Millions, Ms. Magazine and Good Housekeeping Ruth, Esther and Chloe have been singing in harmony since before they could speak. Together they are The Salvations. Driven to success by their formidably ambitious mother, Vivian, they’re soon the hottest jazz band in San Francisco. When the girls receive a once-in-a-lifetime offer from a renowned talent manager, Vivian knows this is the big break she has been praying for. She can see a different future for her girls, one that is a far cry from her childhood in racially segregated Louisiana. But somewhere between the grind of endless rehearsals on the rooftop and the glamour of weekly gigs at the Champagne Supper Club, the girls grow up and start to imagine a life beyond their mother's reach. As Vivian’s hold on her family begins to weaken, she must confront changes in The Salvations, in the San Francisco neighbourhood she has made her home, and even in her own family.

“[A] down-to-earth memoir chronicling her family’s stint in the Chinese province of Shandong on the eve of the Beijing Olympics” (Publishers Weekly). When Aminta Arrington moves with her husband and three young children (including a daughter adopted from China) from suburban Georgia to Tai’an, a city where donkeys share the road with cars, the family is bewildered by seemingly endless cultural differences large and small. But with the help of new friends, they soon find their way. Full of humor and unexpectedly moving moments, Home Is a Roof Over a Pig recounts a transformative quest with a freshness that will delight. “A brutally honest and fascinating peek at life for an American family living in a foreign country. I was engrossed in the story as Arrington used her humor, and ultimately understanding and flexibility to survive, realize, and eventually love the contradictory land of China.” —Kay Bratt, bestselling author of Silent Tears: A Journey of Hope in a Chinese Orphanage “The power of Aminta Arrington’s Home Is a Roof Over a Pig is you can see both sides of the ‘China coin’ from it—something most people won’t get just by traveling through, or only by hearing about China in Western languages. Read it, it will help you dip into the real China.” —Xinran, author of The Good Women of China “A military wife turned ESL instructor’s sharp-eyed account of how the adoption of a Chinese baby girl led to her family’s life-changing decision to live and work in rural China . . . Candid and heartfelt.” —Kirkus Reviews

For millions of people around the world, Tibet is a domain of undisturbed tradition, the Dalai Lama a spiritual guide. By contrast, the Tibet Museum opened in Lhasa by the Chinese in 1999 was designed to reclassify Tibetan objects as cultural relics and the Dalai Lama as obsolete. Suggesting that both these views are suspect, Clare E. Harris argues in The Museum on the Roof of the World that for the past one hundred and fifty years, British and Chinese collectors and curators have tried to convert Tibet itself into a museum, an image some Tibetans have begun to contest. This book is a powerful account of the museums created by, for, or on behalf of Tibetans and the nationalist agendas that have played out in them. Harris begins with the British public’s first encounter with Tibetan culture in 1854. She then examines the role of imperial collectors and photographers in representations of the region and visits competing museums of Tibet in India and Lhasa. Drawing on fieldwork in Tibetan communities, she also documents the activities of contemporary Tibetan artists as they try to displace the utopian visions of their country prevalent in the West, as well as the negative assessments of their heritage common in China. Illustrated with many previously unpublished images, this book addresses the pressing question of who has the right to represent Tibet in museums and beyond.