The book is a story about relationships, social issues and nature written in poetic verse, where each poem conjures up a story for the reader. It was written, revised and reviewed over 8 years and finally edited in its 9th year. It is now 10 years since this work has been evolving and has to be shared with as many people as possible in relationship struggles, people in love or just families navigating life amidst the troubles we find ourselves in today. My book is about what emotions were felt in three distinct chapters in my life, and by sharing it with the world I hope that I can help anyone going through a tough stage or even a hopeful stage in their life. The final chapter sets us free to become that free spirit, that happy person that we can only reach by introspection, reflection and acceptance.

The book is a story about relationships, social issues and nature written in poetic verse, where each poem conjures up a story for the reader. It was written, revised and reviewed over 8 years and finally edited in its 9th year. It is now 10 years since this work has been evolving and has to be shared with as many people as possible in relationship struggles, people in love or just families navigating life amidst the troubles we find ourselves in today. My book is about what emotions were felt in three distinct chapters in my life, and by sharing it with the world I hope that I can help anyone going through a tough stage or even a hopeful stage in their life. The final chapter sets us free to become that free spirit, that happy person that we can only reach by introspection, reflection and acceptance.

What makes a romance novel a romance? How do you write a kissing book?Writing a well-structured romance isn't the same as writing any other genre-something the popular novel and screenwriting guides don't address. The romance arc is made up of its own story beats, and the external plot and theme need to be braided to the romance arc-not the other way around.Told in conversational (and often irreverent) prose, Romancing the Beat can be read like you are sitting down to coffee with romance editor and author Gwen Hayes while she explains story structure. The way she does with her clients. Some of whom are regular inhabitants of the New York Times and USA Today bestseller lists.Romancing the Beat is a recipe, not a rigid system. The beats don't care if you plot or outline before you write, or if you pants your way through the drafts and do a "beat check" when you're revising. Pantsers and plotters are both welcome. So sit down, grab a cuppa, and let's talk about kissing books.

For the first time, Faber publish a selection from the poetry of Philip Larkin. Drawing on Larkin's four collections and on his uncollected poems. Chosen by Martin Amis. 'Many poets make us smile; how many poets make us laugh - or, in that curious phrase, "laugh out loud" (as if there's another way of doing it)? Who else uses an essentially conversational idiom to achieve such a variety of emotional effects? Who else takes us, and takes us so often, from sunlit levity to mellifluous gloom?... Larkin, often, is more than memorable: he is instantly unforgettable.' - Martin Amis

Discover the three types of love--and the key to finding the one you're truly meant to be with. We love and we love again -- sometimes our hearts get broken but, somehow, we find the courage to dive back in. In this soul-searching book, relationship expert Kate Rose guides readers down the path to a deeper understanding of who they are, what they want, and finally, to the discovery of their Twin Flame. According to Rose, love is a journey of self-discovery and every relationship we have in our lives teaches us something that we need to learn about ourselves and what will make us truly happy. She introduces readers to the three types of love we will all experience: The Soulmate introduces us to the dream of love, but somehow what seemed like it would be "happily ever after" wasn't meant to last forever. We are so consumed with making The Karmic Love work that we often fail to question whether it should work. As painful as it is to accept, this love that felt so right in the beginning is actually all wrong. The Twin Flame comes into our lives and often we don't even know it's love because . . . it's too easy. This is the love who helps us to accept ourselves just as we are because this is precisely what they do. In You Only Fall in Love Three Times, Kate Rose shows us that happy endings may not happen quite the way they do in fairytales-- but they happen nonetheless.

A celebration of love from the author and illustrator of Goth Girl, Ottoline and the Cloud Horse Chronicles, Poems to Fall in Love With sees Chris Riddell select and illustrate his very favourite classic and modern poems about love. This beautifully illustrated collection explores love in all its guises, from silent admiration through passion to tearful resignation. These poems speak of the universal experiences of the heart and are brought to life with Chris's exquisite, intricate artwork. This perfect gift, this book features famous poems, old and new, and a few surprises. Classic verses sit alongside the modern to create the ultimate collection. Includes poems from Neil Gaiman, Nikita Gill, Carol Ann Duffy, E. E. Cummings, Shakespeare, Leonard Cohen, Derek Walcott, Hollie McNish, Kae Tempest, John Betjeman and Roger McGough and many more. Enjoy more poetry with Chris's Poems to Live Your Life By, one of the Bookseller's best poetry books of the last twenty-five years.

WINNER OF THE 2021 PULITZER PRIZE IN POETRY FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality. Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.