This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1851 edition. Excerpt: ... which they arrange in every possible variety; they require great excitement in the way of lively, jocular, and amatory tunes at divine service, and exhibit painful distress at the sound of solemn chanting or plain song; at divine worship they require to sit facing the altar, and near the pulpit, and then, if the edifice be somewhat like a fish-market, with a hot-water pipe at their feet, a gas-pipe in the vicinity, and a stove in the rear, they can realize a somewhat Italian atmosphere in cold and cheerless England, and revive some sparks of that devotion that the gloomy vaulting of Westminster and the odious pillars of a new rood screen had well nigh deprived them of. It must be, however, stated, to their credit, that the modern ambonoclasts, unlike their predecessors, confine their attacks to strokes of the pen; and we do not believe that they have hitherto succeeded in causing the demoli-tion of a single screen. Indeed, it is probable that, if the develop-ment of their real character had not proceeded so rapidly, they might have caused some serious mischief to Catholic restoration; but the cloven foot is now so visible, that men are looking out in expectation of the tail, and are already on their guard. CONCLUSION It now only remains to make some remarks on the recent revival of Catholic art and architecture, the difficulties with which it has to contend in England, and the opposition that has been raised against it. As the enclosures of the sanctuary can be traced from the erection of the earliest Christian churches, and as they are inseparably connected with reverence and solemnity, we might have hoped, and indeed expected, that the restoration would have been hailed by all who profess the ancient religion as an evidence of...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ A Treatise On Chancel Screens And Rood Lofts: Their Antiquity, Use, And Symbolic Signification Augustus Welby Northmore Pugin C. Dolman, 1851 Church decoration and ornament; Screens (Church decoration)