Neal Stephenson follows his highly-praised historical novels, Quicksilver and The Confusion, with the extraordinary third and final volume of the Baroque Cycle. The year is 1714. Daniel Waterhouse has returned to England, where he joins forces with his friend Isaac Newton to hunt down a shadowy group attempting to blow up Natural Philosophers with 'Infernal Devices' - time bombs. As Daniel and Newton conspire, an increasingly vicious struggle is waged for England's Crown: who will take control when the ailing queen dies? Tories and Whigs clash as one faction jockeys to replace Queen Anne with 'The Pretender' James Stuart, and the other promotes the Hanoverian dynasty of Princess Caroline. Meanwhile, a long-simmering dispute between Newton and Gottfried Wilhelm Leibniz comes to a head, with potentially cataclysmic consequences. Wildly inventive, brilliantly conceived, The System of the World is the final volume in Neal Stephenson's hugely ambitious and compelling saga. Filled with a remarkable cast of characters in a time of genius, discovery and change, the Baroque Cycle is a magnificent and unique achievement.

Originally written as part of his Principia Mathematica, Newton integrated Kepler's laws of planetary motion and Galileo's forays into the laws of gravity into a comprehensive understanding of the organization of the universe according to the law of universal gravitation. Includes an Introduction by one of the world's foremost authorities on Newton.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1934.

Newton's philosophical analysis of space and time /Robert Disalle --Newton's concepts of force and mass, with notes on the Laws of Motion /I. Bernard Cohen --Curvature in Newton's dynamics /J. Bruce Brackenridge and Michael Nauenberg --Methodology of the Principia /George E. Smith --Newton's argument for universal gravitation /William Harper --Newton and celestial mechanics /Curtis Wilson --Newton's optics and atomism /Alan E. Shapiro --Newton's metaphysics /Howard Stein --Analysis and synthesis in Newton's mathematical work /Niccolò Guicciardini --Newton, active powers, and the mechanical philosophy /Alan Gabbey --Background to Newton's chymistry /William Newman --Newton's alchemy /Karin Figala --Newton on prophecy and the Apocalypse /Maurizio Mamiani --Newton and eighteenth-century Christianity /Scott Mandelbrote --Newton versus Leibniz : from geomentry to metaphysics /A. Rupert Hall --Newton and the Leibniz-Clarke correspondence /Domenico Bertoloni Meli.

This volume presents Professor Cohen's original interpretation of the revolution that marked the beginnings of modern science and set Newtonian science as the model for the highest level of achievement in other branches of science. It shows that Newton developed a special kind of relation between abstract mathematical constructs and the physical systems that we observe in the world around us by means of experiment and critical observation. The heart of the radical Newtonian style is the construction on the mind of a mathematical system that has some features in common with the physical world; this system was then modified when the deductions and conclusions drawn from it are tested against the physical universe. Using this system Newton was able to make his revolutionary innovations in celestial mechanics and, ultimately, create a new physics of central forces and the law of universal gravitation. Building on his analysis of Newton's methodology, Professor Cohen explores the fine structure of revolutionary change and scientific creativity in general. This is done by developing the concept of scientific change as a series of transformations of existing ideas. It is shown that such transformation is characteristic of many aspects of the sciences and that the concept of scientific change by transformation suggests a new way of examining the very nature of scientific creativity.