This is an up-to-date survey of Aegean archaeology at the beginning of the Iron Age (late eleventh and tenth centuries BC). There are chapters on pottery, metal finds, burial customs, architectural remains (and how to use them to understand the social and political structure of the society), cult practices, and developments towards state formation. The book will be useful to field archaeologists, historians of ancient Greece, and students.

This collaborative volume is concerned with long-term social change. Envisaging individual societies as interlinked and interdependent parts of a global social system, the aim of the contributors is to determine the extent to which ancient societies were shaped over time by their incorporation in - or resistance to - the larger system. Their particular concern is the dependent relationship between technically and socially more developed societies with a strong state ideology at the centre and the simpler societies that functioned principally as sources of raw materials and manpower on the periphery of the system. The papers in the first part of the book are all concerned with political developments in the Ancient Near East and the notion of a regional system as a framework for analysis. Part 2 examines the problems of conceptualising local societies as discrete centres of development in the context of both the Near East and prehistoric Europe during the second millennium BC. Part 3 then presents a comprehensive analytical study of the Roman Empire as a single system showing how its component parts often relate to each other in uneven, even contradictory, ways.

In the last decade, a new conception of culture has emerged in sociology, out of the ashes of modernism and post-modernism, that has the potential to radically change how we think about cultural objects and groups in archaeology. Archaeology beyond Postmodernity re-evaluates current interpretive and methodological tools and adapts them to the new position. Many examples are given from Western and indigenous sciences to illustrate this different understanding of science and culture. In addition, several case studies demonstrate how it can be applied to interpret historic and prehistoric cultures.

Bringing together the analyses of the literary world-system, translation studies, and the research of European cultural nationalism, this book contests the view that texts can be attributed global importance irrespective of their origin, language, and position in the international book market. Focusing on Slovenian literature, almost unknown to world literature studies, this book addresses world literature’s canonical function in the nineteenth-century process of establishing European letters as national literatures. Aware of their dependence on imperial powers, (semi)peripheral national movements sought international recognition through, among other things, the newly invented figure of the national poet. Writers central to dependent national communities were canonized to represent their respective cultures to the norm-giving Other – the emerging world literary canon and its aesthetic ideology. Hence, national literatures asserted their linguo-cultural individuality through the process of worlding; that is, by their positioning in the international literary world informed by the supposed universality of the aesthetic.

From basic needs, such as lighting, heating or cooking, to symbolic or ritual engagement, hearths in indoor contexts serve as a focal point. This is especially evident, both spatially and architecturally, in structures containing central hearths. In assessing any gathering around a hearth, the types of social groups involved need to be determined and their interactions clearly assessed in each specific case. Beyond clearly domestic contexts, many rooms or buildings have been deemed religious or cultic places often based solely on the presence of a hearth, despite other possible interpretations. This volume appraises and contextualises diversity in practice centering on the hearth in the Aegean and, more widely, in areas of the Western Mediterranean closely connected to Greek civilization, notably through its colonies, revealing surprising similarities but also local adaptations. In the West, the use of the hearth often has a unique character arising from local adaptations born of indigenous practices. The combined approach presented here, detailing technical aspects of the hearths themselves, their architectural settings and any associated artefacts or furnishings, affords a rich spectrum for cross-cultural analysis between these Mediterranean regions.

The first and only monograph available on the subject, The Roman City and its Periphery offers a full and detailed treatment of the little-investigated aspect of Roman urbanism – the phenomenon of suburban development. Presenting archaeological and literary evidence alongside sixty-three plans of cities, building plans, and photographs, Penelope Goodman examines how and why Roman suburbs grew up outside Roman cities, what was distinctive about the nature of suburban development, and what contributions buildings and activities in the suburbs might make to the character and function of the city as a whole. With full bibliography and annotations throughout, this will not only provide a coherent treatment of an essential theme for students of Roman urbanism, but archaeologists, urban planners and geographers also, will have an excellent comparative tool in the study of modern urbanism.

While the masterpieces of the Italian Renaissance are usually associated with Italy’s historical seats of power, some of the era’s most characteristic works are to be found in places other than Florence, Rome, and Venice. They are the product of the diversity of regions and cultures that makes up the country. In Endless Periphery, Stephen J. Campbell examines a range of iconic works in order to unlock a rich series of local references in Renaissance art that include regional rulers, patron saints, and miracles, demonstrating, for example, that the works of Titian spoke to beholders differently in Naples, Brescia, or Milan than in his native Venice. More than a series of regional microhistories, Endless Periphery tracks the geographic mobility of Italian Renaissance art and artists, revealing a series of exchanges between artists and their patrons, as well as the power dynamics that fueled these exchanges. A counter history of one of the greatest epochs of art production, this richly illustrated book will bring new insight to our understanding of classic works of Italian art.