A Time for Flowers is a stunningly intimate look at the lives and relationships within a family thrown into turmoil in the late 1960s, when a couple's two vibrant young daughters are diagnosed with a life-altering disease. Factual in every detail, Nomi's story, told with compelling honesty, poignance and humor, is not about illness nor is it about dying; indeed, it is a celebration of the life of a remarkable young girl who happened to have a chronic progressive illness. Nomi's life was not easy, but her message was simple: ". . . I don't want my mother or father to ever feel bad about me, because I had a more wonderful fulfilling life than anyone who's lived 'til eighty practically. That's more than most people can say." Those were among Nomi's final thoughts, eloquently spoken into a small cassette recorder as she was nearing the end of her life. The quote appearing in the very beginning of the book, transcribed from the same tape, is the driving incentive that prompted the author, her mother, to tell the story as Nomi specifically requested. A stirring family journey, through which, against all but insurmountable odds, a child managed to flourish, A Time for Flowers will hold its readers engaged from cover to cover, and leave them pondering life's priorities.

An exploration of postapocalyptic fiction, from antiquity to today, and its connections to political theory and other literary genres The literary lineage of postapocalyptic fiction—stories set after civilization’s destruction—is a long one, spanning the biblical tale of Noah and Hesiod’s Works and Days to the works of Mary Shelley, Octavia Butler, Cormac McCarthy, and many others. Traveling from antiquity to the present, Flowers of Time reveals how postapocalyptic fiction differs from other genres—pastoral poetry, science fiction, and the maroon narrative—that also explore human capabilities beyond the constraints of civilization. Mark Payne places postapocalyptic fiction into conversation with such theorists as Aristotle, Jean-Jacques Rousseau, Claude Lévi-Strauss, and Carl Schmitt, illustrating how the genre functions as political theory in fictional form. Payne shows that rather than argue for a particular way of life, postapocalyptic literature reveals what it would be like to inhabit that life. He considers the genre’s appeal in our own historical moment, contending that this fiction is the pastoral of our time. Whereas the pastoralist and the maroon could escape to real-world hills and fashion their own versions of freedom, on a fully owned and occupied Earth, only an apocalyptic event can create a space where such freedoms are feasible once again. Flowers of Time looks at how fictional narratives set after the world’s devastation represent new conditions and possibilities for life and humanity.

A charming, uplifting debut novel—full of humor and depth—that has taken readers around the world by surprise. Everyone has a story to tell. But does Janice have the power to unlock her own? She can’t recall what started her collection. Maybe it was in a fragment of conversation overheard as she cleaned a sink? Before long (as she dusted a sitting room or defrosted a fridge) she noticed people were telling her their stories. Perhaps they had always done so, but now it is different, now the stories are reaching out to her and she gathers them to her ... Cleaner Janice knows that it is in people’s stories that you really get to know them. From recently widowed Fiona and her son Adam to opera-singing Geordie, the quiet bus driver Euan, and the pretentious Mrs. “YeahYeahYeah” and her fox terrier, Decius, Janice has a unique insight into the community around her. When Janice starts cleaning for Mrs. B—a shrewd and prickly woman in her nineties—she finally meets someone who wants to hear her story. But Janice is clear: she is the keeper of stories, she doesn’t have a story to tell. At least, not one she can share. Mrs. B is no fool and knows there is more to Janice than meets the eye. What is she hiding? After all, doesn’t everyone have a story to tell?

Retells the Greek myth of Persephone, abducted by Hades and taken to the Underworld as his bride, and her mother, Demeter, whose grief over losing her daughter brings about the coming of the seasons.

The Art of Wearable Flowers reveals the secrets to creating gorgeous floral accessories that you can wear. This guide book provides how-tos for 40 floral wearables, including an eye-catching succulent ring, gorgeous hyacinth hoop earrings, a fabulous petal necklace, and a luxurious headpiece, plus bracelets, corsages, headbands, and more. ,br>Renowned floral artist Susan McLeary shares this stunning collection of 40 flower- and plant-based designs that you can try out for yourself. • Each project includes an ingredients list, styling tips, and easy-to-follow instructions paired with step-by-step photographs. • This flower arrangement books gets the ultimate makeover to elevate every outfit with natural beauty • Filled with essential information on tools, design techniques, and plant care, making it easy to create these remarkable arrangements at home Featuring hundreds of inspiring photographs presented in a beautifully designed book, The Art of Wearable Flowers is a must-have accessory for any modern woman. Susan McLeary's expertise in styling flowers—combined with breathtaking photos of her signature arrangements—makes this a wonderful gift for the florist-frequenter. • Not your average flower book, this book is for anyone who wants to make a show-stopping appearance at a wedding, birthday party, or any special occasion • Great for brides (and as a bridal shower gift!), florists, crafters, flower gardeners, and flower stylists • Perfect those who loved Paper to Petal: 75 Whimsical Paper Flowers to Craft by Hand by Rebecca Thuss and Patrick Farrell, The Flower Recipe Book by Alethea Harampolis, Seasonal Flower Arranging by Ariella Chezar, and The Flower Chef by Carly Cylinder

Presents simple techniques for an early spring garden of color profiling 30 hardy annual flowers.

This "utterly spectacular" book weighs the impact modern medical technology has had on the author's life against the social and environmental costs inevitably incurred by the mining that makes such innovation possible (Rachel Louise Snyder, author of No Visible Bruises). What if a lifesaving medical device causes loss of life along its supply chain? That's the question Katherine E. Standefer finds herself asking one night after being suddenly shocked by her implanted cardiac defibrillator. In this gripping, intimate memoir about health, illness, and the invisible reverberating effects of our medical system, Standefer recounts the astonishing true story of the rare diagnosis that upended her rugged life in the mountains of Wyoming and sent her tumbling into a fraught maze of cardiology units, dramatic surgeries, and slow, painful recoveries. As her life increasingly comes to revolve around the internal defibrillator freshly wired into her heart, she becomes consumed with questions about the supply chain that allows such an ostensibly miraculous device to exist. So she sets out to trace its materials back to their roots. From the sterile labs of a medical device manufacturer in southern California to the tantalum and tin mines seized by armed groups in the Democratic Republic of the Congo to a nickel and cobalt mine carved out of endemic Madagascar jungle, Lightning Flowers takes us on a global reckoning with the social and environmental costs of a technology that promises to be lifesaving but is, in fact, much more complicated. Deeply personal and sharply reported, Lightning Flowers takes a hard look at technological mythos, healthcare, and our cultural relationship to medical technology, raising important questions about our obligations to one another, and the cost of saving one life.