The explosion of minimalism into the worlds of visual arts, music and literature in the mid-to-late twentieth century presents one of the most radical and decisive revolutions in aesthetic history. Detested by some, embraced by others, minimalism's influence was immediate, pervasive and lasting, significantly changing the way we hear music, see art and read literature. In The Theory of Minimalism, Marc Botha offers the first general theory of minimalism, equally applicable to literature, the visual arts and music. He argues that minimalism establishes an aesthetic paradigm for rethinking realism in genuinely radical terms. In dialogue with thinkers from both the analytic and continental traditions – including Kant, Danto, Agamben, Badiou and Meillassoux – Botha develops a constellation of concepts which together encapsulate the transhistorcial and transdisciplinary reach of minimalism. Illustrated by a range of historical, canonical and contemporary minimalist works of different media, from the caves of early Christian ascetics to Samuel Beckett's late prose, Botha offers a bold and provocative argument which will equip readers with the tools to engage critically with past, present and future minimalism, and to recognize how, in a culture caught between the poles of excess and austerity, minimalism still matters.

Professor Howard Lasnik is one of the world's leading theoretical linguists. He has produced influential and important work in areas such as syntactic theory, logical form, and learnability. This collection of essays draws together some of his best work from his substantial contribution to linguistic theory.

Understanding Minimalism is a state-of-the-art introduction to the Minimalist Program the current model of syntactic theory within generative linguistics. Accessibly written, it presents the basic principles and techniques of the minimalist program, looking firstly at analyses within Government and Binding Theory (the Minimalist Program s predecessor), and gradually introducing minimalist alternatives. Minimalist models of grammar are presented in a step-by-step fashion, and the ways in which they contrast with GB analyses are clearly explained. Spanning a decade of minimalist thinking, this textbook will enable students to develop a feel for the sorts of questions and problems that minimalism invites, and to master the techniques of minimalist analysis. Over 100 exercises are provided, encouraging them to put these new skills into practice. Understanding Minimalism will be an invaluable text for intermediate and advanced students of syntactic theory, and will set a solid foundation for further study and research within Chomsky s minimalist framework.

This beautifully illustrated book is internationally recognized as the most definitive survey of Minimalism, among the most influential movements in late twentieth-century art.

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Minimalism is an action- and task-oriented approach to instruction and documentation that emphasizes the importance of realistic activities and experiences for effective learning and information seeking. Since 1990, when the approach was defined in John Carroll's The Nurnberg Funnel, much work has been done to apply, refine, and broaden the minimalist approach to technical communication. This volume presents fourteen major contributions to the current theory and practice of minimalism.Contributors evaluate the development of minimalism up to now, analyze the acceptance of minimalism by the mainstream technical communications community, report on specific innovations and investigations, and discuss future challenges and directions. The book also includes an appendix containing a bibliography of published research and development work on minimalism since 1990. Contributors Tricia Anson, R. John Brockmann, John M. Carroll, Steve Draper, David K. Farkas, JoAnn T. Hackos, Robert R. Johnson, Greg Kearsley, Barbara Mirel, Janice (Ginny) Redish, Stephanie Rosenbaum, Karl L. Smart, Hans van der Meij. Published in association with the Society for Technical Communication.

Minimalism in architecture has existed in New York for over fifty years.While other styles have come and gone, the simple, perfect expression of space and form that minimalism affords have perennially informed New York spaces -- residential, commercial, and public alike.Now that people's attention is again focused, not only on the New York skyline but also on the history and influence of Big Apple buildings, the time is right for this homage that presents twenty-two of the most representative minimalist projects in New York. Each featured project not only includes exquisite photography, but also brief reminiscences from each architect, reflecting on the spirit of the city as revealed in their works. A final discussion of New York's architectural icons rounds out the book. New York Minimalism is a fascinating journey through recent history's most compelling examples of residential, commercial, and public architecture in New York, a celebration of architectural achievement in the city that never sleeps.