From one of the most admired essayists and novelists at work today: a new collection of essays—his first since Tests of Time, winner of the National Book Critics Circle Award for Criticism. These twenty-five essays speak to the nature and value of writing and to the books that result from a deep commitment to the word. Here is Gass on Rilke and Gertrude Stein; on friends such as Stanley Elkin, Robert Coover, and William Gaddis; and on a company of “healthy dissidents,” among them Rabelais, Elias Canetti, John Hawkes, and Gabriel García Márquez. In the title essay, Gass offers an annotated list of the fifty books that have most influenced his thinking and his work and writes about his first reaction to reading each. Among the books: Ludwig Wittgenstein’s Tractatus Logico-Philosophicus (“A lightning bolt,” Gass writes. “Philosophy was not dead after all. Philosophical ambitions were not extinguished. Philosophical beauty had not fled prose.”) . . . Ben Jonson’s The Alchemist (“A man after my own heart. He is capable of the simplest lyrical stroke, as bold and direct as a line by Matisse, but he can be complex in a manner that could cast Nabokov in the shade . . . Shakespeare may have been smarter, but he did not know as much.”) . . . Gustave Flaubert’s letters (“Here I learned—and learned—and learned.”) And after reading Malory’s Le Morte d’Arthur, Gass writes “I began to eat books like an alien worm.” In the concluding essay, “Evil,” Gass enlarges upon the themes of artistic quality and cultural values that are central to the books he has considered, many of which seek to reveal the worst in people while admiring what they do best. As Gass writes, “The true alchemists do not change lead into gold, they change the world into words.” A Temple of Texts is Gass at his most alchemical.

Professor Menahem Haran is honored in this volume by a chorus of colleagues, disciples, and friends from Israel, Europe, North America, and the Far East. The diversity of Haran's expertise is reflected in the table of contents of this collection, organized around the topics: "Priests and Their Sphere," "The Torah," "The Prophets," "The Writings," and "Language and Writing.

In 2016, the world's oldest existing library reopened in Fes, Morocco. It opened for the first time in the 9th Century. These shrines to the written word date back even further, and continue to be built today. They're a place where some of the oldest written texts are preserved and some of the newest technology connects visitors with vast amounts of knowledge. Libraries are changing, but, as places that are fundamentally free and open to all, they're also staying the same. Libraries of the World explores the most stunning examples, but it also explores how varied the idea of a library can be. It can be a grand Baroque hall with leather-bound tomes or a mid-century masterpiece, but it can just as easily be a few shelves in a repurposed phone booth.

"An indispensible companion text, Texts and Traditions includes the essential documents of the various religious trends of the Second Temple and Rabbinic periods as well as Josephus, Greek and Aramaic inscriptions, classical historians and talmudic sources." --Book Jacket.

First published in 1986. This volume brings together five lectures which were originally delivered at different sessions of the famous Eranos Conferences in Ascona, Switzer□land. Henry Corbin himself had outlined the plan for this book, whose title suggests that these diverse studies converge on a common spiritual centre.

From the award-winning author of The Tunnel and A Temple of Texts come four interrelated novellas that explore good and evil, action and thought, redemption and possession. The reader will encounter here a traveling salesman who gets lost in the kitschy clutter of a small town in Illinois, a young woman in rural Iowa who loses touch with the outside world and turns to the poetry of Elizabeth Bishop as anchor, and the coming-of-age story of a devilish young man named Luther (who might as well be called Lucifer). These stories are filled with the familiar style, brilliance, philosophy, and wit that fans of William Gass have come to expect and cherish.

From the author of The Tunnel comes a new collection of essays, his first in eight years, on art, writing, nature and culture. This book is by one of the most important and briliant thinkers at work today.