On the eve of the Muslim festival of Eid, Narguiss, who 'never wanted anything to do with politics', is more preoccupied with family problems than with the radio news of kidnappings and murders. Nearby, Leia, Januário and their young daughter are caught up in the pleasure and security of finally finding a flat of their own, while Mena, who was once the beauty of her village, overhears her husband plotting murder. Before dawn, these innocent people seeking to lead peaceful lives are thrown together in a vicious conspiracy to infiltrate and destabilise Mozambique. Skilfully weaving together present events and age-old traditions through narrative 'snapshots', Lília Momplé gives us, in the drama of a few short hours, an insight into the consequences of Mozambique's complex history.

‘The writing is warm and witty and I quickly grew to love the characters.’ Beth O’Leary, author of The Flatshare ‘A feat of a debut!’ Laura Jane Williams, author of Our Stop To get up from rock bottom, you’ve got to take the stairs...

It is 1876, the year of the Centennial in Philadelphia. Katherine has lost her twin sister Anna in a tragic skating accident. One wickedly hot September day, Katherine sets out for the exhibition grounds to cut short the haunted life she no longer wants to live. Filled with vivid detail that artfully brings the past to life, National Book Award nominee Beth Kepart's DANGEROUS NEIGHBORS is a timeless and finely crafted novel about betrayal and guilt, hope and despair, love, loss, and new beginnings. Publisher’s Weekly Starred Review Set in Philadelphia against the back-drop of the 1876 Centennial Exhibition (the first World’s Fair in the U.S.), this atmospheric novel traces the sentiments of grief-stricken Katherine, whose identical twin sister, Anna, died in a tragic accident earlier in the year. As the novel opens, Katherine, who feels responsible for Anna’s death, has decided to take her own life. Again and again, she is drawn to the exhibition grounds. Here, futuristic marvels and unexpected events-including a disastrous fire- detain her from completing her suicidal mission. Losing herself in a throng of strangers, she examines her past, recalling the development of her sister’s secret romance with a “dangerous neighbor” and the final sequence of events that led to Anna’s death. Conjuring sharp, meticulously detailed images of fair exhibitions (“The wonders of the world slide past. Parisian corsets cavorting on their pedestals. Vases on lacquered shelves. Folding beds. Walls of cutlery. The sweetest assortment of sugar-colored pills, all set to sail on a yacht”), Kephart (The Heart is Not a Size) evokes a tantalizing portrait of love, remorse, and redemption. Ages 12-up. (Aug.)

Though a majority of commentators have admitted or naturally assumed that there were many divergences amongst the Pauline churches, many tend to concentrate on similarities more than dissimilarities (contra John M. G. Barclay; Craig de Vos). Especially, the previous scholarly treatments of divergences in the Pauline churches have shed little light on certain areas of study, in particular the early Christians’ socio-economic status. The thesis, therefore, underlines the conspicuous differences between the Thessalonian and Corinthian congregations concerning their socio-economic compositions, social relationships, and further social identities, while extrapolating certain circles of causality between them through socio-economic and social-scientific criticism. This study concludes Paul’s teachings of grace, community, and ethics were manifested and modified in different communities in different ways because of these different socio-economic contexts.

In fourteen sweeping and sublime stories, five of which have been published in The New Yorker, the bestselling and Pulitzer Prize-winning author of The Known World shows that his grasp of the human condition is firmer than ever Returning to the city that inspired his first prizewinning book, Lost in the City, Jones has filled this new collection with people who call Washington, D.C., home. Yet it is not the city's power brokers that most concern him but rather its ordinary citizens. All Aunt Hagar's Children turns an unflinching eye to the men, women, and children caught between the old ways of the South and the temptations that await them further north, people who in Jones's masterful hands, emerge as fully human and morally complex, whether they are country folk used to getting up with the chickens or people with centuries of education behind them. In the title story, in which Jones employs the first-person rhythms of a classic detective story, a Korean War veteran investigates the death of a family friend whose sorry destiny seems inextricable from his mother's own violent Southern childhood. In "In the Blink of God's Eye" and "Tapestry" newly married couples leave behind the familiarity of rural life to pursue lives of urban promise only to be challenged and disappointed. With the legacy of slavery just a stone's throw away and the future uncertain, Jones's cornucopia of characters will haunt readers for years to come.

Andrew Morrison sacrificed everything--his childhood, his education, and the girl of his dreams--to look after his alcoholic mother. But enough is enough, and now he's determined to get out and live his life. That means trading the home he grew up in for a rented room in the house of an old childhood friend-- both of which are in sorry shape. The only thing worse than Drew's squalid new digs and sullen new roommate is the envy he feels for the house next door: a picture-perfect suburban domicile straight out of Norman Rockwell, with a couple of happy householders to match. But the better acquainted he gets with his new neighbors--especially the sweet and sexy Harlow Ward--the more he suspects unspeakable darkness beyond the white picket fence. At the intersection of Blue Velvet and Basic Instinct lies The Neighbors, an insidiously entertaining tale of psychological suspense and mounting terror by the boldest new master of the form, Ania Ahlborn.