Explore this second volume of translations, in vivid prose, from one of the most celebrated collections of ancient Buddhist stories. Actions never come to naught, even after hundreds of millions of years. When the right conditions gather and the time is right, then they will have their effect on embodied beings. Ancient Buddhist literature is filled with tales of past lives. The Buddha, surrounded by his followers, is asked how it came to be that a certain person has met a particular fate. With his omniscience, the Buddha looks into eons past and uncovers the events that led to the present outcome and foretells the future as well. With stories of wicked wives, patricidal princes, and shape-shifting serpents, Divine Stories offers a fascinating illustration of the law of karma—the truth that the power of good and bad deeds is never lost. These are some of the oldest Buddhist tales ever committed to writing, illuminating the culture of northern India in the early centuries of the common era and bringing to life the Buddhist values of generosity and faith. Andy Rotman’s evocative translation combines accuracy with readability, with detailed editorial notes comparing readings in various Sanskrit, Pali, and Tibetan sources. Divine Stories is a major contribution to Indian and Buddhist studies.

The first comprehensive book on alcohol in pre-modern India, An Unholy Brew: Alcohol in Indian History and Religions uses a wide range of sources from the Vedas to the Kamasutra to explore drinks and styles of drinking, as well as rationales for abstinence from the earliest Sanskrit written records through the second millennium CE. Books about the global history of alcohol almost never give attention to India. But a wide range of texts provide plenty of evidence that there was a thriving culture of drinking in ancient and medieval India, from public carousing at the brewery and drinking house to imbibing at festivals and weddings. There was also an elite drinking culture depicted in poetic texts (often in an erotic mode), and medical texts explain how to balance drink and health. By no means everyone drank, however, and there were many sophisticated religious arguments for abstinence. McHugh begins by surveying the intoxicating drinks that were available, including grain beers, palm toddy, and imported wine, detailing the ways people used grains, sugars, fruits, and herbs over the centuries to produce an impressive array of liquors. He presents myths that explain how drink came into being and how it was assigned the ritual and legal status it has in our time. The book also explores Hindu, Buddhist, and Jain moral and legal texts on drink and abstinence, as well as how drink is used in some Tantric rituals, and translates in full a detailed description of the goddess Liquor, Suradevi. Cannabis, betel, soma, and opium are also considered. Finally, McHugh investigates what has happened to these drinks, stories, and theories in the last few centuries. An Unholy Brew brings to life the overlooked, complex world of brewing, drinking, and abstaining in pre-modern India, and offers illuminating case studies on topics such as law and medicine, even providing recipes for some drinks.

This is the first scholarly treatment of the emergence of American Buddhist Studies as a significant research field. Until now, few investigators have turned their attention to the interpretive challenge posed by the presence of all the traditional lineages of Asian Buddhism in a consciously multicultural society. Nor have scholars considered the place of their own contributions as writers, teachers, and practising Buddhists in this unfolding saga. In thirteen chapters and a critical introduction to the field, the book treats issues such as Asian American Buddhist identity, the new Buddhism, Buddhism and American culture, and the scholar's place in American Buddhist Studies. The volume offers complete lists of dissertations and theses on American Buddhism and North American dissertations and theses on topics related to Buddhism since 1892.

By providing an annotated translation of, and applying the methods of literary criticism to, a first-century account of the life of the saint Purna, this study introduces the reader to the richness and complexity of an essential Buddhist genre.