Art-Culture and Heritage of Rajasthan detailed Study Notes with MCQ Index 1. Introduction 2. Language & Literature of Rajasthan 3. Rajasthani Folk Literature 4. Major Compositions of Literature of Rajasthan 5. Rock Inscriptions of Rajasthan 6. Fairs & Festivals of Rajasthan 7. Painting Art of Rajasthan 8. Handicraft of Rajasthan 9. Folk Arts of Rajasthan 10. Folk Dances of Rajasthan 11. Folk Dramas of Rajasthan 12. Folk Musical Instruments of Rajasthan 13. Bhakti Saints of Rajasthan 14. Lok Devta & Devis of Rajasthan 15. Forts & Palaces of Rajasthan 16. Temples & Mosques of Rajasthan 17. Cenotaph & Tombs Rajasthan 18. Havelis & Sculptures of Rajasthan 19. Practice MCQ Best wishes for your exams!!

Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2011-Jan. 8, 2012.

The Mughals Brought Miniature Painting, An Offshoot Of Manuscript Painting, To India In The 14Th-15Th Centuries. It Took Deep Root In What Is Known Today As Rajasthani Painting. Its Implantation In Rajasthan Is Mainly Due To The Close Political And Social Contacts Between The Mughal Rulers Of North India And Feudal Rajput Princelings Who Flourished In Northwestern India Between The 15Th And 18Th Centuries. Many Rajput Rulers And Their Courtiers Were Highly Cultivated, And Their Courts Were Centers Where The Arts And Artists Received Unstinted Encouragement From Their Royal Patrons. This Was Particularly So Of Painting, And What Began As An Offshoot Of Mughal Painting Because In The Years Between The Inception Of Mughal Rule And The British Occupation Of India From The 18Th Century, There Was A Rich Flowering Of Many Schools And Styles Of Miniature Painting Which Have Found Avid Admirers Among Connoisseurs Of Art The World Over. Unfortunately, Although Rajasthani Paintings Are Treasured Art Collectors Items Much Sought After By Discerning Lovers Of Art Because Of Their Intrinsic Merit, Little Effort Has Been Expended To Delve Deep Into The Various Modes Of This Painting And Present An Overall Picture Of The Numerous Schools, Styles And Substyles Which Are The Priceless Heritage Today Not Only Of Rajasthan, Their Place Of Birth, But Also Of India As A Whole. Art Experts, Mainly Foreign Savants, Have Written Knowledgeable Accounts About Various Aspects Of Rajasthani Painting, But Nobody, It Is Worth Recording, Has Undertaken To Produce A Comprehensive Study In Depth Of This Vast Cultural Field. This Is Absolutely Essential As No Study Of Indian Civilization Is Complete Without It. The Present Study Does Not Claim To Fulfil This Requirement. That Would Need Much More Intensive, Detailed And Patient Research. But It Provides A Good Point Of Takeoff For Such A Study. In Splendour Of Rajasthani Painting, Assembled Obviously With Great Care And Deep Love Of The Subject, Dr. Jai Singh Neeraj Has Laid The Ground Work For Such A Project. He Has Succeeded In Conveying To The Art-Loving Reader The Fact That Rajasthani Art Is A Many-Splendoured Thing That Deserves Much More Attention Than It Has Received So Far.

As one of the finest holdings of Indian art in the West, the Kronos Collections are particularly distinguished for paintings made between the sixteenth and early nineteenth centuries for the Indian royal courts in Rajasthan and the Punjab Hills. These outstanding works, many of which are published and illustrated here for the first time, are characterized by their brilliant colors and vivid, powerful depictions of scenes from Hindu epics, mystical legends, and courtly life. They also present a new way of seeking the divine through a form of personal devotion—known as bhakti—that had permeated India’s Hindu community. While explaining the gods, demons, lovers, fantastical creatures, and mystical symbols that are central to literature and worship, this publication celebrates the diverse styles and traditions of Indian painting. Divine Pleasures features an informative entry for each work and two essays by scholar Terence McInerney that together outline the history of Indian painting and the Rajput courts, providing fresh insights and interpretations. Also included are a personal essay by expert and collector Steven M. Kossak and an examination of Hindu epic and myth in Mughal painting, which lays important foundations for Rajput painting, by curator Navina Najat Haidar. Through their research and observations, the authors deepen our understanding and underscore the significance of Indian painting. Divine Pleasures presents a nuanced view of a way of life intimately tied to the seasons, the arts, and the divine.

The figure of the white hunter sahib proudly standing over the carcass of a tiger with a gun in hand is one of the most powerful and enduring images of the empire. This book examines the colonial politics that allowed British imperialists to indulge in such grand posturing as the rulers and protectors of indigenous populations. This work studies the history of hunting and conservation in colonial India during the high imperial decades of the nineteenth and early twentieth centuries. At this time, not only did hunting serve as a metaphor for colonial rule signifying the virile sportsmanship of the British hunter, but it also enabled vital everyday governance through the embodiment of the figure of the officer–hunter–administrator. Using archival material and published sources, the author examines hunting and wildlife conservation from various social and ethnic perspectives, and also in different geographical contexts, extending our understanding of the link between shikar and governance.

This introductory text provides readers with a robust understanding of tourism and its industries, including how destinations are developed, marketed and managed, and how tourism impacts communities, environments and economies. The authors discuss the critical issues affecting 21st century tourism, such as sustainability, the climate crisis, globalisation, community, technology, the environment and the sharing economy. The text has been fully updated in light of the Covid-19 pandemic and its notable, and in some cases lasting, impacts on the tourism industry. The text features new mini-case studies (snapshots) and international case studies from countries around the globe including USA, Saudi Arabia, India, China, New Zealand, Australia, Namibia and the UK. It discusses the latest trends in transport, hospitality, attractions and the travel trade and includes examples from major tourism companies including Trip.com, TUI and Airbnb. The book is suitable for students who are starting their tourism studies as part of their college or university education. Clare Inkson is a Senior Lecturer in Tourism and Course Leader of BA Tourism with Business at the University of Westminster, London. Lynn Minnaert is the Academic Director and Clinical Associate Professor at New York University’s Jonathan M. Tisch Center for Hospitality and Tourism.