A Study Guide for Dorothy E. Allison's "Bastard Out of Carolina," excerpted from Gale's acclaimed Novels for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.

A profound portrait of family dynamics in the rural South and “an essential novel” (The New Yorker) “As close to flawless as any reader could ask for . . . The living language [Allison] has created is as exact and innovative as the language of To Kill a Mockingbird and The Catcher in the Rye.” —The New York Times Book Review The publication of Dorothy Allison’s Bastard Out of Carolina was a landmark event that won the author a National Book Award nomination and launched her into the literary spotlight. Critics have likened Allison to Harper Lee, naming her the first writer of her generation to dramatize the lives and language of poor whites in the South. Since its appearance, the novel has inspired an award-winning film and has been banned from libraries and classrooms, championed by fans, and defended by critics. Greenville County, South Carolina, is a wild, lush place that is home to the Boatwright family—a tight-knit clan of rough-hewn, hard-drinking men who shoot up each other’s trucks, and indomitable women who get married young and age too quickly. At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective. When her stepfather Daddy Glen, “cold as death, mean as a snake,” becomes increasingly more vicious toward her, Bone finds herself caught in a family triangle that tests the loyalty of her mother, Anney—and leads to a final, harrowing encounter from which there can be no turning back.

Bastard Out of Carolina, nominated for the 1992 National Book Award for fiction, introduced Dorothy Allison as one of the most passionate and gifted writers of her generation. Now, in Two or Three Things I Know for Sure, she takes a probing look at her family's history to give us a lyrical, complex memoir that explores how the gossip of one generation can become legends for the next. Illustrated with photographs from the author's personal collection, Two or Three Things I Know for Sure tells the story of the Gibson women -- sisters, cousins, daughters, and aunts -- and the men who loved them, often abused them, and, nonetheless, shared their destinies. With luminous clarity, Allison explores how desire surprises and what power feels like to a young girl as she confronts abuse. As always, Dorothy Allison is provocative, confrontational, and brutally honest. Two or Three Things I Know for Sure, steeped in the hard-won wisdom of experience, expresses the strength of her unique vision with beauty and eloquence.

"Gorgeously written . . . McCorkle's greatest gift is in illuminating the countless tiny moments that make up our time on Earth."—O: The Oprah Magazine Award-winning author Jill McCorkle takes us on a splendid journey through time and memory in this, her tenth work of fiction. Life After Life is filled with a sense of wonder at our capacity for self-discovery at any age. And the residents, staff, and neighbors of the Pine Haven retirement center (from twelve-year-old Abby to eighty-five-year-old Sadie) share some of life’s most profound discoveries and are some of the most true-to-life characters that you are ever likely to meet in fiction. Delivered with her trademark wit, Jill McCorkle’s constantly surprising novel illuminates the possibilities of second chances, hope, and rediscovering life right up to the very end. She has conjured an entire community that reminds us that grace and magic can—and do—appear when we least expect it. Jill McCorkle’s new novel, Hieroglyphics, is on sale June 9, 2020.

What Night Brings focuses on a Chicano working-class family living in California during the 1960s. Marci—smart, feisty and funny—tells the story with the wisdom of someone twice her age as she determines to defy her family and God in order to find her identity, sexuality and freedom.

This book examines portrayals of political and psychological trauma, particularly sexual trauma, in the work of seven American women writers. Concentrating on novels by Charlotte Perkins Gilman, Pauline Hopkins, Gayl Jones, Leslie Marmon Silko, Dorothy Allison, Joyce Carol Oates, and Margaret Atwood, Horvitz investigates whether memories of violent and oppressive trauma can be preserved, even transformed into art, without reproducing that violence. The book encompasses a wide range of personal and political traumas, including domestic abuse, incest, rape, imprisonment, and slavery, and argues that an analysis of sadomasochistic violence is our best protection against cyclical, intergenerational violence, a particularly timely and important subject as we think about how to stop "hate" crimes and other forms of political and psychic oppression.

This volume examines how child abuse and youth violence are understood, manufactured, represented, but still disavowed, in contemporary everyday life and culture in Japan and the United States.