On a bitter day in January 1934 a young woman pays an unexpected visit to the occupant of the condemned cell in Armley Jail in Leeds. The man is Ernest Brown, who stands convicted of the murder of his employer, Frederick Morton, and is soon to be hanged. The woman is Florence Morton, the victim’s sister. Florence knows that Ernest is a bad lot. He deserted from the army, acquired a criminal record for theft and drunken driving, and has admitted to having had an affair with the victim’s wife. But did he kill her brother, Freddy Morton? Based on a true story, the mystery surrounding Freddy Morton’s death unfolds page by page, drawing the reader into a fascinating web of conflicting statements, competing loyalties, and a seemingly impossible murder scenario. As the clock ticks and the day of Ernest’s execution approaches, will Florence manage to discover the truth about the brutal murder of her brother?

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR "[A] poignant addition to the literature of moneyed glamour and its inevitable tarnish and decay…like something out of Fitzgerald or Waugh."—The New Yorker A parable for the new age of inequality: part family history, part detective story, part history of a vanishing class, and a vividly compelling exploration of the degree to which an inheritance—financial, cultural, genetic—conspired in one person's self-destruction. Land, houses, and money tumbled from one generation to the next on the eight-hundred-acre estate built by Scott's investment banker great-grandfather on Philadelphia's Main Line. There was an obligation to protect it, a license to enjoy it, a duty to pass it on—but it was impossible to know in advance how all that extraordinary good fortune might influence the choices made over a lifetime. In this warmly felt tale of an American family's fortunes, journalist Janny Scott excavates the rarefied world that shaped her charming, unknowable father, Robert Montgomery Scott, and provides an incisive look at the weight of inheritance, the tenacity of addiction, and the power of buried secrets. Some beneficiaries flourished, like Scott's grandmother, Helen Hope Scott, a socialite and celebrated horsewoman said to have inspired Katherine Hepburn's character in the play and Academy Award-winning film The Philadelphia Story. For others, including the author's father, she concludes, the impact was more complex. Bringing her journalistic talents, light touch, and crystalline prose to this powerful story of a child's search to understand a parent's puzzling end, Scott also raises questions about our new Gilded Age. New fortunes are being amassed, new estates are being born. Does anyone wonder how it will all play out, one hundred years hence?

Summary T HE GIFT OF MISFORTUNE CHRONICLES THE STORY OF A YOUNG HAITIAN IMMIGRANT TORN BETWEEN HIS NATIVE LAND, WHICH HE LOVES UNCONDITIONALLY, AND AN ADOPTED COUNTRY THAT HE FALLS IN LOVE WITH AT FIRST SIGHT. However, once he reluctantly arrives in his new country, in spite of himself, he loves it, but three major obstacles surface that alter his attitudes and eventually his life: his natural kinship with the Christian notion of poverty and wealth; his encounter with his adopted father/friend, Thomas, who is very critical of America; and the most important, the obstacle that makes him change his attitude about American culture and democracyhis malevolent and greedy wife, Monica. Politics, religion, fear, deception, greed, courage, and revelation all come to play in the journey of Armand, who brings a willing sister to the United States while his heart and soul is still in Haiti. During Haitis most turbulent recent times, Armand and sister, Deborah, become concerned about the chaos that is claiming the streets of Port-au-Prince. The fear, violence, murder, and hopelessness were affecting not only the poor and desperate but the wealthy and desperate as well. Deborah wants to go, and so one morning, she wakes up in her comfortable house. After hearing another story of one of her friends put to death because they will not join the military of Baby Doc (Jean-Claude Duvalier), she wants to go out of Haiti as both patriot and citizen. Deborah cannot go anywhere without her brother, Armand, and though he too is frightened, he feels that he cant leave Haiti. They are not involved in politics, but are religious: Armand, fundamentalist Protestant; and Deborah, traditional Catholic. They are still thrust into the politics of the country. They attend the finest school in Haiti, and they attend this school with the countrys elite who are pro-Duvalier. With warring factions, violence spurting all around them, certain friends disappearing overnight, never to return, and some friends demanding them to choose between their neutral political life, and the need for them to get involved in the Duvalier government, and concerns for Deborahs freedom since an important Duvalier official might want Deborah for his son, they hatch a plan to escape to the United States of America. In the beginning, it is Deborah, and not Armand, who wanted to abandon Haiti, but Armand has to go to protect his sister and make sure she got there safely. After making a careful trip to Bainet to get money from their very wealthy parents, they leave for the United States of America. Armand leaves with a heavy heart because, unlike Deborah, he wanted to stay in Haiti to do religious work, which would end up looking like political work since Armand has a close connection and passion for the poor. But because of family and tradition, Deborah becomes the major priority. Armand starts a whole new journey when he gets on that plane to the United States and lands in New York City, where his relatives and friends are awaiting him and Deborah. In New York City, he is immediately thrown into a quandary. Though he misses Haiti, he excitingly falls in love with the United States and New York City. On his beginning U.S. journey, he is introduced to the two most important people in his life and the two most important characters in the novel. Also, he is introduced to two of the most important persons he met in his life in the United States: Thomas, a radical Christian socialist who constantly places the United States into the glaring light of expectation and reality and compels Armand to go beyond his strict religious beliefs to uncover deeper truth about a society that worships the material greed; and the other person is Monica, a young woman of questionable reputation, but has sterling charm, a charm that, in spite of all of the warning of Armands family and church friends, got Armand to marry her. The novel unfolds with these two polar, opposite ch

Wilderness periods of our lives—those dry and desperate seasons when God seems distant and detached, perhaps even indifferent or impotent—can seem an abnormal and painful part of our lives that simply must be painfully plodded through and somehow endured. Yet, far from being something abnormal and life-threatening, like a cancer invading our bodies, wilderness periods represent a fundamental element of our life in the Spirit and part of God’s well-orchestrated plan to guarantee that we become and possess everything he desires for us.

Elisabetta Caminer Turra (1751-96) was one of the most prominent women in eighteenth-century Italy and a central figure in the international "Republic of Letters." A journalist and publisher, Caminer participated in important debates on capital punishment, freedom of the press, and the abuse of clerical power. She also helped spread Enlightenment ideas into Italy by promoting and publishing Voltaire's latest works and translating new European plays-plays she herself directed, to great applause, on Venetian stages. Bringing together Caminer's letters, poems, and journalistic writings, nearly all published for the first time here, Selected Writings offers readers an intellectual biography of this remarkable figure as well as a glimpse into her intimate correspondence with the most prominent thinkers of her day. But more important, Selected Writings provides insight into the passion that animated Caminer's fervent reflections on the complex and shifting condition of women in her society-the same passion that pushed her to succeed in the male-dominated literary professions.

This volume presents both a historical and a systematic examination of the philosophy of classical Confucianism. Taking into account newly unearthed materials and the most recent scholarship, it features contributions by experts in the field, ranging from senior scholars to outstanding early career scholars. The book first presents the historical development of classical Confucianism, detailing its development amidst a fading ancient political theology and a rising wave of creative humanism. It examines the development of the philosophical ideas of Confucius as well as his disciples and his grandson Zisi, the Zisi-Mencius School, Mencius, and Xunzi. Together with this historical development, the book analyzes and critically assesses the philosophy in the Confucian Classics and other major works of these philosophers. The second part systematically examines such philosophical issues as feeling and emotion, the aesthetic appreciation of music, wisdom in poetry, moral psychology, virtue ethics, political thoughts, the relation with the Ultimate Reality, and the concept of harmony in Confucianism. The Philosophy of Classical Confucianism offers an unparalleled examination to the philosophers, basic texts and philosophical concepts and ideas of Classical Confucianism as well as the recently unearthed bamboo slips related to Classical Confucianism. It will prove itself a valuable reference to undergraduate and postgraduate university students and teachers in philosophy, Chinese history, History, Chinese language and Culture.