Lady Kiera Darby and her husband Sebastian Gage are looking forward to celebrating with new friends at an exciting yearly soiree, but they soon learn that murder never takes a holiday in the latest riveting installment in this national bestselling series. January 1832. After enjoying a delightful few weeks with her family, expectant mother Kiera and Sebastian Gage have been invited to the Duchess of Bowmontʼs Twelfth Night party in Traquair, Scotland. Though she normally avoids such fashionable, rambunctious events, Kiera is ready to join in the festive merrymaking. But upon their arrival at the opulent estate, it becomes obvious that all is not merry in their hostess’s home. The family appears to be under a great strain, and someone seems determined to cause mayhem among the guests with a series of forged notes. Matters swiftly turn from irksome to downright deadly when the partygoers stumble upon a decomposing body in the castleʼs crypt. The corpse is thought to be the duchessʼs son-in-law who had purportedly traveled to Paris more than a month earlier. It is evident the man met with foul play, and Kiera and Gage soon realize that a ruthless murderer walks among them—and may well be a member of the duchessʼs own family. And when the investigation takes a treacherous turn, Kiera discovers just how deep the killer is willing to dig to keep their secrets from ever seeing the light of day.

THE FIRST LADY DARBY MYSTERY “A riveting debut…an original premise, an enigmatic heroine, and a compelling Highland setting…a book you won’t want to put down.”—New York Times bestselling author Deanna Raybourn Scotland, 1830. Following the death of her husband, Lady Darby has taken refuge at her sister’s estate, finding solace in her passion for painting. But when her hosts throw a house party for the cream of London society, Kiera is unable to hide from the ire of those who believe her to be as unnatural as her husband, an anatomist who used her artistic talents to suit his own macabre purposes. Kiera wants to put her past aside, but when one of the house guests is murdered, her brother-in-law asks her to utilize her knowledge of human anatomy to aid the insufferable Sebastian Gage—a fellow guest with some experience as an inquiry agent. While Gage is clearly more competent than she first assumed, Kiera isn’t about to let her guard down as accusations and rumors swirl. When Kiera and Gage’s search leads them to even more gruesome discoveries, a series of disturbing notes urges Lady Darby to give up the inquiry. But Kiera is determined to both protect her family and prove her innocence, even as she risks becoming the next victim…

From the national bestselling author of The Anatonmist's Wife comes the second historical mystery featuring enigmatic sleuth Lady Kiera Darby. Scotland, 1830. Lady Kiera Darby is no stranger to intrigue—in fact, it seems to follow wherever she goes. After her foray into murder investigation, Kiera must journey to Edinburgh with her family so that her pregnant sister can be close to proper medical care. But the city is full of many things Kiera isn’t quite ready to face: the society ladies keen on judging her, her fellow investigator—and romantic entanglement—Sebastian Gage, and ultimately, another deadly mystery. Kiera’s old friend Michael Dalmay is about to be married, but the arrival of his older brother—and Kiera’s childhood art tutor—William, has thrown everything into chaos. For ten years Will has been missing, committed to an insane asylum by his own father. Kiera is sympathetic to her mentor’s plight, especially when rumors swirl about a local girl gone missing. Now Kiera must once again employ her knowledge of the macabre and join forces with Gage in order to prove the innocence of a beloved family friend—and save the marriage of another…

A sophisticated mystery debut in which priceless art and unspeakable desires converge When French expatriate Tristan Mourault becomes enamored with fifteen-year-old Karen Miller, he "rescues" her from her working-class circumstances and stages her death to mask his true crime. Years later, Karen is now "Gisèle" and lives with Tristan in rarefied Devon, Washington. She has married another man to keep up appearances, but when her daughter stumbles upon a secret cache of paintings—all nudes of Gisèle—Tristan's carefully curated world begins to crumble. Set against a byzantine backdrop of greed, artifice, and manipulation—with tantalizing echoes of Lolita—In Malice, Quite Close keeps its most devastating secrets right up until the very last page.

An all-new historical mystery in this USA Today bestselling series featuring beloved inquiry agents Lady Kiera Darby and her dashing husband, Sebastian Gage. Argyll, Scotland. July 1832. After a trying few months in Edinburgh, Kiera and her husband and investigative partner, Sebastian Gage, are eager to escape to the Highlands with their three-month-old child. Kiera is overjoyed for her cousin Rye and her detractor-turned-friend Charlotte who are being wed in a private ceremony at the estate of Rye’s great-uncle, the Marquess of Barbreck, in what seems to be the perfect wedding party. But when Kiera is invited to peruse Barbreck’s extensive art collection, she is disturbed to discover that one of his most priceless paintings seems to be a forgery. The marquess’s furious reaction when she dares to mention it leaves her shaken and the entire house shocked. For it turns out that this is not the first time the word forgery has been uttered in connection with the Barbreck household. Matters turn more ominous when a maid from a neighboring estate is found murdered where the forged painting hangs. Is her death connected to the forgeries, perhaps a grisly warning of what awaits those who dare to probe deeper? With unknown entities aligned against them, Kiera and Gage are forced to confront the fact that they may have underestimated their opponent. For they are swiftly made to realize that Charlotte’s and Rye’s future happiness is not the only issue at stake, and this stealthy game of cat and mouse could prove to have deadly consequences.

In this historical mystery from the national bestselling author of A Brush with Shadows, Lady Kiera Darby and Sebastian Gage get tangled in a dangerous web of religious and political intrigue. July 1831. In the midst of their idyllic honeymoon in England’s Lake District, Kiera and Gage’s seclusion is soon interrupted by a missive from her new father-in-law. A deadly incident involving a distant relative of the Duke of Wellington has taken place at an abbey south of Dublin, Ireland, and he insists that Kiera and Gage look into the matter. Intent on discovering what kind of monster could murder a woman of the cloth, the couple travel to Rathfarnham Abbey school. Soon a second nun is slain in broad daylight near a classroom full of young girls. With the sinful killer growing bolder, the mother superior would like to send the students home, but the growing civil unrest in Ireland would make the journey treacherous. Before long, Kiera starts to suspect that some of the girls may be hiding a sinister secret. With the killer poised to strike yet again, Kiera and Gage must make haste and unmask the fiend, before their matrimonial bliss comes to an untimely end...

Does true love break curses or begin them? The dark sorceress of “Sleeping Beauty” reclaims her story in this sequel to Malice. “Fans of reimagined fairy tales and LGBTQ+ themes will be delighted with the conclusion of this fantasy duology.”—Booklist (starred review) The Dark Grace is dead. Feared and despised for the sinister power in her veins, Alyce wreaks her revenge on the kingdom that made her an outcast. Once a realm of decadence and beauty, Briar is now wholly Alyce’s wicked domain. And no one will escape the consequences of her wrath. Not even the one person who holds her heart. Princess Aurora saw through Alyce’s thorny facade, earning a love that promised the dawn of a new age. But it is a love that came with a heavy price: Aurora now sleeps under a curse that even Alyce’s vast power cannot seem to break. And the dream of the world they would have built together is nothing but ash. Alyce vows to do anything to wake the woman she loves, even if it means turning into the monster Briar believes her to be. But could Aurora love the villain Alyce has become? Or is true love only for fairy tales? Book Two of the Malice Duology