Anna and her family have only one hope left to escape certain doom. It’s 1936 and life is becoming dangerous for the Jews of Krakow. As incidents of violence and persecution increase day by day, Anna begs her father to leave Poland, but he insists it’s impossible. How could he give up his position as an acclaimed clarinetist in the Krakow Philharmonic Orchestra? When Anna and her father barely escape from a group of violent thugs, it becomes clear that the family must leave. But how? There seems to be only one possibility. Bronislaw Huberman, a world-renowned violinist, is auditioning Jewish musicians for a new orchestra in Palestine. If accepted, they and their families will receive exit visas. Anna and her grandmother boldly write to Huberman asking him to give Anna’s father an audition, but will that be enough to save them? This poignant story is based on real events in pre-war Poland and Palestine. After saving seven hundred Jews and their families, Huberman went on to establish what later became the Israel Philharmonic Orchestra. Against an ominous background of the impending Holocaust in Europe and the first Arab-Israeli war, The Sound of Freedom still manages to remind the reader of the goodness in the world.

Release the sound of freedom over your life! No problem you face is too big or too small for Jesus to step in and solve! The Good News of the Gospel is that the power to set captives free is available to you, right now. Jenny Weaver struggled with many deep issues such as cutting, witchcraft, rebellion, self-hatred, rejection, sexual brokenness, drug addiction, violence, and even homelessness, but Jesus stepped in and set her freefrom every single stronghold and bondage! Now Jenny wants to show you how simple it is to walk in the freedom that your heart longs for. In The Sound of Freedom, you will receive the keys to: Receive and maintain your breakthrough miracle Break the cycle of up and down living Access a deeper, more satisfying relationship with God Saturate your atmosphere in the breaker anointing Sing prophetically to the Lord and release sounds from Heaven Discover and activate the different sounds of deliverance Identify and break the roots of strongholds Access the breakthrough power that Jesus purchased at the cross, and release its supernatural sound over every bondage, stronghold and impossibility you are facing today!

Few moments in Civil Rights history are as important as the morning of Sunday April 9, 1939 when Marian Anderson sang before a throng of thousands lined up along the Mall by the Lincoln Memorial. She had been banned from the Daughters of the American Revolution's Constitution Hall because she was black. When Eleanor Roosevelt, who resigned from the DAR over the incident, took up Anderson's cause, however, it became a national issue. The controversy showed Americans that discrimination was not simply a regional problem. As Arsenault shows, Anderson's dignity and courage enabled her, like a female Jackie Robinson - but several years before him - to strike a vital blow for civil rights. Today the moment still resonates. Postcards and CDs of Anderson are sold at the Memorial and Anderson is still considered one of the greats of 20th century American music. In a short but richly textured narrative, Raymond Arsenault captures the struggle for racial equality in pre-WWII America and a moment that inspired blacks and whites alike. In rising to the occasion, he writes, Marion Anderson "consecrated" the Lincoln Memorial as a shrine of freedom. In the 1963 March on Washington Martin Luther King would follow, literally, in her footsteps.

It's spring 1919. Ireland's War of Independence has just begun. In a cottage in County Westmeath, thirteen-year-old Colm Conneely longs to join the local Volunteers, the 'Rainbow Chasers' who dream of an independent Ireland. Caught up in republican fever, he smuggles guns, stands up to the RIC during a house raid and raises the tricolour on a lake island. But Colm is also chasing another rainbow — he dreams of a life in America working as a fiddle player and involved in the republican movement there. The arrival in the area of spirited Belfast girl Alice McCluskey is a new development in Colm's life. She speaks Irish, shares his love of Irish music and is also committed to the 'cause'. Will Colm stay in Ireland and join the Volunteers or will he fulfil his dream of working as a musician in America? A long-held family secret comes to light, rocks Colm's world and shows him the way to go.

An adaptation of the documentary film: The story of the ex-special agent featured in Sound of Freedom and a covert anti-trafficking mission in Haiti. Tim Ballard left his post as a special agent for the US Department of Homeland Security to found Operation Underground Railroad (O.U.R.). Through this organization, Tim and his team plan undercover operations to rescue child sex trafficking victims around the world. To date, they have saved hundreds of children from horrific conditions, which Tim wasn’t able to do when bound by government restrictions. In this book incorporating photos and dialogue adapted from the documentary film of the same name, take an inside look at O.U.R., and their mission to end modern-day slavery—as you join Tim and his Special Forces team on a covert mission to Haiti where they bring a ring of sex traffickers who bribed their way out of jail to justice in Operation Toussaint.

Troubled by a large number of KGB agents operating freely in the US, the lackadaisical attitude of the general population, and the media's irresponsible depiction of communism, an ex-double agent sets out to use all he has learned in his position as a captain in the KGB's western intelligence section. He was all that stood between the soviets and their plan to take control of the first test launch of the Peacekeeper--America's newest ICBM. The soviets aimed to destroy several cities along the southern California coast--an apparent accident. This, they surmised, would show America too incompetent and irresponsible to be allowed to develop high-tech weapons. The Soviet Union would become the world's only super power. The marine has his own demons to fight, both past and present. Complicating his life and his one man war against the KGB is the woman he met and fell in love with--she is a mystery.

An insightful examination of the impact of the Civil Rights Movement and African Independence on jazz in the 1950s and 60s, Freedom Sounds traces the complex relationships among music, politics, aesthetics, and activism through the lens of the hot button racial and economic issues of the time. Ingrid Monson illustrates how the contentious and soul-searching debates in the Civil Rights, African Independence, and Black Power movements shaped aesthetic debates and exerted a moral pressure on musicians to take action. Throughout, her arguments show how jazz musicians' quest for self-determination as artists and human beings also led to fascinating and far reaching musical explorations and a lasting ethos of social critique and transcendence. Across a broad body of issues of cultural and political relevance, Freedom Sounds considers the discursive, structural, and practical aspects of life in the jazz world in the 1950s and 1960s. In domestic politics, Monson explores the desegregation of the American Federation of Musicians, the politics of playing to segregated performance venues in the 1950s, the participation of jazz musicians in benefit concerts, and strategies of economic empowerment. Issues of transatlantic importance such as the effects of anti-colonialism and African nationalism on the politics and aesthetics of the music are also examined, from Paul Robeson's interest in Africa, to the State Department jazz tours, to the interaction of jazz musicians such Art Blakey and Randy Weston with African and African diasporic aesthetics. Monson deftly explores musicians' aesthetic agency in synthesizing influential forms of musical expression from a multiplicity of stylistic and cultural influences--African American music, popular song, classical music, African diasporic aesthetics, and other world musics--through examples from cool jazz, hard bop, modal jazz, and the avant-garde. By considering the differences between aesthetic and socio-economic mobility, she presents a fresh interpretation of debates over cultural ownership, racism, reverse racism, and authenticity. Freedom Sounds will be avidly read by students and academics in musicology, ethnomusicology, anthropology, popular music, African American Studies, and African diasporic studies, as well as fans of jazz, hip hop, and African American music.