"Blues guitarist Blind Willie Johnson led a hardscrabble life, but in 1977, NASA's Voyager spacecrafts were launched, carrying a golden record to introduce planet Earth to the cosmos, and one of his songs became the defining anthem"--]cProvided by publisher.

“I haven't read anything that has moved me this much since Wonder.” —Jennifer Niven, author of All the Bright Places A space-obsessed boy and his dog, Carl Sagan, take a journey toward family, love, hope, and awe in this funny and moving novel for fans of Counting by 7s, Walk Two Moons, and The Curious Incident of the Dog in the Night-Time. 11-year-old Alex Petroski loves space and rockets, his mom, his brother, and his dog Carl Sagan—named for his hero, the real-life astronomer. All he wants is to launch his golden iPod into space the way Carl Sagan (the man, not the dog) launched his Golden Record on the Voyager spacecraft in 1977. From Colorado to New Mexico, Las Vegas to L.A., Alex records a journey on his iPod to show other lifeforms what life on earth, his earth, is like. But his destination keeps changing. And the funny, lost, remarkable people he meets along the way can only partially prepare him for the secrets he’ll uncover—from the truth about his long-dead dad to the fact that, for a kid with a troubled mom and a mostly not-around brother, he has way more family than he ever knew. Jack Cheng’s debut is full of joy, optimism, determination, and unbelievable heart. To read the first page is to fall in love with Alex and his view of our big, beautiful, complicated world. To read the last is to know he and his story will stay with you a long, long time. "Stellar." —Entertainment Weekly “Life-embracing.” —The Wall Street Journal "Works beautifully." —The New York Times Book Review “Irresistible.” —The Chicago Tribune “The best I've read in a long, long time.” —Holly Goldberg Sloan, author of Counting by 7s “Riveting, inspiring, and sometimes hilarious.” —Kirkus, starred review “A propulsive stream-of-conscious dive.” —Publishers Weekly, starred review “A gift—a miracle.” —Paul Griffin, author When Friendship Followed Me Home “Exuberant.” —Booklist "Full of the real kind of magic." —Ally Condie, author of Matched "Absorbing, irresistible." —Common Sense Media “Incredible.” —BookRiot "Full of innocence and unwavering optimism." —SLC "Inspiring." —Time for Kids “Powerfully affirms our human capacity for grace and love and understanding.” —Gary D. Schmidt, author of Okay for Now

The authoritative story of the headline-making discovery of gravitational waves—by an eminent theoretical astrophysicist and award-winning writer. From the author of How the Universe Got Its Spots and A Madman Dreams of Turing Machines, the epic story of the scientific campaign to record the soundtrack of our universe. Black holes are dark. That is their essence. When black holes collide, they will do so unilluminated. Yet the black hole collision is an event more powerful than any since the origin of the universe. The profusion of energy will emanate as waves in the shape of spacetime: gravitational waves. No telescope will ever record the event; instead, the only evidence would be the sound of spacetime ringing. In 1916, Einstein predicted the existence of gravitational waves, his top priority after he proposed his theory of curved spacetime. One century later, we are recording the first sounds from space, the soundtrack to accompany astronomy’s silent movie. In Black Hole Blues and Other Songs from Outer Space, Janna Levin recounts the fascinating story of the obsessions, the aspirations, and the trials of the scientists who embarked on an arduous, fifty-year endeavor to capture these elusive waves. An experimental ambition that began as an amusing thought experiment, a mad idea, became the object of fixation for the original architects—Rai Weiss, Kip Thorne, and Ron Drever. Striving to make the ambition a reality, the original three gradually accumulated an international team of hundreds. As this book was written, two massive instruments of remarkably delicate sensitivity were brought to advanced capability. As the book draws to a close, five decades after the experimental ambition began, the team races to intercept a wisp of a sound with two colossal machines, hoping to succeed in time for the centenary of Einstein’s most radical idea. Janna Levin’s absorbing account of the surprises, disappointments, achievements, and risks in this unfolding story offers a portrait of modern science that is unlike anything we’ve seen before.

This book arises from the conviction that the ways in which John Paul II and Benedict XVI were confused as allies with American conservativism is as misleading, unclear, and confusing as any misapprehension of Francis's genuine orthodoxy. As the author does not have a stake in reacting against a liberal Catholicism that he sees dying out anyway, the bigger threat, in his view, sociologically, for the North American church, is falling into a right-wing tribalism--and Francis resists precisely that. First Things editor R. R. Reno, highly critical of Francis, has called for a redemption of hints and suggestions of a cogent argument in the Francis message. Jeremiah Barker reappropriates Reno's call as a call to draw out or highlight what he takes to be the underlying rationale of the Francis message. That underlying rationale, he compellingly argues, is strikingly identical to that of the two previous popes. Barker, who has learned much from Reno, is in fact inspired by Francis's call and teaching, and it is the aim of this book to draw out what inspires him and to identify what he hopes Reno and fellow 'John Paul II Catholics' don't miss in the Francis message: the theological, ethical, and spiritual core of his social teaching, which Francis shares with that of John Paul II and Benedict XVI.

In March 2005, the United Nations released its Millennium Ecosystem Assessment. Among the findings: 2/3 of the world's ecosystems are seriously degraded; 90 percent of the world's fish stocks are depleted; and climate change is not just something that might happen, it is already upon us. Many people, including many Christians, will hear this and delude themselves into thinking that technology can and will save the day. A wiser and more helpful response, especially for Christians, is to find a way to step back into the flow of nature from which we have extricated ourselves. In "Darwin, Divinity, and the Dance of the Cosmos", Bruce Sanguin shows us the way. Sanguin draws on the latest scientific understandings of the nature of the universe and weaves them together with biblical meta-narratives and frequently overlooked strands of the Judeo-Christian tradition to create an ecological and truly evolutionary Christian theology -- a feat few theologians have even attempted. This book -- and more importantly the work of integration it suggests -- represents a fundamental challenge to our theological and liturgical models. But for those who are ready and willing to embark on an exciting theological journey of discovery, it also represents a rich opportunity to become reacquainted with the Spirit of God moving in and through the very dynamics of an unfolding universe. In "Darwin, Divinity, and the Dance of the Cosmos", Sanguin draws on the latest scientific understandings of the nature of the universe and weaves them together with biblical meta-narratives and frequently overlooked strands of the Judeo-Christian tradition to create an ecological and truly evolutionary Christian theology.