Shares the stories of Wallace Turnage and John Washington, former slaves who, in the midst of chaos during the Civil War, escaped to the North and lived to tell about their experiences.

Commanding a vast historiography of slavery and emancipation, Aline Helg reveals as never before how significant numbers of enslaved Africans across the entire Western Hemisphere managed to free themselves hundreds of years before the formation of white-run abolitionist movements. Her sweeping view of resistance and struggle covers more than three centuries, from early colonization to the American and Haitian revolutions, Spanish American independence, and abolition in the British Caribbean. Helg not only underscores the agency of those who managed to become "free people of color" before abolitionism took hold but also assesses in detail the specific strategies they created and utilized. While recognizing the powerful forces supporting slavery, Helg articulates four primary liberation strategies: flight and marronage; manumission by legal document; military service, for men, in exchange for promised emancipation; and revolt—along with a willingness to exploit any weakness in the domination system. Helg looks at such actions at both individual and community levels and in the context of national and international political movements. Bringing together the broad currents of liberal abolitionism with an original analysis of forms of manumission and marronage, Slave No More deepens our understanding of how enslaved men, women, and even children contributed to the slow demise of slavery.

Three essays present an introduction and history of the emancipation of the slaves during the Civil War.

Combines first-person historical accounts, traditional black spirituals, and passages about the daily lives of slaves to provide a chronicle of slavery in America.

The Experience of a Slave in South Carolina by John Andrew Jackson, first published in 1862, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.

"Between 1820 and 1861 more than 12,000 American blacks made the long voyage to Liberia. Many were members of families that had been brought to America in the 1600s. In the jungles of West Africa these new settlers battled virulent tropical diseases, marauding wild beasts, and fierce native tribesmen; with only basic hand tools (draft animals could hardly survive the climate) they faced the challenge of carving out fields from one of the world's densest forests. To former masters and to their own people the new Liberians wrote letters about physical deprivations, often asking for help; they also reported proudly on the political progress of their adopted country, which became a republic in 1847. Despite the discouragement and disappointment reflected in many of the letters, the settlers demonstrated a remarkable capacity to overcome the hostility of nature and to endure with courage and dignity. Bell I. Wiley has collected and annotated 273 letters written from Liberia by former slaves... To read the letters is to reach a new understanding of the meaning of slavery and of freedom; one senses the strength of the black family that distance did not splinter; one wonders at the religious faith that endured through the unimagined hardships and disasters"--

However urban slave societies might have differed from their rural counterparts, they still relied on a concerted assault on the psychological, social, and cultural identity of their African-descended inhabitants to maintain power and control. This ambitious book looks at how people of African descent in two such societies--Havana and New Orleans in the nineteenth century--created and maintained their own forms of cultural resistance to the slave regime's assault and, in the process, put forth autonomous views of sell and the social landscape. In Havana's annual Dia de Reyes festival and in the weekly activities that took place at New Orleans's Congo Square, author Daniel Walker identities specific cultural beliefs and activities that Africans brought to the New World and modified in order to withstand and contest the dehumanizing effects of oppression. "No More, No More crosses disciplinary boundaries as well, elucidating the economic, social, cultural, and demographic operations at work in two cities and the wide-scale efforts at cultural resistance embodied in public performances.