In The Heart of Central New York: Stories of Historic Homer, NY Martin A. Sweeney makes the past come alive through this collection of articles from his column in The Homer News. Through his writing, Sweeney offers readers a glimpse of the excitement he brought to his classrooms by bringing to life the people, events, manners, and mores of the past in a community that is the heart of Central New York State. This compilation represents Sweeney’s successful efforts as a public historian in using the press as a tool for generating interest in his community’s unique historical identity.With annotations and a touch of humor, this book illustrates for current and emerging public historians how to successfully engage a community in acknowledging their history matters—that the fibers of “microhistory” contribute to the rich tapestry that is county, regional, state, and national history.

In the quest for quality, software developers have long focused on improving the internal architecture of their products. Larry L. Constantine--who originally created structured design to effect such improvement--now joins with well-known consultant Lucy A. D. Lockwood to turn the focus of software development to the external architecture. In this book, they present the models and methods of a revolutionary approach to software that will help programmers deliver more usable software--software that will enable users to accomplish their tasks with greater ease and efficiency. Recognizing usability as the key to successful software, Constantine and Lockwood provide concrete tools and techniques that programmers can employ to meet that end. Much more than just another set of rules for good user-interface design, this book guides readers through a systematic software development process. This process, called usage-centered design, weaves together two major threads in software development methods: use cases (also used with UML) and essential modeling. With numerous examples and case studies of both conventional and specialized software applications, the authors illustrate what has been shown in practice to work and what has proved to be of greatest practical value. Highlights Presents a streamlined process for developing highly usable software Describes practical methods and models successfully implemented in industry Complements modern development practices, including the Unified Process and other object-oriented software engineering approaches

As an artist, art critic, museum director, and art educator, Jerry Bywaters reshaped the Texas art world and attracted national recognition for Texas artists. This first full-scale biography explores his life and work in the context of twentieth-century American art, revealing Bywaters' important role in the development of regionalist painting. Francine Carraro delves into all aspects of Bywaters' career. As an artist, Bywaters became a central figure and spokesman for a group of young, energetic painters known as the Dallas Nine (Alexandre Hogue, Everett Spruce, Otis Dozier, William Lester, and others) who broke out of the limitations of provincialism and attained national recognition beginning in the 1930s. As director of the Dallas Museum of Fine Arts, art critic for the Dallas Morning News, and professor of art and art history at Southern Methodist University, Bywaters became a champion of the arts in Texas. Carraro traces his strong supporting role in professionalizing art institutions in Texas and defendlng the right to display art considered "subversive" in the McCarthy era. From these discussions emerges a finely drawn portrait of an artist who used a vocabulary of regional images to explore universal themes. It will be of interest to all students of American studies, national and regional art history, and twentieth-century biography.

A game-changing book on the origins of life, called the most important scientific discovery 'since the Copernican revolution' in The Observer.

Victor Arnautoff reigned as San Francisco's leading mural painter during the New Deal era. Yet that was only part of an astonishing life journey from Tsarist officer to leftist painter. Robert W. Cherny's masterful biography of Arnautoff braids the artist's work with his increasingly leftist politics and the tenor of his times. Delving into sources on Russian émigrés and San Francisco's arts communities, Cherny traces Arnautoff's life from refugee art student and assistant to Diego Rivera to prominence in the New Deal's art projects and a faculty position at Stanford University. As Arnautoff's politics moved left, he often incorporated working people and people of color into his treatment of the American past and present. In the 1950s, however, his participation in leftist organizations and a highly critical cartoon of Richard Nixon landed him before the House Un-American Activities Committee and led to calls for his dismissal from Stanford. Arnautoff eventually departed America, a refugee of another kind, now fleeing personal loss and the disintegration of the left-labor culture that had nurtured him, before resuming his artistic career in the Soviet Union that he had fought in his youth to destroy.

Arizona’s art history is emblematic of the story of the modern West, and few periods in that history were more significant than the era of the New Deal. From Dorothea Lange and Ansel Adams to painters and muralists including Native American Gerald Nailor, the artists working in Arizona under New Deal programs were a notable group whose art served a distinctly public purpose. Their photography, paintings, and sculptures remain significant exemplars of federal art patronage and offer telling lessons positioned at the intersection of community history and culture. Art is a powerful instrument of historical record and cultural construction, and many of the issues captured by the Farm Security Administration photographers remain significant issues today: migratory labor, the economic volatility of the mining industry, tourism, and water usage. Art tells important stories, too, including the work of Japanese American photographer Toyo Miyatake in Arizona’s internment camps, murals by Native American artist Gerald Nailor for the Navajo Nation Council Chamber in Window Rock, and African American themes at Fort Huachuca. Illustrated with 100 black-andwhite photographs and covering a wide range of both media and themes, this fascinating and accessible volume reclaims a richly textured story of Arizona history with potent lessons for today.