Beneath its peaceful exterior, the city of Adelaide and its surrounding areas have a dark history. From the disappearance of the Beaumont children to the Snowtown killings in the 1990s, it has been home to a long series of brutal and baffling killings and abductions. In The Element of Need, acclaimed author James Bradley uses this long history of violence as the basis of a fascinating exploration not just of his own childhood and adolescence, but of the psychic landscape of this most haunted of cities.

A big old Victorian terrace in Jersey Road, Woollahra, is thought to be haunted by the two Darkling sisters from the 1920s. When a young family moves in, dark images of these sisters, and of relationships closer to home, hang over them. Beautifully crafted and keenly observed, this story from Dorothy Hewett's acclaimed collection A Baker's Dozen is a stunning evocation of family, memories and neighbourhood.

In a small Australian country town, a young woman is accused of the murders of her own daughter and the local rat catcher's wife. As she stands to face the charges in court, a stranger enters, determined to explain her crimes. This masterly story from Woman in a Lampshade perfectly displays Elizabeth Jolley's remarkable talent for character and story.

Acclaimed author Sonya Hartnett is firmly Melburnian but has restlessly moved from suburb to suburb in her search for the 'Last House' – that special corner of the world in which to settle and find contentment. Viewing her life and work through the lens of real estate, she vividly recalls the places she has passed through on her way to finding home. Expanding on her 2010 Redmond Barry lecture, this short memoir is a beautifully atmospheric exploration of the idea of home and what it means to be a writer in a City of Literature.

In her extraordinary career, spanning over fifty years, Ita Buttrose has been involved in every aspect of the media, from newspapers and magazines to television and radio and now, electronic publishing. Starting as a copygirl on The Australian Women's Weekly, by the age of sixteen her journalism career was well underway when she was granted a cadetship on the Daily and Sunday Telegraphs. In Starting Out Ita describes discovering her love of journalism and publishing, how she overcame the challenge of being a woman in the workplace in the fifties and sixties, and the excitement of seeing her first byline in print. Starting Out is an engaging and insightful account of the early days of Ita Buttrose's career, depicting events that have shaped one of Australia's most prominent and distinguished women.

Squeaker, a selector, is slowly clearing his piece of the Australian bush. However, lazy and shiftless, he leaves most of the work to his uncomplaining and hardworking mate. When she is crushed under a falling yellow gum, Squeaker responds only with selfish impatience. Taught to endlessly endure by her harsh surroundings, Squeaker's mate carries the burden of her injury quietly, with only her old dog for comfort. Published as part of Barbara Baynton's iconic collection Bush Studies in 1902, Squeaker's Mate is a visceral and lyrical story about the hostility faced by European settlers in the Australian bush during settlement. From an era when literature focused almost entirely on men and male experiences, Squeaker's Mate is an important depiction of the unique trials and strengths of women.

Liam Pieper's made some poor life choices, but he's (usually) meant well. He's tried to write important stories, fight racial prejudice and rescue traumatised puppies. And he's ended up with life-threatening infestations, a punch in the face at a Leonard Cohen concert and brief detention by counter-terrorism experts. Taking us from Nimbin to US border security to the star-studded Chateau Marmont in LA, these four essays are compelling, insightful and very funny. Mistakes Were Made is about the gap between our ideals in life – of love, compassion, ambition – and how things actually play out. 'His writing is electric: charged with meaning and energised by surprising comedic turns.' Weekend Australian 'Charming and amusing.' Sunday Age 'The ability to laugh at yourself is arguably the most valuable quality you can cultivate as a writer, and Liam Pieper has it in spades . . . he does hilarious self-deprecation with considerable panache.' Sydney Morning Herald