This thesis presents a search for long-lived particles decaying into displaced electrons and/or muons with large impact parameters. This signature provides unique sensitivity to the production of theoretical lepton-partners, sleptons. These particles are a feature of supersymmetric theories, which seek to address unanswered questions in nature. The signature searched for in this thesis is difficult to identify, and in fact, this is the first time it has been probed at the Large Hadron Collider (LHC). It covers a long-standing gap in coverage of possible new physics signatures. This thesis describes the special reconstruction and identification algorithms used to select leptons with large impact parameters and the details of the background estimation. The results are consistent with background, so limits on slepton masses and lifetimes in this model are calculated at 95% CL, drastically improving on the previous best limits from the Large Electron Positron Collider (LEP).

The relationship between aesthetics and science has begun to generate substantial interest. However, for the most part, the focus has been on the beauty of theories, and other aspects of scientific practice have been neglected. This book offers a novel perspective on aesthetics in experimentation via ten original essays from an interdisciplinary group comprised of philosophers, historians of science and art, and artists. The collection provides an analysis of the concept of beauty in the evaluation of experiments. What properties do practising experimenters value? How have the aesthetic properties of scientific experiments changed over the years? Secondly, the volume looks at the role that aesthetic factors, including negative values such as ugliness, as well as experiences of the sublime and the profound, play in the construction of an experiment and its reception. Thirdly, the chapters provide in-depth historical case studies from the Royal Society, which also allows for a study of the depiction of scientific experiment in artworks, as well as contemporary examples from the Large Hadron Collider and cases of experiments designed by artificial intelligence. Finally, it offers an exploration of the commonalities between how we learn from experiments on the one hand and the cognitive value of artworks on the other. The Aesthetics of Scientific Experiments will be of interest to researchers and advanced students working in philosophy and history of science, philosophy and history of art, as well as practising scientists and science communicators.

The latest of the 'Lepton Photon' symposium, one of the well-established series of meetings in the high-energy physics community, was successfully organized at the South Campus of Sun Yat-sen University, Guangzhou, China, from August 7-12, 2017, where physicists around the world gathered to discuss the latest advancements in the research field.This proceedings volume of the Lepton Photon 2017 collects contributions by the plenary session speakers and the posters' presenters, which cover the latest results in particle physics, nuclear physics, astrophysics, cosmology, and plans for future facilities.

This is a selection from over 250 papers published by Abdus Salam. Professor Salam has been Professor of Theoretical Physics at Imperial College, London and Director of the International Centre for Theoretical Physics in Trieste, for which he was largely responsible for creating. He is one of the most distinguished theoretical physicists of his generation and won the Nobel Prize for Physics in 1979 for his work on the unification of electromagnetic and weak interactions. He is well known for his deep interest in the development of scientific research in the third world (to which ICTP is devoted) and has taken a leading part in setting up the Third World Academy. His research work has ranged widely over quantum field theory and all aspects of the theory of elementary particles and more recently into other fields, including high-temperature superconductivity and theoretical biology. The papers selected represent a cross section of his work covering the entire period of 50 years from his student days to the present.

Cosmology’s journey to the present day has been a long one. This book outlines the latest research on modern cosmology and related topics from world-class experts. Through it, readers will learn how multi-disciplinary approaches and technologies are used to search the unknown and how we arrived at the knowledge used and assumptions made by cosmologists today. The book is organized into four parts, each exploring a theme that has troubled humankind for centuries. Since the dawn of time, looking at the sky, humans have tried to understand their origin, the laws governing it, and what influence it all has on human life. In most ancient civilizations, astronomers embodied the power of knowledge. This knowledge was not compartmentalized, and scientists often found philosophical implications within their quests, many of which destroyed the borders between the natural sciences. Even now, as observers and scientists continue to use conjecture to generate theoretical assumptions and laws that then have to be confirmed experimentally, said theoretical and experimental searches are being linked to philosophical thinking and artistic representation, as they were up until the 18th century. This multi-disciplinary book will appeal to anyone with an interest in the fields of Astronomy, Cosmology or Physics.