FANTASY. Kate Harker and August Flynn's families rule opposite ends of Verity, a grisly metropolis where violent acts summon real monsters: bloodsucking Malchai; clawing Corsai; and soul-stealing Sunai. The truce that keeps the Families at peace is crumbling, and August is sent to spy on Kate. But when Harker's men try to kill her and pin it on the Flynns, August and Kate find themselves running from both sides, in a city where monsters are real.

This work examines key moments of violent social unrest in the twentieth century United States. Investigating the centrality of constructions of gender to American racism, it asks how African and Mexican American men, including those in uniform, responded to the violence of racism, and how their resistance, including their claims to manhood and nation, were understood by law enforcement, politicians, and press.

A New York Times bestseller The bestselling sequel—and conclusion—to Victoria Schwab’s instant #1 New York Times bestseller This Savage Song. Kate Harker is a girl who isn’t afraid of the dark. She’s a girl who hunts monsters. And she’s good at it. August Flynn is a monster who can never be human. No matter how much he once yearned for it. He has a part to play. And he will play it, no matter the cost. Nearly six months after Kate and August were first thrown together, the war between the monsters and the humans is a terrifying reality. In Verity, August has become the leader he never wished to be, and in Prosperity, Kate has become the ruthless hunter she knew she could be. When a new monster emerges from the shadows—one who feeds on chaos and brings out its victim’s inner demons—it lures Kate home, where she finds more than she bargained for. She’ll face a monster she thought she killed, a boy she thought she knew, and a demon all her own. A gorgeously written dark fantasy from New York Times–bestselling author Victoria Schwab, and one to hand to fans of Holly Black, Laini Taylor, and Maggie Stiefvater. “Explosive.”—Brightly

“This gripping novel examines anxiety, identity, pressure, and power with Barnard’s characteristic lightness of touch.” —The Guardian “Nuanced, compelling, honest, and important.” —Kirkus Reviews (starred review) Winner of The Bookseller’s YA Book Prize Friendship bonds are tested and the very nature of loyalty is questioned in this lyrical novel about a teen whose best friend runs away with her teacher after suffering the effects of too much academic pressure. Perfect for fans of Morgan Matson and Jennifer Niven. Eden McKinley knows she can’t count on much in this world, but she can depend on Bonnie, her solid, steady, straight-A best friend. So it’s a bit of a surprise when Bonnie runs away with the boyfriend Eden knows nothing about five days before the start of their final exams. Especially when the police arrive on her doorstep and Eden finds out that Bonnie’s boyfriend is actually their music teacher, Mr. Cohn. Sworn to secrecy and bound by loyalty, only Eden knows Bonnie’s location, and that’s the way it has to stay. There’s no way she’s betraying her best friend. Not even when she’s faced with police questioning, suspicious parents, and her own growing doubts. As the days pass and things begin to unravel, Eden is forced to question everything she thought she knew about the world, her best friend, and herself. In this touching and insightful novel, bestselling author Sara Barnard explores just what can happen when the pressure one faces to be “perfect” leads to drastic fallout.

In this wordless picture book, follow Walrus on a happy-go-lucky spree through the big city, as he tries on different hats to disguise himself from the chasing zookeeper.

"A little cement mixer learns that making mistakes isn't always a bad thing"--

From Attali's "cold social silence" to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. In Bytes and Backbeats, however, Steve Savage deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice, and critical analysis to challenge many of these traditional attitudes about the creation and reception of music. Savage adopts the notion of "repurposing" as central to understanding how every aspect of musical activity, from creation to reception, has been transformed, arguing that the tension within production between a naturalizing "art" and a self-conscious "artifice" reflects and feeds into our evolving notions of creativity, authenticity, and community. At the core of the book are three original audio projects, drawing from rock & roll, jazz, and traditional African music, through which Savage is able to target areas of contemporary practice that are particularly significant in the cultural evolution of the musical experience. Each audio project includes a studio study providing context for the social and cultural analysis that follows. This work stems from Savage's experience as a professional recording engineer and record producer.