The narrator arrives in Berlin, a place famed for its hedonism, to find peace and maybe love; only to discover that the problems which have long haunted him have arrived there too, and are more present than ever. As he approaches his fortieth birthday, nearing the age where his father was killed in a brutal revolution, he drifts through this endlessly addictive and sometimes mystical city, through its slow days and bottomless nights, wondering whether he will ever escape the damage left by his father's death. With the world as a whole more uncertain, as both the far-right and global temperatures rise at frightening speed, he finds himself fighting a fierce inner battle against his turbulent past, for a future free of his fear of failure, of persecution, and of intimacy. In The End, It Was All About Love is a journey of loss and self-acceptance that takes its nameless narrator all the way through bustling Berlin to his roots, a quiet village on the Uganda-Sudan border. It is a bracingly honest story of love, sexuality and spirituality, of racism, dating, and alienation; of fleeing the greatest possible pain, and of the hopeful road home.

Roshni Goyate, Sharan Hunjan, Sheena Patel and Sunnah Khan are four writers that make up the talented collective 4 BROWN GIRLS WHO WRITE and bring their radical, polyphonic performance style to bear on a series of individual pamphlets that still resonate with their collaborative force. Each author's discreet publication is a stand-alone work, published as a set of poetry and prose pamphlets, highlighting the daring, brilliant writing that characterises both the group and each individual author.

The hero’s “virtuous character provides some gentle pleasure” in this romantic suspense about a cop who falls for a male sex worker under his protection (Publishers Weekly). Quick-witted hustler Ghost is no stranger to living dangerously; survival has always been the name of the game. He’s just always gone it alone. Now he’s got the wrong people breathing down his neck, and the only way out demands placing his trust in the unlikeliest of heroes: Duncan Rook, a gruff cop whose ethics are as solid as his body. Cozying up to a criminal is hardly what Duncan’s reputation on the force needs—especially when that criminal is temptation personified. Ghost is Duncan’s polar opposite, and the last person he expected to fall for. So then why does every imaginable scenario for taking down their common enemy end with Ghost in his arms?

Myrninerest', a stunning new monograph on the visionary English outsider artist Madge Gill, is published in conjunction with an exhibition of her work at the William Morris Gallery in London. With selections from a seemingly endless body of work, it explores the natural creativity Gill possessed. She often attributed her inspiration for the thousands of intricate ink drawings and embroideries to her ethereal guide, after which this book is named. Gill was obsessed with spiritualism, and this unseen force gave her a new outlook and energy which shaped her work, guiding her hand and allowing her to find the strength and inspiration to take control over the many hardships in her life.

From the mountains of Algeria to the squats of South London via sectarian Northern Ireland, Ten Thousand Apologies is the sordid and thrilling story of the country's most notorious cult band, Fat White Family. Loved and loathed in equal measure since their formation in 2011, the relentlessly provocative, stunningly dysfunctional "drug band with a rock problem" have dedicated themselves to constant chaos and total creative freedom at all costs. Like a tragicomic penny dreadful dreamed up by a mutant hybrid of Jean Genet, the Dadaists and Mark E. Smith, the Fat Whites' story is a frequently jaw-dropping epic of creative insurrection, narcotic excess, mental illness, wanderlust, self-sabotage, fractured masculinity, and the ruthless pursuit of absolute art. Co-written with lucidity and humour by singer Lias Saoudi and acclaimed author Adelle Stripe, Ten Thousand Apologies is that rare thing: a music book that barely features any music, a biography as literary as any novel, and a confessional that does not seek forgiveness. This is the definitive account of Fat White Family's disgraceful and radiant jihad - a depraved, romantic and furious gesture of refusal to a sanitised era.

Chilly Gonzales is one of the most exciting, original, hard-to-pin-down musicians of our time. Filling halls worldwide at the piano in his slippers and a bathrobe—in any one night he can be dissecting the musicology of an Oasis hit, giving a sublime solo recital, and displaying his lyrical dexterity as a rapper. In his book about Enya, he asks: Does music have to be smart or does it just have to go to the heart? In dazzling, erudite prose Gonzales delves beyond her innumerable gold discs and millions of fans to excavate his own enthusiasm for Enya's singular music as well as the mysterious musician herself, and along the way uncovers new truths about the nature of music, fame, success and the artistic endeavour.