A secular feminist army courageously challenges the Islamic State In war-torn northern Syria, a democratic society—based on secularism, ethnic inclusiveness, and gender equality—has won significant victories against the Islamic State, or Daesh, with women on the front lines as fierce warriors and leaders. A Road Unforeseen recounts the dramatic, underreported history of the Rojava Kurds, whose all-women militia was instrumental in the perilous mountaintop rescue of tens of thousands of civilians besieged in Iraq. Up to that point, the Islamic State had seemed invincible. Yet these women helped vanquish them, bringing the first half of the refugees to safety within twenty-four hours. Who are the revolutionary women of Rojava and what lessons can we learn from their heroic story? How does their political philosophy differ from that of Iraqi Kurdistan, the Islamic State, and Turkey? And will the politics of the twenty-first century be shaped by the opposition between these political models?

"This is the book I've been waiting for--only it's richer, deeper, and more intriguing than I could have imagined. A Road Unforeseen is a major contribution to our understanding of feminism and Islam, of women and the world, and gives me fresh hope for change." --Barbara Ehrenreich, author of Nickel and Dimed and Living With a Wild God In war-torn northern Syria, a democratic society--based on secularism, ethnic inclusiveness, and gender equality--has won significant victories against the Islamic State, or Daesh, with women on the front lines as fierce warriors and leaders. A Road Unforeseen recounts the dramatic, underreported history of the Rojava Kurds, whose all-women militia was instrumental in the perilous mountaintop rescue of tens of thousands of civilians besieged in Iraq. Up to that point, the Islamic State had seemed invincible. Yet these women helped vanquish them, bringing the first half of the refugees to safety within twenty-four hours. Who are the revolutionary women of Rojava and what lessons can we learn from their heroic story? How does their political philosophy differ from that of Iraqi Kurdistan, the Islamic State, and Turkey? And will the politics of the twenty-first century be shaped by the opposition between these political models? Meredith Tax is a writer and political activist. Author, most recently, of Double Bind: The Muslim Right, the Anglo-American Left, and Universal Human Rights, she was founding president of Women's WORLD, a global free speech network of feminist writers, and cofounder of the PEN American Center's Women's Committee and the International PEN Women Writers' Committee. She is currently international board chair of the Centre for Secular Space and lives in New York.

"From all four parts of Kurdistan and across the diaspora, Kurdish women from different geographical, political, and educational backgrounds pick up a pen, reflect, and remember. Going beyond exoticising stereotypes and patriarchal representations, Kurdish Women's Stories gives 25 women authorial freedom to write about their own lived experiences. With contributors ranging from 20 to 70 years of age, we hear stories of imprisonment, exile, disappearances of loved ones, gender-based violence, uprisings, feminist activism, and armed resistance, including first-hand accounts of political moments from the 1960s to today. Conceived as part of Culture Project's self- writing program, this book is essential reading for anyone who wants to better understand the struggle of Kurdish women through their own words. Contributors: Diba Alikhani, Kobra Banehi, Khanda Hameed, Nazanin Hasan, Nafia Aysi Hasso, Deejila Haydar, Zhala Hussein, Ruken Isik, Seveen Jimo, Lanja Khawe, Nahiya Khoshkalam, Hero Kurda, Khanda Rashid Murad, Rozhgar Mustafa, Dashne Nariman, Bayan Nasih, Avan Omar, Nasrin Ramazanali, Mother Sabria, Bayan Saeed, Bayan Salman, Farah Sharefi, Susan Shahab, Simal (Anonymous), Shahla Yarhussein"--

Describes different kinds of families.

The co-founder and longtime president of Pixar updates and expands his 2014 New York Times bestseller on creative leadership, reflecting on the management principles that built Pixar’s singularly successful culture, and on all he learned during the past nine years that allowed Pixar to retain its creative culture while continuing to evolve. “Might be the most thoughtful management book ever.”—Fast Company For nearly thirty years, Pixar has dominated the world of animation, producing such beloved films as the Toy Story trilogy, Finding Nemo, The Incredibles, Up, and WALL-E, which have gone on to set box-office records and garner eighteen Academy Awards. The joyous storytelling, the inventive plots, the emotional authenticity: In some ways, Pixar movies are an object lesson in what creativity really is. Here, Catmull reveals the ideals and techniques that have made Pixar so widely admired—and so profitable. As a young man, Ed Catmull had a dream: to make the first computer-animated movie. He nurtured that dream as a Ph.D. student, and then forged a partnership with George Lucas that led, indirectly, to his founding Pixar with Steve Jobs and John Lasseter in 1986. Nine years later, Toy Story was released, changing animation forever. The essential ingredient in that movie’s success—and in the twenty-five movies that followed—was the unique environment that Catmull and his colleagues built at Pixar, based on philosophies that protect the creative process and defy convention, such as: • Give a good idea to a mediocre team and they will screw it up. But give a mediocre idea to a great team and they will either fix it or come up with something better. • It’s not the manager’s job to prevent risks. It’s the manager’s job to make it safe for others to take them. • The cost of preventing errors is often far greater than the cost of fixing them. • A company’s communication structure should not mirror its organizational structure. Everybody should be able to talk to anybody. Creativity, Inc. has been significantly expanded to illuminate the continuing development of the unique culture at Pixar. It features a new introduction, two entirely new chapters, four new chapter postscripts, and changes and updates throughout. Pursuing excellence isn’t a one-off assignment but an ongoing, day-in, day-out, full-time job. And Creativity, Inc. explores how it is done.

"This is the memoir of Kurdish revolutionary Sakine Cansız. Sakine, whose code name was 'Sara', co-founded the PKK in 1978 with Abdulah Öcalan and others, and dedicated her life to the cause of Kurdish freedom. On 9 January 2013 she was assassinated in Paris by a Turkish intelligence agent."--Page [4] of cover.

"In a period of right wing attacks on Muslims - or people thought to be Muslims - how does one respond to human rights violations by the Muslim Right without feeding hate campaigns? When US diplomats invoke the oppression of Muslim women to sanctify war, how do we practice feminist solidarity without strengthening Orientalism and neocolonialism? When the US targets jihadis for assassination by drone, should human rights defenders worry about violations perpetrated by those same jihadis or focus on violations by the state? These are some of the questions raised in Double Bind: the Muslim Right, the Anglo-American Left, and Universal Human Rights ... Taking the UK organization Cageprisoners as an example, it shows how to distinguish between organizations that stand for universal and inseparable human rights, and those that use the language of human rights for other purposes. It discusses "five wrong ideas about the Muslim Right" : that it is anti-imperialist; that "defence of Muslim lands" is comparable to national liberation struggles; that the problem is "Islamphobia"; that terrorism is justified by revolutionary necessity; and that any feminist who criticises the Muslim Right is an Orientalist ally of US imperialism."--Publisher description.