For real lovers of Jane Austen "s work, a completion of her unfinished Sanditon as she might possibly have envisaged it herself. No zombies or other anachronistic gimmicks, but a number of interlaced love stories set against a gently satirical picture of the fads and fancies of the times, above all the rising fashion for sea bathing and the greed and folly that accompanied it.When Charlotte Heywood leaves her large and conservative family of Kentish landowners to stay with the Parkers in the new resort of Sanditon, she expects nothing more than a tranquil seaside holiday. She soon however becomes involved in the life of the little town, and is challenged to measure her own traditional values and tastes against those of financial speculators, affected social climbers, fashionable hypochondriacs, and followers of the new romantic ideas in the arts and human behaviour. Her initial attitude is that of an amused spectator, but soon, to her own surprise, she finds herself falling in love with her host "s younger brother, the witty and fascinating Sidney Parker. Sidney however leaves Sanditon abruptly in the company of Charlotte "s beautiful and enigmatic friend Clara Brereton, with whom Sir Edward Denham, penniless nephew of the town "s patroness and Sgreat lady , is in love, to his avaricious aunt "s displeasure, and the town buzzes with rumours of an elopement Anne Toledo has taught English Literature at university level for many years, specialising in the nineteenth-century novel in general, and in Jane Austen in particular. She is a devoted Janeite, and hopes that this story will appeal to those who share her love and appreciation of Jane Austen "s work at all levels “ as romance, as humorous observation, and as moral satire, and also as a fascinating picture of daily life in middle-class England in the years immediately following the Napoleonic wars.

An exclusive behind-the-scenes look at the making of Jane Austen's Sanditon television series. Sanditon, the final novel Austen was working on before her death, has been given an exciting conclusion, and will be brought to a primetime television audience on PBS/Masterpiece for the very first time by Emmy and BAFTA Award winning screenwriter Andrew Davies (War & Peace, Mr. Selfridge, Les Misérables, Pride and Prejudice). This, the official companion to the Masterpiece series, contains everything a fan could want to know. It explores the world Austen created, along with fascinating insights about the period and the real-life heartbreak behind her final story. And it offers location guides, behind the scenes details, and interviews with the cast, alongside beautiful illustrations and set photography.

Sanditon (1817) is an unfinished novel by the English writer Jane Austen. The novel centers on Charlotte Heywood, the eldest of the daughters still at home in the large family of a country gentleman from Willingdon, Sussex. Upon arrival in Sanditon, Charlotte meets the colorful and largely female inhabitants of the town. Excerpt: "My name perhaps... may be unknown at this distance from the coast – but Sanditon itself – everybody has heard of Sanditon, – the favorite – for a young and rising bathing-place, certainly the favorite spot of all that are to be found along the coast of Sussex; – the most favored by nature, and promising to be the most chosen by man."

Jane Austen begin writing her last novel, Sanditon, in 1817, wrote 12 Chapters then put it aside and with her death the same year, never finished it. Sanditon on Reflection is a romance novel based on Jane Austen's work and tells the rest of the story as seen through the eyes of Jane Austen's heroine, a young woman by the name of Charlotte Heywood.

This volume presents three of Jane Austen's smaller works, treating readers to the author's timeless observations on life and love in nineteenth-century England. In Lady Susan, a beautiful and flirtatious widow seeks an advantageous second marriage for herself while attempting to push her daughter into a dismal match. Through a series of crafty maneuvers, Susan pursues her schemes by filling her calendar with invitations for extended visits with unsuspecting relatives and acquaintances. Characters are revealed and suspense builds as the plot unfolds through a series of letters. The beloved author also left behind two tantalizing unfinished novels. The Watsons takes place in a familiar domestic milieu, in which a spirited heroine finds her marriage opportunities narrowed by poverty and pride. Sanditon ventures into new territory amid hypochondriacs and speculators at a seaside resort. More than literary curiosities, these stories are worthy of reading for pleasure as well as for study.

A novelisation of ITV's lavish period drama, Sanditon, adapted for television by Emmy and BAFTA-Award winning writer Andrew Davies and based on Jane Austen's unfinished novel. When a chance accident transports Charlotte Heywood to the seaside town of Sanditon, her life changes forever. And when she meets the charming and slightly wild Sidney Parker, she finds herself caught up in a whirlwind of romance, betrayal and changing alliances - nobody in Sanditon is quite as they seem. Discover the world Jane Austen left behind and meet the characters brought to the page by Kate Riordan. Every coastal town has its secrets - but Sanditon has more than most!

The Woman of Colour is a unique literary account of a black heiress’ life immediately after the abolition of the British slave trade. Olivia Fairfield, the biracial heroine and orphaned daughter of a slaveholder, must travel from Jamaica to England, and as a condition of her father’s will either marry her Caucasian first cousin or become dependent on his mercenary elder brother and sister-in-law. As Olivia decides between these two conflicting possibilities, her letters recount her impressions of Britain and its inhabitants as only a black woman could record them. She gives scathing descriptions of London, Bristol, and the British, as well as progressive critiques of race, racism, and slavery. The narrative follows her life from the heights of her arranged marriage to its swift descent into annulment and destitution, only to culminate in her resurrection as a self-proclaimed “widow” who flouts the conventional marriage plot. The appendices, which include contemporary reviews of the novel, historical documents on race and inheritance in Jamaica, and examples of other women of colour in early British prose fiction, will further inspire readers to rethink issues of race, gender, class, and empire from an African woman’s perspective.