"IMMEDIATELY ENGROSSING . . . [A] SPLENDID MEMOIR." --The Wall Street Journal "Run, don't walk to the nearest bookstore and treat yourself to the most heartwarming, nostalgia-producing book you will have read in many a year." --Ann Landers "Entertaining . . . The story of a modest man who succeeded extravagantly by remaining mostly himself. . . . His memoir is a short course on the flow of events in the second half of this century--events the world knows more about because of Walter Cronkite's work." --The New York Times Book Review A MAIN SELECTION OF THE BOOK-OF THE MONTH CLUB

Judith Miller—star reporter for The New York Times, foreign correspondent in some of the most dangerous locations, Pulitzer Prize winner, and longest jailed correspondent for protecting her sources—turns her reporting skills on herself in this “memoir of high-stakes journalism” (Kirkus Reviews). In The Story, Judy Miller turns her journalistic skills on herself and her controversial reporting, which marshaled evidence that led America to invade Iraq. She writes about the mistakes she and others made on the existence in Iraq of weapons of mass destruction. She addresses the motives of some of her sources, including the notorious Iraqi Chalabi and the CIA. She describes going to jail to protect her sources in the Scooter Libby investigation of the outing of CIA agent Valerie Plame and how the Times subsequently abandoned her after twenty-eight years. Judy Miller grew up near the Nevada atomic proving ground. She got a job at The New York Times after a suit by women employees about discrimination at the paper and went on to cover national politics, head the paper’s bureau in Cairo, and serve as deputy editor in Paris and then deputy at the powerful Washington bureau. She reported on terrorism and the rise of fanatical Islam in the Middle East and on secret biological weapons plants and programs in Iraq, Iran, and Russia. Miller shared a Pulitzer for her reporting. She describes covering terrorism in Lebanon, being embedded in Iraq, and going inside Russia’s secret laboratories where scientists concocted designer germs and killer diseases and watched the failed search for WMDs in Iraq. The Story vividly describes the real life of a foreign and investigative reporter. It is an account filled with adventure, told with bluntness and wryness.

With frankness, Stewart tells the story of his own remarkable recovery as well as the extraordinary risks he and other journalists take to report the news from remote war-ravaged countries.".

"Reporter is just wonderful. Truly a great life, and what shines out of the book, amid the low cunning and tireless legwork, is Hersh's warmth and humanity. This book is essential reading for every journalist and aspiring journalist the world over." —John le Carré From the Pulitzer Prize-winning, best-selling author and preeminent investigative journalist of our time—a heartfelt, hugely revealing memoir of a decades-long career breaking some of the most impactful stories of the last half-century, from Washington to Vietnam to the Middle East. Seymour Hersh's fearless reporting has earned him fame, front-page bylines in virtually every major newspaper in the free world, honors galore, and no small amount of controversy. Now in this memoir he describes what drove him and how he worked as an independent outsider, even at the nation's most prestigious publications. He tells the stories behind the stories—riveting in their own right—as he chases leads, cultivates sources, and grapples with the weight of what he uncovers, daring to challenge official narratives handed down from the powers that be. In telling these stories, Hersh divulges previously unreported information about some of his biggest scoops, including the My Lai massacre and the horrors at Abu Ghraib. There are also illuminating recollections of some of the giants of American politics and journalism: Ben Bradlee, A. M. Rosenthal, David Remnick, and Henry Kissinger among them. This is essential reading on the power of the printed word at a time when good journalism is under fire as never before.

The pioneering TV news journalist shares her extraordinary story in this acclaimed memoir: “A very important book” (Dr. Maya Angelou). As the first black female television journalist in the western United States, Belva Davis overcame the obstacles of racism and sexism, and helped change the face and focus of television news over the course of five decades. Born in the Great Depression to a fifteen-year-old Louisiana laundress, and raised in the projects of Oakland, California, Davis persevered to achieve a career beyond her imagination. Davis has seen profound changes in America, from being verbally and physically attacked while reporting on the 1964 Republican National Convention in San Francisco to witnessing the historic election of Barack Obama in 2008. She reported on some of the most explosive stories in modern American history, including the Vietnam War protests, the rise and fall of the Black Panthers, the mass suicides at Jonestown, the onset of the AIDS epidemic, and many others. She encountered everyone from Malcolm X to Frank Sinatra, James Brown, Ronald Reagan, Huey Newton, Muhammad Ali, Fidel Castro, Condoleezza Rice, and more. Davis spent her career on the frontlines of the battle for racial equality, bringing stories of black Americans into the light of day. Still active in her seventies, Davis hosted a news roundtable at one of the nation’s leading PBS stations. In this way she remained engaged in contemporary journalism, while offering her unique perspective on the decades that have shaped us.

From a Washington Post weddings reporter who’s covered more than two hundred walks down the aisle comes a warm, witty, and wise book about relationships—the mystery, the science, and the secrets of how we find love and make it last. Ellen McCarthy has explored the complete journey of our timeless quest for “The One,” the Soul Mate, the Real Thing. This indispensable collection of insights—on dating, commitment, breakups, weddings, and marriage—gives us a window into enduring romance: • Go Online Already—“It’s a major time suck and a black hole of rejection and ambiguity and lies. But you know what? It also works.” • Keep It Confidential—“If you have to get something off your chest, pick someone whose wisdom you really trust, and who isn’t likely to spread the gossip to all your mutual acquaintances.” • Be Nice—“Brewing the morning coffee, touching the small of your partner’s back, filling their car with gas. These things add up to more relationship satisfaction than a fancy dinner on Valentine’s Day ever could.” The Real Thing features many more nuggets of wisdom, valuable information from the latest studies on commitment, candid testimonials from a variety of couples, and the personal story of McCarthy’s own search for “the keeper”—which begins, ironically, with a breakup the very same day she started as the Post’s full-time weddings reporter. Whether you’re looking for love or looking to strengthen your relationship, this book is a wonderful and clear-eyed map to the human heart. Praise for The Real Thing “A wise and compassionate look at how we love, along with some gentle suggestions for how we could get a little better at it . . . McCarthy has done something rare: She has written an optimistic book about love that is clear-eyed and unsentimental.”—The Washington Post “What a charming and captivating book this is! We never stop learning about love, and so many great lessons are within these pages.”—Elizabeth Gilbert, author of Eat, Pray, Love “My readers often say to me, ‘If we lived next door to each other, we'd be best friends.’ That is precisely what I wanted to say to smart, funny, self-effacing Ellen McCarthy after I finished reading The Real Thing. I loved every lesson laid out in a book that wouldn’t dare to call itself a field guide to marriage but amounts to as much on every page. This is a deeply useful little book.”—Kelly Corrigan, author of Glitter and Glue “Upbeat and sweet . . . This rich collection of stories charms and edifies, is filled with quotes from couples as well as experts in the field, and serves as not just stories to sigh over but lessons to apply.”—Booklist (starred review) “A fun read full of wonderful stories . . . McCarthy delivers a welcome combination of cynicism and poignancy in this account, which reads with the ease and accessibility of a self-help book.”—Library Journal “A comforting, realistic, and endearing portrait of modern relationships . . . This book will not only charm those in decades-old marriages, but also inspire those afraid love will never arrive for them.”—Publishers Weekly “Straight-talking . . . dating advice for adults of all ages.”—Kirkus Reviews

Winner of the British Columbia National Award for Canadian Non-Fiction Finalist for the Shaughnessy Cohen Prize for Political Writing Finalist for the Governor General’s Literary Award for Non-fiction Finalist for the Hilary Weston Writers’ Trust Prize for Nonfiction A remarkable work of non-fiction that reads like a thriller, All We Leave Behind is the story of an Afghan family's frightening escape from a murderous warlord, written by a journalist who broke all her own rules to get them to safety. In 2002, Carol Off and a CBC TV crew encountered an Afghan man with a story to tell. Asad Aryubwal wanted to expose the tyranny of his country's warlords and reveal their deep involvement with Americans and NATO troops. He took a calculated risk when he agreed to be a key figure in a documentary. But his courage and candour set off a chain of events from which there was no turning back. Asad, his wife, Mobina, and their five children had to flee their home. In exile, the family was still in danger and facing an uncertain future. Their dilemma compelled a journalist to cross the lines of disinterested reporting and become deeply involved. Together, they navigated the Byzantine international bureaucracy and the Canadian government's intransigence until the family finally found a new home. Carol Off's powerful account traces not only one family's journey and fraught attempts to immigrate to a safe place, it also illustrates what happens when a journalist becomes irrevocably caught up in the lives of the people in her story and finds herself unable to leave them behind.